INSOMNIA STREAM： MONA LISA EDITION.mp3

00:00:00 Never. Never.
00:03:33 Never, never care.
00:03:38 Good morning, good evening, good afternoon, and good Lord, my Internet has been sucking balls.
00:03:44 I think now I have to. I think I have to wait till a different time now. But I mean it's working now after dropping 800 frames of course which which is not an insignificant amount of frames.
00:03:57 In fact, it's 5% of the frames we've done so far. So anyway, we've got a full show for you tonight, and because, you know, look, there might be dropouts like there were yesterday. And I don't want to be stopping and commenting on all that ********.
00:04:11 Because as well, especially because a lot of people don't watch this live and they don't need to hear that **** because the recording is going to be fine.
00:04:19 So if it when and if with there's Internet problems, I'm just going to power through it. Sorry, you might have to refresh a couple of times, but I don't want to have to keep talking about how the internet's sucking balls. I am going to look into.
00:04:32 You know this is unacceptable 2 out of my 3 Internets don't even work today, so this is.
00:04:40 You know, and I don't, I don't know what to.
00:04:42 Tell you I have three different internets and like two of them.
00:04:45 Don't even work at all.
00:04:46 This one is shoddy, so in fact I just dropped another 100 frames.
00:04:51 So anyway, whatever we're going to power through it, because the recording will be fine and this is going to be I spent.
00:04:59 Hours and hours.
00:05:00 On preparing tonight for you and I don't want to **** ** the whole.
00:05:06 Flow of things by going oh goal, I need to drop you more free.
00:05:12 You know what I mean?
00:05:13 Like we can't.
00:05:13 Do that can't.
00:05:14 Have that so it is what it is.
00:05:17 We're going to be dissecting a film as requested, live and that took a lot of preparation to get, you know, all the clips ready and all that stuff.
00:05:29 And so you know it, it's.
00:05:31 We'll see how it.
00:05:32 Works if even if if this works.
00:05:35 Well, which I think it will I.
00:05:37 I this is.
00:05:39 This is quite the subversive film.
00:05:41 OK, this is quite the subversive film, and I actually hadn't watched it until, like, really.
00:05:49 Well, I guess technically today.
00:05:50 Well, within the last 24 hours, that was the first time I ever watched.
00:05:53 It and I was just like oh.
00:05:56 Oh, OK wow. Alright.
00:06:00 But we'll we'll check out that in a second.
00:06:02 I wanted to look at a just a couple of news items real quick before we dive into that.
00:06:10 In fact, maybe just one, maybe just one, there's another one, but it's like really, really long.
00:06:16 And yeah, we might have to say, well, maybe we'll save it till after the the movie stuff, because I have no idea.
00:06:22 How long that's going to take, since it'll be live, but anyway.
00:06:27 The headline.
00:06:34 This is not science fiction.
00:06:37 And by the way, this is from Harris.
00:06:38 This is the one of the Jewish newspapers in.
00:06:41 Israel, I believe.
00:06:43 This is not science fiction.
00:06:45 Israeli researchers have grown an embryo outside.
00:06:48 Of the womb.
00:06:50 Now what this article is going to talk about.
00:06:52 They're really excited.
00:06:55 They're really excited because now.
00:06:59 You don't need.
00:07:01 A father and a mother to make an embryo.
00:07:06 By the way, if you're, if you're against abortion because you think it's murder, they're they're celebrating murder right here because they created.
00:07:15 I mean they fertilized an egg, they created an embryo and then destroyed it for science, right.
00:07:20 So they're they're murdering babies for science and and for the science that they're they're doing the research they're doing.
00:07:26 It's they want to be able to make same sex babies.
00:07:32 Like you think the the the.
00:07:33 Spiteful mutant problem is bad now.
00:07:37 Wait till you see.
00:07:37 How this turns?
00:07:38 Out they want to get.
00:07:40 They basically want the ability for two men to create a baby.
00:07:47 Or presumably I don't know, or maybe not.
00:07:49 I guess not too.
00:07:50 Women just yet, but women have just become I, I guess, obsolete in a way.
00:07:55 And I'm sure there's lots of in cells that are like kind of excited about this.
00:07:59 You mean wait, you mean me and my in cell buddy, we can just get together and and make a baby.
00:08:07 Please don't do that.
00:08:09 Please don't.
00:08:10 Don't mix the DNA of two in cells to make like the Uber in cell.
00:08:15 I'd be so ****** *** if that was the source.
00:08:17 Of of my my being.
00:08:20 Because, again, they're spiteful mutants that are resulting out of out of people who are successfully copulating.
00:08:30 You you want something, you want the most ************* thing that's ever existed.
00:08:35 Mix the two in cells together to make the Super in cell.
00:08:38 But I don't think most people are thinking like that, although I guarantee you some of them are there.
00:08:42 There's there's a few.
00:08:43 People that are.
00:08:43 Like, well, I don't know.
00:08:45 Jews made it, but I could have a kid without it.
00:08:50 No, you don't.
00:08:51 No, this is bad.
00:08:52 All right, so here we.
00:08:52 Go this nice.
00:08:54 This is not science fiction.
00:08:55 Israeli researchers have grown an embryo outside the room and Jacob Hannah's lab at the Wiseman Institute for the first time in the world. Scientists succeeded in growing a mammal embryo outside.
00:09:08 The the womb.
00:09:09 The implications of this unprecedented achievement could be enormous, from growing synthetic embryos for organ implants.
00:09:16 Oh good.
00:09:18 And let's let's grow humans so we can harvest their organs.
00:09:23 That doesn't sound like bad.
00:09:26 There's no, there's nothing unethical about that.
00:09:29 There's nothing that that could.
00:09:31 What could go wrong?
00:09:32 From growing synthetic embryos for organs implants to creating an infant whose biological parents are two men.
00:09:40 Ooh yeah, an embryo floats in a path of warm liquid, transparent folded into itself, like all embryos.
00:09:50 There's the large head with a round eye in it, the Red heart and the spinal cord that extends the vertebrae by vertebrae to the curled up tail.
00:10:03 Anyone might think it's a regular embryo, but no, this embryo is not developing within a mother's womb.
00:10:10 Because wombs are not.
00:10:12 Obsolete, but between the glass.
00:10:15 Slides or sides I guess of a revolving vial at a temperature of 37 degrees Celsius, set by a faithful thermostat.
00:10:26 It's the first time in the world that scientists have succeeded in growing the embryo of a mammal like as this at least this one.
00:10:34 'S Not a human.
00:10:34 I thought I thought they'd.
00:10:35 Gone full psycho with the human shift.
00:10:38 No, no, not yet that that's coming.
00:10:40 It's a mouse embryo for a period of this duration.
00:10:44 The venue is the laboratory of Professor Jacob Hanna.
00:10:48 From the molecular genetics department of the Wiseman Institute of Science in Rehovot, Hannahs mice are celebrating 11.5 days out of 19, which is a full term for a mouse mom.
00:11:03 That means they have gone through the critical period in the life of an embryo, the first third of its development.
00:11:10 During which all are formed or I'm sorry during which are formed all the tissues and organs that the mature mouse will possess.
00:11:24 They were taken.
00:11:24 From the womb, when they were only solitary accretions of cells a few days old, and from that point they did everything on their own.
00:11:36 In the depths of the incubator, the cells divided and organized in the shape of a sphere with three layers, which then began wandering and coming up against one another.
00:11:46 Inwardly and outwardly, fast than slow in a straight line or rotating with the perfect timing end and splendid active design, all the tiny organs were for.
00:11:57 Formed brain, lungs, digestive system, kidneys, legs and reproductive organs.
00:12:04 A perfect mouse, fruit of the womb without the womb.
00:12:08 Until now, scientists had succeeded in growing an embryo outside the womb for only a few days following fertilization until the implantation stage, at which the embryo had hers.
00:12:20 The wall of the uterus.
00:12:22 This, in fact, is the basis for the standard fertility treatments.
00:12:25 Today, a sperm cell fertilizes an egg in a test tube.
00:12:30 The fertilized egg divides and forms into a spherical embryo, which grows in the test tube for a few days before being implanted.
00:12:38 In the womb.
00:12:39 The day of implanting that was found is a critical milestone in the embryos development and a tough act to imitate embryos that were removed from the womb after that stage succeeded in growing in the laboratory for only a day and 1/2.
00:12:55 And even then there were deformations. Professor Hannah's lab then or then is recording an unprecedented achievement not only in terms of the competition.
00:13:07 For the longest time, it's possible to grow an embryo outside the.
00:13:11 Womb, but regarding.
00:13:12 The possibility to carry out what the late biologist Lewis Wolpert.
00:13:17 Truly, the most important time in your life, namely gastrulation the embryos, differentiation into the three layers from which the organs will develop, and even the formation of the organs themselves.
00:13:32 We succeeded in encompassing the the whole process, Hanna says, in fact.
00:13:37 We are already.
00:13:38 Succeeding in connecting all the points of the time frame, including the implementation stage, but we're saving that for our next article, he said with a smile.
00:13:49 So then this?
00:13:50 Goes on and on.
00:13:51 And on basically what they're talking about is pod babies.
00:13:55 Pod babies that can have two fathers.
00:13:59 Instead of a father and a mother.
00:14:02 They want pod babies and they want them quick.
00:14:07 I mean, ****, I mean, I guess.
00:14:08 You don't even.
00:14:09 Why not?
00:14:09 Why not have the two fathers be the same person?
00:14:14 They could do that.
00:14:16 Because what they're doing just to.
00:14:18 Sum up kind of the technology behind what?
00:14:20 They're doing here.
00:14:21 I guess the process.
00:14:24 He's they're saying they can get a skin cell.
00:14:27 From anybody.
00:14:29 And mate and produce an egg from that.
00:14:33 And then implant or then I'm sorry.
00:14:34 Fertilize that egg with a real sperm.
00:14:39 And then grow that.
00:14:41 Possibly the term, or at least much longer than they could previously outside of a womb.
00:14:50 But if since all they need is a skin cell, apparently to make an egg and it can be from a man, it can.
00:14:56 Be from anybody.
00:14:57 Why not? Why not?
00:14:59 Why not take it skin cell of yourself?
00:15:01 And then.
00:15:02 Impregnate it with your sperm.
00:15:05 They're they're gonna do that, you know, you might not ever hear about it.
00:15:10 It might not be written up in any papers.
00:15:12 They're gonna do that.
00:15:14 They're going to do that.
00:15:16 And it looks a lot of people.
00:15:18 Aren't going to give.
00:15:19 A **** about that, because I mean.
00:15:21 Why would they?
00:15:22 This is one of the reasons why you can't be loosey Goosey about abortion just because of the the demographics that that use it the most, because that means you have no principles.
00:15:36 And when you have no principles, stuff like this.
00:15:38 Is allowed to happen.
00:15:40 And you know, it leads to, I mean, haven't you seen Jurassic Park?
00:15:45 You know where this goes.
00:15:48 Oh, God, yeah.
00:15:52 One step closer.
00:15:54 One step closer to.
00:15:57 The kind of clown world you can't escape from.
00:16:00 In any way shape or form?
00:16:03 So that's that's.
00:16:06 That's the latest invention of the Jews.
00:16:13 A gift to our societies.
00:16:16 Thank you. Thank you Wiseman.
00:16:20 Institute for your hard work.
00:16:26 Oh boy.
00:16:27 All right.
00:16:27 Well anyway.
00:16:30 On a somewhat related matter.
00:16:33 In fact, isn't.
00:16:34 I think one of the people I'm even going.
00:16:35 To be talking about their last name is Wiseman.
00:16:38 No, close enough, Rosenthal.
00:16:40 Schiff, Schindler.
00:16:41 You know Goldsmith.
00:16:46 So I watched this movie again. Like I said, less than 24 hours ago.
00:16:52 Only because I had talked earlier about chick flicks and how chick flicks were very emotion based and and didn't.
00:17:02 And if you really stripped out the emotional ice cream as I called it, that there wasn't really.
00:17:10 Any reason to it, you know, like the the story itself was usually pretty terrible.
00:17:15 Like, no, I don't mean like, terrible.
00:17:16 Doesn't like poorly written, although that applies too.
00:17:18 I mean like actually terrible.
00:17:20 Like the woman the the the protagonist woman is is ******* terrible like a horrible person.
00:17:28 But because there's enough enough emotional dressing slathered all over it, women would eat it up.
00:17:35 And so I was going.
00:17:36 Through and trying to think of a chick flick that maybe I hadn't seen yet because.
00:17:44 I try to.
00:17:45 Do that if if possible.
00:17:46 I've seen like a lot of ******* movies.
00:17:48 I've seen a lot of movies, but it's I feel like it's better if I can watch it for the first time.
00:17:54 Not well, not only just because I can see it with fresh eyes, but it's less boring for me, you know?
00:18:01 Like, if it's something I've already seen, it's kind of.
00:18:05 Here's the part I hate the.
00:18:06 Most you know so.
00:18:08 The movie that I chose was called.
00:18:13 Well, at first let me just.
00:18:14 Give you some I.
00:18:15 Mean you're not going to know, but just before I.
00:18:17 Say what? It's.
00:18:18 Called it was produced by Elaine Goldsmith, Deborah Schindler and Paul Schiff, and written by Laurence Conner.
00:18:28 And Mark Rosenthal.
00:18:31 Starring Julia Roberts, Kristen Dunst and uh Julia Stiles, that movie, of course, is.
00:18:40 Mona Lisa smiles.
00:18:42 Which rhymes?
00:18:43 I planned that I didn't, but I.
00:18:46 Maybe I did.
00:18:48 I didn't.
00:18:49 I wish I had.
00:18:50 No, I don't.
00:18:52 OK so.
00:18:54 This movie I I had no idea what it what it would even be about.
00:18:57 I just knew.
00:18:57 OK, with that kind of a cast and that kind of a name and that kind of a movie poster, it's going.
00:19:02 To be soaked in estrogen.
00:19:05 So let's let's have a little look.
00:19:07 Shall we?
00:19:08 Let's have a little look at this film.
00:19:12 And as I'm watching it.
00:19:16 They did not disappoint.
00:19:17 They did not.
00:19:21 In fact, it kind of took me down a a slightly different Rd.
00:19:24 I mean everything I was saying about chick flick still applies, but there is some other considerations to be made because this is a it's it's historical fiction.
00:19:38 Hollywood will often do that.
00:19:40 They call them period pieces.
00:19:43 Period pieces and the power of a period piece is it depicts history, not how it was, but how they wished that it had been, or how they think it can have the the biggest impact on an audience.
00:19:57 Had it been like that?
00:20:00 So I'm just.
00:20:01 Appear that noise I'm trying to.
00:20:03 Plug in my headphones.
00:20:05 So I'm going to have.
00:20:06 Audio. Come on.
00:20:11 Bear with me one second here.
00:20:13 And that's.
00:20:14 That's precisely what they did with here.
00:20:16 We go get in there, you *******.
00:20:19 There we go. OK.
00:20:22 So that's what they did with this movie in a way.
00:20:25 And and I'm now that I've seen this and and to what level they they went with this movie.
00:20:33 I suspect there's a lot more movies just like this that I'm going to have to look into and by like this.
00:20:40 What I mean is what they do is they find.
00:20:46 A A way that.
00:20:50 A particular demographic that the writers belong to, that the producers belong to.
00:20:56 Subverted the West.
00:20:59 And they redo a retelling of that subversion.
00:21:04 Not just in how it it it took place to make.
00:21:09 It more palatable.
00:21:11 But they changed the demographics of the people doing it.
00:21:18 In a very significant way.
00:21:23 So we're going to take a look at this.
00:21:26 Let me put my headphones on.
00:21:29 Oh, we're still live, at least.
00:21:32 Haven't dropped a whole lot of frames.
00:21:33 That's good.
00:21:34 That's good.
00:21:36 All right, headphones are on.
00:21:39 Bump. Bump.
00:21:40 So the way this starts out.
00:21:45 And I bring this file up here.
00:21:57 So this is being narrated by.
00:22:01 One of the students.
00:22:04 Played by Kristen Dunce.
00:22:06 Is that how you say her?
00:22:07 Name Dunst.
00:22:08 I don't know.
00:22:09 It's a stupid name.
00:22:13 She is narrating the the story of a teacher that came to her school.
00:22:20 And changed the lives of all the girls there because it was all girls school back when that existed, I guess.
00:22:26 Well, I guess maybe.
00:22:27 They still exist.
00:22:28 And again, this is a a historical fiction retelling.
00:22:35 The subversion of the school systems really, and the implementation of modern art, the destruction of classical art.
00:22:44 And the the this post modernist garbage, you know Picasso ****.
00:22:50 And just everything just horrific **** in in place of what was traditionally taught at these colleges, but not just the art itself like Jackson Pollock.
00:23:02 ********, which they.
00:23:04 Highlight in the film as something beautiful and amazing that that Julia Roberts is exposing her students to, but also this injection of feminism into.
00:23:18 And an attack on traditional marriage, the idea that that girls would want to get married.
00:23:28 You can have it all.
00:23:29 You can do both.
00:23:31 See that used to be the refrain.
00:23:33 I don't even think they.
00:23:34 Say that anymore.
00:23:35 But that because they didn't, they knew they couldn't just automatically hijack a woman's desire to be married. They had to say, OK, OK, no, no, no, no, no.
00:23:44 You can still do that.
00:23:45 You have time you can do.
00:23:47 Both you can go to school, you can go to college then can go out and become a lawyer or a, you know, whatever, right?
00:23:54 And you'll be you'll have time to do both.
00:23:56 You'll have time to get married and have children, so this is a the story.
00:24:03 Of that subversion.
00:24:06 Fictionalized to make it sound more exciting and awesome and powerful and good, it's good that this this happened.
00:24:16 It's good and in hindsight, some of this stuff's going to really be, I think, a little depressing to.
00:24:22 A lot of people.
00:24:24 And of course this is fair use.
00:24:28 I am commenting on this and I've edited it and this is for educational purposes, so here we go.
00:24:42 Why is that audio not playing?
00:24:44 Oh, because it's muted.
00:24:45 Let's try that again.
00:24:49 All her life, she had wanted to teach at Wellesley College.
00:24:53 So when a position opened in the art history Department, she pursued.
00:25:06 It was whispered that Catherine Watson, the first year teacher from Oakland State, made-up in brains what she lacked in pedigree.
00:25:16 Catherine Watson totally made-up boy name.
00:25:21 Totally made-up boy name.
00:25:23 As a composite for another group that did precisely what we're going to watch, Catherine Watson do.
00:25:33 Catherine Watson, doesn't that sound like a nice respectable?
00:25:37 White lady name Catherine Watson elementary.
00:25:41 My my dear Watson.
00:25:44 Sounds very Anglo.
00:25:48 And here she is, admiring the the the beautiful modern art that she's going to bring to this school, this Christian women women's school.
00:26:01 And odd cause they mention oh, she was this bohemian in California from Oakland.
00:26:09 And all her life, it was her dream to teach at this Christian School.
00:26:16 Ah, that's that's a little weird.
00:26:22 Why is it not playing?
00:26:24 Which was why this Bohemian from.
00:26:26 California was on her.
00:26:28 Way to the most conservative College in the nation.
00:26:31 The most conservative College in the nation.
00:26:35 That's that's that's her dream job.
00:26:37 This this leftist from from California, from the Bay Area.
00:26:42 Her dream job was to teach at the most conservative College in America.
00:26:43 OK.
00:26:49 Give me please.
00:26:56 And because the way I did this, it's.
00:26:59 I got it.
00:27:00 All right.
00:27:00 Never mind.
00:27:00 I just paused in the wrong spot.
00:27:02 It's OK.
00:27:02 We're going to keep.
00:27:03 Going see This is why I don't do it live.
00:27:06 But Catherine Watson didn't come to Wellesley to fit in.
00:27:10 She came to Wellesley because.
00:27:12 She wanted to make a difference.
00:27:15 See she.
00:27:17 She wanted to make a difference.
00:27:21 She wanted to make a difference.
00:27:24 Just like this group that she's a composite for.
00:27:28 I believe they have.
00:27:29 A term something like tecum Olum or something like that, right?
00:27:34 She wanted to make a difference.
00:27:35 She wanted to.
00:27:36 Go to the she specifically chose.
00:27:39 The most conservative college.
00:27:42 Because she wanted to change it.
00:27:47 She relentlessly over and over and over, applied for this job.
00:27:52 That was her dream.
00:27:55 He specifically targeted that school.
00:28:00 Because she wanted to.
00:28:02 Make a difference.
00:28:16 1953.
00:28:22 Notice the extreme Christian imagery they're making.
00:28:27 A point here.
00:28:30 They're making a point here.
00:28:37 I mean, you can't.
00:28:39 You can't be more obvious about making this point.
00:28:44 There's a huge focus.
00:28:47 On images of Christianity in the opening, because what they do is, I mean immediately this is this is within the first few minutes of the.
00:28:58 They're immediately trying to connect with Christians watching this movie, saying, well, yeah, look how beautiful and calm and respectable this place is.
00:29:07 You know the the the music isn't I'm anous or anything like that.
00:29:10 See, this is when they.
00:29:12 Were still pretty clever.
00:29:13 About the propaganda.
00:29:16 Because they have to build it up and and and and have you connect with it before they tear it down.
00:29:25 And so it won't be long, by the way.
00:29:27 They'll first, they'll get you to connect with the beauty and the serenity of this college campus with the beautiful architecture and the well behaved upper class white women that go to this school.
00:29:42 Well, with the exception of.
00:29:44 One of the women, who is a fellow white, which we'll get into later, by the way, a complete exact I another film that I I that's kind of similar I guess in a way that I have covered is called saved.
00:29:59 And there's a a review of that on my bit shoot channel, probably Odyssey too.
00:30:06 Where they have one Jewish character and she at a Christian School.
00:30:11 And she's the cool, hip, ****** 1.
00:30:15 Well, they have that exact same character in this.
00:30:17 Movie too. So we'll meet.
00:30:18 In a moment, but in the mean time, they're going to focus on the tradition and how the aesthetic and the feeling of having this institution.
00:30:37 And here we're going to see ritual.
00:30:39 This is a ritual that this school apparently does.
00:30:44 That further will will.
00:30:47 Hammer home that this is an institution that has traditions that are upheld for generations.
00:30:58 Who knocks at the door of learning?
00:31:01 I am every woman.
00:31:04 And that's a Chapel you might notice.
00:31:06 What do you seek?
00:31:08 To awaken my spirit through hard work and dedicate my life to knowledge.
00:31:13 Then you are welcome, all women who seek to follow you can enter here.
00:31:20 I now declare the academic year begun.
00:31:37 More, more Christian imagery, the church bell, the soundtrack.
00:31:42 It's it's this beautiful, serene Christian School.
00:31:53 I mean, you can't be more obvious.
00:31:57 With that imagery, I mean, I don't know if you caught it, but even on the bell, there's an actual cross on the bell.
00:32:03 And the birds flying out.
00:32:07 The doves.
00:32:12 Shane, you didn't come.
00:32:13 Yesterday it's so quiet before the girls arrived.
00:32:16 See and this is the.
00:32:17 This is when they first start to chip away at this beautiful veneer that you've just been shown.
00:32:25 You've been shown this this very heaven like.
00:32:32 Campus that nearly anyone watching this would want to go well, unless you're subversive yourself.
00:32:38 Would want to go to.
00:32:40 But now we're we're we're seeing the first cracks.
00:32:45 The the paint is starting to peel back and we've got this angry.
00:32:51 Like nurse Ratchet type battle axe of a woman introducing her to the campus and showing her her living quarters.
00:33:02 Just a few rules.
00:33:04 No holes in the walls.
00:33:07 No loud noises, no radio or high five after 8 on weekdays, 10 on weekends, but no hot plates and no male visitors.
00:33:19 And so Julia Roberts character decides.
00:33:24 Well, if I can't have male visitors.
00:33:28 I'm not going to live here.
00:33:32 Like, that's literally what she's she she can't handle living on campus because she can't be a *****.
00:33:39 And The funny thing is, is we'll find out later.
00:33:42 She's got a boyfriend back in California that she left behind, so why would she want male visitors anyway?
00:33:49 But you know.
00:33:51 It is what it is.
00:33:54 She cannot be she.
00:33:55 She will not be **** shamed.
00:33:57 So she finds somewhere else to live.
00:34:04 Your rooms, yeah.
00:34:05 My room is.
00:34:06 It's just across the way and.
00:34:10 Amanda Armstrong's down the other end.
00:34:13 You grew up?
00:34:14 Here my whole life they'll meet my parents.
00:34:18 When they come to visit.
00:34:20 They visit.
00:34:26 So she finds a a nice Christian woman who's willing to let her live at her home.
00:34:33 And look how angry she is.
00:34:34 You know, I'm gonna have to meet.
00:34:35 Your parents?
00:34:38 I'm yet to meet your parents.
00:34:43 So she she's mad because she couldn't be a ***** at the other place.
00:34:47 And now she's got to meet this nice lady's parents. *** ****, I hate. I hate this place already thinks the Californian.
00:34:56 In air quotes.
00:34:58 We all know it that that's really code for Watson.
00:35:08 All right, so this is her first day of class.
00:35:12 And she's showing students slides from the book.
00:35:18 This one you are probably less familiar with.
00:35:21 It was discovered by archaeologists.
00:35:23 1879 Lesco France dates back to 10,000 BC, singled out because of the flowing lines depicting.
00:35:29 The movement of the animal.
00:35:32 So here she finds out that the students.
00:35:36 Have already read.
00:35:38 All of the books listed in the syllabus.
00:35:41 These are high class, high IQ students.
00:35:45 Nothing like the the degenerate progressive school that she went to.
00:35:52 And so she becomes very upset because they seem to know more about the textbook.
00:35:59 Than she does.
00:36:04 I'm curious about the subject of your.
00:36:06 So she because she looks so out of her depth, she gets called into the Dean's office. So this is the.
00:36:12 The Dean's office here.
00:36:14 Or dissertation.
00:36:16 You suggest because your will do.
00:36:19 For the 20th century, what Michelangelo did for the Renaissance, UN quote.
00:36:26 In terms of influencing movements?
00:36:28 So these canvases that they're turning out these days with paint dripped and splotched on them there is worthy of our attention as Michelangelo's Sistine Chapel.
00:36:41 And so there you go.
00:36:42 You've got the the white patriarchy saying like, look.
00:36:46 I'm reading your dissertation here and and you know you're gonna be teaching our kids about art, and you're sitting here telling.
00:36:52 Us that Jackson Pollock and and and ******* Picasso and all this stuff are are even remotely comparable to the Sistine Chapel.
00:37:03 Are you ******* kidding me?
00:37:10 And you know honestly right there is when.
00:37:12 This is this is the.
00:37:13 Problem the problem is the institution didn't.
00:37:16 Show where the door right then and there.
00:37:20 They continued.
00:37:20 They allowed her to exist.
00:37:24 It's kind of like with cancer.
00:37:25 If you find out right away, you know soon enough that you've got it, it's it's a cinch, right?
00:37:30 But if you let it stay too long, it gets a little out of control and that's kind of the situation with the.
00:37:35 Educational system.
00:37:38 So they they let her stay after giving her a little bit of a dressing down. And of course the Dean, because most of the the administration at this school, it's a women's college, most of them.
00:37:49 Are women.
00:37:50 But the head guy, of course, is is still when it comes right down to it, the the white male patriarchy.
00:37:57 And why not?
00:38:04 I Love Lucy.
00:38:07 Even though she is.
00:38:07 A communist?
00:38:09 So which that's pretty based.
00:38:12 So the the the based nice Christian lady, that's her roommate.
00:38:17 They constantly try to show her.
00:38:20 As some kind of stupid Normie that just watches TV, you know that she's she's like, she's the stupid normie that, that, you know, that is addicted to entertainment and there's no depth to her. She's very one-dimensional. And you know, she's because.
00:38:40 She teaches, for example, one of the things that she teaches is etiquette for the the women, and you will see a.
00:38:47 Little bit of.
00:38:47 That in a little we'll see more of that a little bit.
00:38:50 And that, but this is the way she's portrayed.
00:38:53 She's just this stupid, vapid ho that watches TV and has no philosophical thoughts in her head.
00:39:04 So this is just one of her roommates we're about to meet the new the other roommate who is a a stark contrast.
00:39:17 The alumni, their offspring, the faculty, you name it.
00:39:21 Watch out for yourself.
00:39:23 Too much independence frightens them.
00:39:26 Will you please stop.
00:39:28 Ohh, word of advice.
00:39:30 Don't let those girls know that they got to you.
00:39:37 So the other roommate.
00:39:40 Is a lesbian and of course smart and clever and becomes her ally in this Christian hell hole that she finds herself in.
00:39:52 You know the the, the, the Christian, the nice lady that that led her into the home that owns the home.
00:39:58 You know, she, she's she's, you know, she's ******* ********.
00:40:02 She watches TV all the time.
00:40:04 She's she's a dingbat or bat, right, but this this really smart professor lady, this lesbian professor lady.
00:40:13 You know, she's the one that's going to be understanding and and the high IQ.
00:40:24 So with the lesbians?
00:40:30 Julia Roberts character decides instead of following the book because apparently the students know the book, and so if she follows the book, she's going to just look stupid all the time because they're going to know the book better than she does.
00:40:44 She's going to just show.
00:40:45 Them what her?
00:40:46 Whatever horrific **** she that she thinks is art.
00:40:51 And so this is a clip from that.
00:40:53 This is her.
00:40:54 Her first day back after being shown up by the high IQ white students.
00:40:59 She she has to show them who's boss by introducing her subversive art into the school.
00:41:12 What is that?
00:41:14 You tell me.
00:41:19 And so.
00:41:21 There's a lot of I remember a lot of there's a lot of movies that have this kind of a theme, right, dead poet society or whatever.
00:41:28 There's a lot of these movies where you know well, it's kind of like we were talking about the in a way like the Michelle Pfeiffer movie, where she goes to the ghetto and teaches the black kids how to be.
00:41:38 Human, we kind.
00:41:38 Of talked about that this is it's a, it's.
00:41:40 A variation off that.
00:41:43 And again, these teachers are a.
00:41:44 Composite for who?
00:41:46 For who?
00:41:47 For what group?
00:41:50 I mean, they all have the the writers all have something in common.
00:41:56 Who are these people supposed to be representing?
00:41:58 What is this a metaphor for?
00:42:04 Are standards, technique, composition, color, even subject?
00:42:09 So if you're suggesting that rotted side of meat is art, much less good art, then what are we going to learn?
00:42:17 See and the girls recoil from this.
00:42:19 They're they're like this is bad.
00:42:21 This is terrible.
00:42:22 This is subversive.
00:42:24 You know we don't.
00:42:26 Are you are you seriously presenting this rotting?
00:42:31 Side of beef.
00:42:33 This this not even beautifully drawn rotting inside of beef as art is.
00:42:41 Is this what you're going to be teaching us?
00:42:45 And this Kristen Dunst's character that there's it's just as much about her as it is about Julia Roberts. She is kind of representative of the women who would fit in perfectly.
00:42:59 At these schools.
00:43:03 You know her family's been attending this school for generations.
00:43:07 She wants to live her life precisely as tradition has dictated.
00:43:13 And yet here comes this subversive element into the system.
00:43:18 And we'll see how she reacts.
00:43:22 I think she's fabulous.
00:43:24 Well, here's the Jewish student.
00:43:31 So of course.
00:43:32 All of the the Christian kids are are kind of they don't know what to think about this.
00:43:38 They're they're kind of upset by this new curriculum.
00:43:41 They're kind of upset by this new teacher.
00:43:44 But of course, instantly.
00:43:46 The ****** Jewish student.
00:43:50 Embraces her like immediately, immediately embraces her.
00:43:55 I wonder why that is.
00:43:57 I wonder what that signifies.
00:44:01 I wonder why you would even have again a character like this.
00:44:05 You know the the Jewish student at the Christian School.
00:44:09 That seems to be a very purposeful move there as much as it was in the movie saved.
00:44:18 I think the name of that video by the.
00:44:19 Way is fast food. Jesus.
00:44:23 No man wanted her.
00:44:27 She isn't dead.
00:44:28 She's at least 30.
00:44:30 I guess she never wanted children.
00:44:32 Oh my God.
00:44:34 And look at what they care about.
00:44:37 Look what they focused on.
00:44:38 Look what they pinpointed about.
00:44:39 Or look at what?
00:44:40 They are recoiling from.
00:44:42 It's not just the art, it's the fact that something has to be.
00:44:45 Wrong with her.
00:44:47 She's 30 and she's not even.
00:44:49 She's not married.
00:44:50 She's 30.
00:44:52 Is she crazy?
00:44:52 Didn't she want to have children?
00:44:55 There has to be something wrong with her.
00:45:00 She's 30 and doesn't have children.
00:45:04 This is a terrible thing.
00:45:07 And look, this wasn't like a million years ago. This is 1954 supposedly, right?
00:45:13 But I would say that this kind of thinking, I mean that that went on for decades after this.
00:45:21 This idea that is going to be introduced by this fictional composite.
00:45:29 Played by Julia Roberts that Oh no, you can do it all.
00:45:33 You can do it all.
00:45:34 Being getting married is that's that's you don't want to do that.
00:45:39 You want to follow your dream to go.
00:45:40 Become a lawyer.
00:45:42 You want to make PowerPoints for the rest of your life? That's that's, that's what.
00:45:46 Real women do.
00:45:49 It didn't 100% take hold just yet, but this is when it was first being introduced into the.
00:45:58 The ocean system.
00:45:58 Women like Catherine Watson didn't get married because they.
00:46:01 Choose not to.
00:46:02 Get them.
00:46:02 No woman chooses to.
00:46:03 Have a life without a home.
00:46:05 See no woman.
00:46:07 Chooses to have a life without a home.
00:46:13 She didn't choose to not get married.
00:46:14 Who would choose then?
00:46:16 That's insane.
00:46:19 Who would want to die alone?
00:46:22 Who'd want to be a cat lady?
00:46:28 Because again, this is this is one of the girls that actually gets it at least.
00:46:31 For right now.
00:46:32 This isn't what I think it is, is it?
00:46:40 And see, now they find birth control in the Jewish girls's purse.
00:46:47 And at the time this was illegal, it was illegal in Massachusetts, of all places, a very, very liberal state.
00:46:56 But they find.
00:46:58 The birth control in her purse.
00:47:01 And as she will tell them, it turns out the birth control was given to her by Julia Roberts lesbian roommate.
00:47:10 Where'd you get it?
00:47:14 The school nurse.
00:47:17 It's against the.
00:47:17 Law. No, honey.
00:47:20 It's a girl's best friend.
00:47:23 Ah yes, a girl's best friend.
00:47:29 Now I think because it's 1950, I'd have to see what the dates are. I think that's like a diaphragm or something like that.
00:47:34 But it's it's contraceptives.
00:47:41 And it was illegal.
00:47:44 In Massachusetts at the time.
00:47:48 That's how much things have changed and just in.
00:47:50 Just one lifetime.
00:47:53 That's how much our society changed because of people like the people that Julia Roberts and her lesbian roommate represent.
00:48:07 With TV now this, what they're doing here?
00:48:11 This is a tradition that goes back generations.
00:48:16 They do this little wheelie race and you'll notice some of the girls are pushing baby buggies.
00:48:22 And what this tradition is supposed to I don't know, signify or really what the meaning behind it is.
00:48:31 The the girl who wins the little wheelie race, she will be the first one out of the all the women to be married.
00:48:38 Like, that's the prize.
00:48:39 The prize.
00:48:40 It's kind of like catching the bouquet.
00:48:42 Right.
00:48:42 Oh, my God.
00:48:43 I'll be married first.
00:48:45 And the girls pushing the baby buggies, they're already married and they will have a child first.
00:48:51 These are the the sorts of things that used to be celebrated on ******* college campuses.
00:49:00 That's how much it's changed.
00:49:04 Since 1950.
00:49:05 Three, I guess 5354.
00:49:09 In the 1950s on college campuses where look women have no business being anyway. But let's just, you know, whatever.
00:49:16 This is before it went full ****** at least.
00:49:20 They were still celebrating.
00:49:25 Getting married and having kids.
00:49:28 It was totally normal.
00:49:32 But is that you?
00:49:32 Know this movie is going to make it sound.
00:49:34 Oh, that's terrible.
00:49:35 I can't.
00:49:36 I can't believe that.
00:49:37 That's what this this is.
00:49:38 Oh, my God.
00:49:39 This thing going on.
00:49:45 See, it's been going on since the late 1880s.
00:49:53 Whoever wins is the first to marry.
00:49:56 Why the buggies?
00:49:58 They've got there.
00:49:58 Man, they're wishing for their babies.
00:50:02 Look at the look of horror.
00:50:04 On Julia Roberts face.
00:50:08 She's horrified.
00:50:11 That there would be a ritual like this, horrified.
00:50:15 That there'd be this Jubilee.
00:50:21 And this excitement about getting married and having babies.
00:50:29 And the audiences this movie came out in 2003, the audience in 2003 was supposed to have that exact reaction.
00:50:37 Now she's the character they're supposed to be identifying with.
00:50:40 And the people who disagree with her and think.
00:50:46 Oh, this is nice, this is.
00:50:48 They're supposed to identify with Kristen Dunst.
00:50:52 Which is precisely why she has the transformation that.
00:50:55 She will have.
00:51:07 Providing contraception on demand, our.
00:51:09 School nurse is little more.
00:51:10 Than a cheerleader for promiscuity.
00:51:14 What do you mean what's wrong?
00:51:15 With that so Kristen's character.
00:51:21 She wrote an op-ed in the school newspaper.
00:51:26 Ratting out the the the lesbian roommate for giving out contraceptives to to women.
00:51:35 And Julia Roberts is so shocked, shocked, shocked.
00:51:40 That the students will respond like that?
00:51:42 How dare they?
00:51:43 How dare they say that she's promoting promiscuity?
00:51:49 She's so disgusted by this school that she's found herself in, which I don't understand why I thought this was her lifelong dream, right?
00:51:57 Wasn't this her lifelong dream to teach at this school?
00:52:01 Yet she seems to have no idea what any of the traditions are or and seems to hate all of them.
00:52:06 When she finds out.
00:52:16 I'll spend the better part of Friday afternoon trying to convince the alumni that your record was impeccable, that you would no longer provide a contraceptive devices, and that you'd be willing to make a public statement to that.
00:52:29 No, I'm not willing to make a.
00:52:30 Public statement that doesn't matter, Amanda.
00:52:36 They're letting you go.
00:52:40 And so the lesbian roommate is fired.
00:52:45 For giving out the contraceptives, and again, this is in Massachusetts.
00:52:50 In the 1950s.
00:52:53 That is how fast.
00:52:57 Our institutions have fallen.
00:53:06 And less than a lifetime and less than a lifetime and boomers.
00:53:11 This is why people are kind of.
00:53:13 ****** *** at your generation?
00:53:19 Because this is the reality that you look back on as some kind of dystopia.
00:53:29 But most people.
00:53:32 Your children and grandchildren? They.
00:53:36 This looks like heaven.
00:53:39 OK, good and down.
00:53:41 And again, so now we're back to the Normie, empty headed Christian woman who has the boarding house right.
00:53:51 And you're supposed to see that.
00:53:53 How to cross and uncross your legs and be like horrified?
00:53:56 Like what?
00:53:57 They would have a class like that for women.
00:54:00 What is this?
00:54:01 The stone ages.
00:54:05 Well, I I think that we've.
00:54:07 Learned in modern times.
00:54:10 Women do need to be taught how to be feminine.
00:54:13 Apparently it does.
00:54:14 And by the way, men need to be taught to be masculine too.
00:54:19 But these are things that need to be taught.
00:54:26 But this again, this is the nightmare of the boomer.
00:54:31 And this champagne cup is in the wrong place and up and down and up.
00:54:38 Look at that.
00:54:39 Look on her face.
00:54:41 She's horrified, horrified at what she has found.
00:54:46 These women are being trained like dogs.
00:54:52 Don't they understand there's more to life than being feminine and proper?
00:55:02 They think you're dangerous.
00:55:04 Ohh no darling. No subversive.
00:55:08 That's right.
00:55:10 Because you were subversive.
00:55:12 Now, another thing this movie does, and you'll see this, they make.
00:55:16 They go out of their way.
00:55:19 But that's that's the lesbian that was giving out birth control.
00:55:22 For those of you who are maybe just listening.
00:55:27 They go out of their way to make sure you understand that the word subversive.
00:55:34 Is a label that bad people use.
00:55:39 Bad people call people subversive.
00:55:46 Because this is a movie about subversion, it's celebrating subversion, but it's a movie about subversion.
00:55:55 In fact, it it might be the the as far as movies I've seen at least that.
00:56:01 I can.
00:56:01 Think of it's the most.
00:56:04 That I ever heard the word subversive.
00:56:07 In a single film.
00:56:09 They use it often.
00:56:11 When describing exactly that, they're describing subversion.
00:56:16 The the lesbian.
00:56:19 Teacher at the Christian College giving birth control to the women.
00:56:25 Is being subversive subversive?
00:56:29 She is definitionally, she is.
00:56:36 But the audience in 2003 is supposed to think, Oh yeah, huh.
00:56:42 That's that's some that sounds.
00:56:43 Like a word, a Nazi would use.
00:56:48 What is this McCarthyism?
00:56:53 You know, just like when the empty headed dumb Christian woman said, oh, I like Lucille Ball, I don't even, you know, even though she's a commie.
00:57:05 That's supposed to tell you that.
00:57:07 Oh, yeah.
00:57:08 There's witch hunts witch hunts going after us witch hunts.
00:57:11 Going after the creative and independent and progressive people witch hunts.
00:57:17 Going after this progressive lesbian.
00:57:20 Birth control giver router.
00:57:24 Now they're they're subversive.
00:57:28 They are. They are subversive.
00:57:35 It says here that your pre law.
00:57:38 What law school are you?
00:57:38 Going to go to.
00:57:40 Now this is another one of our students.
00:57:43 Played by her name I think is Julia Stiles.
00:57:50 So Julia Stiles is Kristen Dunce's best friend.
00:57:57 And just like Kristine's character, they they both are. They're they're. They're following the plan they're following.
00:58:05 The the tradition.
00:58:07 They're going to get engaged and married and they'll finish out their degree because they're educated, high class women, but ultimately what they want is.
00:58:17 A home.
00:58:19 And children and a husband.
00:58:24 And that is 100% unacceptable.
00:58:28 To Julia Roberts.
00:58:32 She cannot believe that these smart women would want to do that because don't you know you, that's your potential.
00:58:40 You have so much more you can do with your life.
00:58:45 You don't want to be just a mom.
00:58:50 She wants to be married.
00:58:54 Well, now, now that now that.
00:58:55 You you stuck up traditionalists got my lesbian.
00:59:02 Roommate fired.
00:59:04 I'm going to have to start subverting all.
00:59:06 On my own.
00:59:08 I hadn't really thought about that.
00:59:09 I mean, after I graduate, I plan on getting married.
00:59:12 And then.
00:59:14 And then I'll be married.
00:59:17 Oh my God.
00:59:19 The horror.
00:59:22 I can't believe it.
00:59:26 I can't believe these people think this way.
00:59:31 I'm in some kind of of dystopian nightmare.
00:59:38 Says Julia Roberts, a composite for Jews.
00:59:45 OK, don't get up.
00:59:47 Don't hear what I have to say about Tommy and Spencer.
00:59:50 Looking at an engagement ring for you.
00:59:56 You sure?
00:59:58 That's everything we always wanted.
01:00:00 We'll be best friends and and our husbands will be best friends and we'll have houses together and we'll have babies together.
01:00:07 They'll be best friends.
01:00:10 You're going to be missus, Tommy Donegal.
01:00:13 When I'll get the scoop tomorrow.
01:00:17 You go back to sleep.
01:00:21 And again, wow.
01:00:23 So terrible, right?
01:00:24 So terrible.
01:00:26 Let's live in a neighborhood in a community with my good friend.
01:00:31 And our husbands will be friends.
01:00:34 And will have children at the same time, and the children can be friends.
01:00:39 Oh, my God, that's so terrible.
01:00:41 That's so evil.
01:00:42 I can't believe that.
01:00:43 That's what they want.
01:00:46 But you see the seed the seed of.
01:00:48 Doubt has already been planted.
01:00:50 Because Julia Roberts tried to make her feel ****** for wanting to have exactly that.
01:00:58 Describing the stylistic differences between Raphael and Vanak.
01:01:04 In fact, she has gone out of her way to try to sabotage her marriage.
01:01:11 By filling out applications to Yale and sneaking it to her.
01:01:18 And saying no, you don't want to.
01:01:20 You don't want to just get married.
01:01:22 This is terrible.
01:01:23 This is terrible.
01:01:24 Go to Yale.
01:01:25 Go be a lawyer.
01:01:28 Go be a lawyer.
01:01:29 That's what you want.
01:01:32 You don't want to be a wife and mother.
01:01:33 That's that's beneath you.
01:01:38 That's beneath you.
01:01:42 You want to.
01:01:42 Be a lawyer.
01:01:54 And so this is Kirsten Dunst's marriage. She's she's now gone from. She's gone from engaged to getting married in a very.
01:02:03 Picturesque wedding, which the one thing I found interesting about this scene is they they chose to completely omit the ceremony itself.
01:02:14 Like this wide shot this, and if you notice the way that this is shot.
01:02:20 This shot is and it's hard to see because I.
01:02:23 Had to I dirtied it up a little bit for you?
01:02:25 Know why?
01:02:26 But the way that this is shot is it's supposed to give you a sense that they're far away.
01:02:33 There's supposed to be a sense of distance.
01:02:37 Between the audience and the the wedding, and the fact that we never really actually see it take place, it's part of that.
01:02:45 And that's because if you're, if you're trying to brainwash a audience of women into not wanting this.
01:02:53 And that and.
01:02:54 We're just getting started.
01:02:55 If you're trying to get the audience to not want this.
01:03:00 Then you have to make it look distant and far.
01:03:04 Something that's not close to you?
01:03:07 And look, a lot of girls a lot.
01:03:08 Of girls you know, at least I don't know.
01:03:10 Maybe not so much these days, but this is, like, almost 20 years.
01:03:13 Ago 2003.
01:03:15 Would still get emotional when seeing.
01:03:18 Wedding scenes and movies.
01:03:24 You can't do that.
01:03:25 You can't have that happen.
01:03:33 When I hit pause and play like there's there's some pauses I.
01:03:37 Inserted on this.
01:03:39 Because this is my first time doing it live, so there's some weird hiccups here.
01:03:44 We'll take a second.
01:03:45 I tried.
01:03:46 Alright, now this right here is an interesting part.
01:03:50 Of the film.
01:03:51 Because once again.
01:03:55 They they show a truth.
01:03:57 That is a positive.
01:03:59 But then try to make it seem evil somehow.
01:04:03 You see in this part here her.
01:04:05 New husband Kirsten Dunst's new husband.
01:04:09 Is about to read a poem.
01:04:11 To his new wife.
01:04:13 And earlier in the film, we discover.
01:04:19 He didn't want to read the poem.
01:04:21 So she said, OK, you don't have to read the poem, but the mother?
01:04:25 Wanted her to read the poem.
01:04:27 And she'll explain how women female influence how female power actually works in a healthy society, but anyway.
01:04:35 To think of a million ways to tell.
01:04:37 You how I feel.
01:04:38 But instead I refer to.
01:04:42 Your favorite poem.
01:04:46 And that's her mother.
01:04:47 Her mother is is very glad that her advice.
01:04:51 Worked, and here's her advice.
01:04:53 Where she again.
01:04:53 She's explaining to her daughter where real female power is, and it has nothing to do with.
01:05:00 Making PowerPoints.
01:05:05 Good Wife lets her.
01:05:06 Husband think that everything's his idea, even when it's not.
01:05:10 But I don't care if.
01:05:11 He reads it.
01:05:11 He will, in retrospect.
01:05:15 Now, why don't you see if you can't nudge the idea into his head?
01:05:21 And look, that's true.
01:05:23 It's just true.
01:05:26 Women are good at subverting because they've been subverting their husband and husbands and their men.
01:05:32 4 eons.
01:05:37 That's where a woman's power lies. Uh.
01:05:39 We've talked about this before.
01:05:43 And it works for both parties by the way.
01:05:45 Because she's not going to want to sabotage him.
01:05:49 Because that's going to if in this society, in this version of society, she's relying on her, his success directly affects her, her.
01:05:59 Not just her.
01:06:01 You know, standing in in the hierarchy and all that stuff, but like her.
01:06:04 Actual her her physical.
01:06:06 Safety and her ability to provide for herself, right?
01:06:10 So she's not going to try to subvert him, to make him fail.
01:06:17 She's going to try to subvert.
01:06:18 Him to get him to do things that.
01:06:20 Will be more productive.
01:06:23 And be better for the family because that's better for her.
01:06:27 But now instead, we live in a society where she's this same woman would be a.
01:06:31 Competitor to her husband.
01:06:57 OK, so this is where the art teacher has had a Jackson Pollock.
01:07:03 Painting delivered so that they can look at this.
01:07:06 Look at that beautiful look at those beautiful paint splatters.
01:07:11 So deep isn't it?
01:07:13 Oh, that the beauty.
01:07:15 The beauty of that of those paint splatters.
01:07:23 I'm getting some calls about your teaching methods, Catherine little, unorthodox for Wellesley.
01:07:32 We are traditionalists, Catherine.
01:07:35 Yes, I notice.
01:07:36 So if you like to stay here.
01:07:39 Is that a question discussion?
01:07:42 About my staying here.
01:07:44 Well, you'll have your formal review with men.
01:07:47 Until then.
01:07:50 A little less modern art.
01:07:53 Happy holidays.
01:07:56 You see, and that's when traditionalists.
01:07:59 In institutions, still had some balls.
01:08:05 But if they really had had balls, they would have.
01:08:07 Fired her.
01:08:16 But at least at this point in time, the institution was still strong enough to say, look, stop.
01:08:21 Stop showing the kids.
01:08:22 ******* paint splatters that are just literally could be birds ******** on a canvas.
01:08:29 And no one would know the difference.
01:08:33 Stop showing people this **** and telling them it's art.
01:08:35 Stick to the ******* program.
01:08:37 We have traditions.
01:08:41 We want to preserve our culture.
01:08:50 Our culture is important.
01:08:58 Our secret?
01:09:00 We're going to hear.
01:09:00 The pitter patter of little Spencers.
01:09:02 Tommy, stop. They'll tell us.
01:09:04 So now this is the home of Kirsten Dunst and her new husband, and the other actress.
01:09:11 Forget her name and her fiance are visiting.
01:09:17 Again, this is another.
01:09:19 Moment where the boomers who made this film are trying to make this look saccharine sweet.
01:09:27 They're trying to make this look evil.
01:09:32 You're like, oh, it's.
01:09:33 Too good.
01:09:34 Kind of like that.
01:09:34 The film Pleasant film, which I also did a video on.
01:09:39 It's too good.
01:09:40 It's too leave it to Beaver.
01:09:41 It's so suffocating.
01:09:44 These women are they they can't possibly really be.
01:09:47 Happy in this environment.
01:09:52 And as much.
01:09:52 As it looks like hell to them, to many of us, I mean.
01:09:55 It looks like.
01:09:56 Kevin, they're ready.
01:09:59 Spencer's been made junior partner.
01:10:01 Ohh, it is about time.
01:10:04 And it's a significant raise.
01:10:06 I mean with the pipe and everything.
01:10:08 Come on.
01:10:08 Like like we're supposed to look at this and.
01:10:11 Be like eww.
01:10:13 No, but. But you know women in 2003, the feminists in 2003 absolutely see that and their first thought is, is, oh, my God, oppressive, oppressive.
01:10:24 She's expected to stay at home and and do housework while he works at the office.
01:10:29 And then she has to have dinner on the table when he.
01:10:31 Comes what is this?
01:10:33 This is this is actually satanic.
01:10:36 Is good to them this.
01:10:36 Is evil.
01:10:40 We can't have this.
01:10:42 What I can say that can I?
01:10:50 You've got everything you've ever dreamed.
01:10:51 Of you will too.
01:10:55 I've got a secret to tell you.
01:10:57 You swear?
01:10:57 Won't gab to anyone.
01:11:00 I got accepted early to year law.
01:11:03 School to what?
01:11:05 And see, there you go.
01:11:07 Like, first of all, obviously, they're trying to make her look like some dumb broad because, oh, look, she's excited about washing machines because she's just a domestic slave.
01:11:17 That's all women were back then.
01:11:19 Just domestic slaves.
01:11:22 And she's excited about her slavery.
01:11:26 And now her friend who says you know what?
01:11:30 Maybe I'm not going to be a domestic slave.
01:11:33 I'm going to go be a lawyer.
01:11:34 I'm going to go to Yale Law School.
01:11:38 She's just mad because her friend is going to leave her behind in domestic slavery.
01:11:45 But again, it's it's just that Christine's character.
01:11:52 Based, or at least for right now.
01:11:55 You know, like I said, there would be no.
01:12:00 There, there has to be a story or a character arc, right?
01:12:04 Like she has to grow as a person.
01:12:06 She has to find something out and you'll say we'll see.
01:12:08 That happen, but for right now she's still based.
01:12:11 Right now, she still respects tradition.
01:12:14 Right now, she's still angry with her friend for trying to jeopardize selfishly.
01:12:22 Her family.
01:12:25 And ultimately, I guess not so selfishly cause like ultimately, her happiness.
01:12:32 Miss Watson, she practically filled out my application for me.
01:12:37 You've got to be kidding me.
01:12:38 What right does she have?
01:12:40 You're getting married.
01:12:43 Exactly what right?
01:12:45 Why did this subversive woman, who represents a group, come into our society and totally disrupt your tradition, your plan, your life, a path for no reason?
01:13:03 I can do both, I can.
01:13:09 The often repeated lie I can do both.
01:13:14 I can do both.
01:13:15 I can go to law school and go become a lawyer and be a mother.
01:13:18 And a wife.
01:13:22 I can do both.
01:13:23 I can have it all.
01:13:31 You are this close to getting everything you ever wanted and this close to losing it.
01:13:37 And once again based she gets it.
01:13:43 She says you're you're going to follow this fantasy.
01:13:47 And end up unhappy.
01:13:51 You're going to prioritize your selfish whim.
01:13:55 To go to law school.
01:13:58 And you're going to throw away your what?
01:14:00 What's really important?
01:14:03 But of course, Kirsten Dunst's character. She's.
01:14:06 Supposed to be.
01:14:07 The evil out of touch one she's supposed to be the one that the women in the audience are supposed to look and be like.
01:14:12 That ***** is crazy.
01:14:14 She's crazy.
01:14:20 Glad you could join us, Mrs.
01:14:21 We thought we'd lost you.
01:14:24 There's sort of this unwritten.
01:14:26 Alright, so this scene, this is later.
01:14:28 On in the film.
01:14:31 Kristen Dunst comes to class late, and it's because she just got back from her honeymoon.
01:14:38 And so she tells the teacher like, look, sorry I missed some classes the last few, you know, classes.
01:14:44 I just got married and we had a honeymoon.
01:14:47 And traditionally, the school looks the other way when this sort of thing happens because.
01:14:50 They they want us to get married.
01:14:52 You know this.
01:14:53 This is part of our culture.
01:14:58 And Julia Roberts isn't having any of.
01:15:00 It for the new girls.
01:15:00 Tell father.
01:15:02 Since your wedding, you've missed six classes of paper and your midterm.
01:15:07 Thank God I didn't.
01:15:10 I was on my honeymoon.
01:15:13 What does she expect?
01:15:18 Most of the faculty turned their heads when the married students missed a class or two.
01:15:23 Well, then, why not get married as freshman?
01:15:25 That way you can graduate without actually ever stepping foot on campus.
01:15:32 See the the.
01:15:33 The Jewish girl thinks she's so cool.
01:15:36 Good one, good one, teach.
01:15:39 Don't disregard our traditions just because you're subversive.
01:15:45 See, that's that's that's the based.
01:15:50 The based woman that eventually gets it gets washed.
01:15:54 Out of her.
01:15:57 But that's that's what's important to her.
01:15:59 Like, look, don't come into our ******* society.
01:16:03 And start trying to erode our traditions.
01:16:08 Who the **** are you?
01:16:14 Yeah, well, she regret never marrying.
01:16:16 But there's still time.
01:16:18 There's still time.
01:16:20 How many times you?
01:16:21 How often you haven't heard a a woman say that there's still time.
01:16:26 There's still time.
01:16:28 There's always time.
01:16:30 It's time for everything.
01:16:34 I want to live life.
01:16:34 I want to be young.
01:16:35 I don't want to waste my youth.
01:16:38 There'll be time for that later.
01:16:40 So this is.
01:16:41 A scene where they they invite Julia Roberts into like their little secret sorority type thing, and it's kind of like a truth or dare kind of a thing.
01:16:48 Only it's like it's just truth where you have to answer the questions.
01:16:52 And they asked some uncomfortable questions like, why aren't you married?
01:16:59 Get back to that part.
01:17:01 Just because you're subversive based.
01:17:05 Well, won't you regret?
01:17:06 Marrying well, there's still time.
01:17:09 Always time, always time.
01:17:13 All right here.
01:17:13 We go again.
01:17:15 So now we see the Kristen Dunst is now writing.
01:17:19 She's now or figured out that her teacher isn't just being.
01:17:25 Subversive in terms of her art, she's actively attacking the institution of marriage.
01:17:30 She's actively trying to tell the girls in her class not to get married.
01:17:34 She's actively ******** on the institution in general.
01:17:40 And So what she does is she writes an article about that in the the school paper.
01:17:45 Alright, go ahead Louise.
01:17:48 Wellesley girls who are married have become quite adept at balancing their obligations.
01:17:53 1 hears such comments as I'm able to base the chicken with one hand and outline the.
01:17:58 Paper with the other.
01:18:00 While our mothers were called to.
01:18:01 The workforce for lady.
01:18:02 Liberty, it is our duty, nay, obligation.
01:18:06 To reclaim our place in the home.
01:18:08 Bearing the children.
01:18:09 That will carry our traditions into the future, see.
01:18:15 What's so terrible about what she's saying is you can hear the the music's all scary.
01:18:19 Like Dun Dun.
01:18:22 This is the evilest thing that we have ever.
01:18:26 Heard in our.
01:18:26 Lives. Dun Dun Dun.
01:18:28 We must pause to consider why Miss Catherine Watson.
01:18:32 Instructor in the art history department.
01:18:35 Has decided to declare.
01:18:36 War on the Holy Sacrament of Marriage, her subversive and political teachings encourage our wealthy.
01:18:43 Girls to reject the roles they were born to fill.
01:18:49 On the ******* money.
01:18:52 That is exactly what she's doing.
01:18:56 She came to the school.
01:18:58 And her and her subversive lesbian friend.
01:19:03 Or trying to undermine the traditions and the culture of the school.
01:19:09 And she is attacking the institution of marriage and she look, she kicks it up a notch like this is.
01:19:16 This is not hyperbole.
01:19:17 She, her this movie is an in and of itself is an attack on marriage.
01:19:22 It's telling girls not to get married.
01:19:24 It's telling girls that if you do get married, your life will.
01:19:28 Be hell.
01:19:30 And that instead.
01:19:31 You should go try to be a.
01:19:32 Lawyer you can.
01:19:33 Have it all.
01:19:34 There's always time for that.
01:19:38 What will the future scholars see when they study us?
01:19:42 So in response.
01:19:45 She does a presentation to her class.
01:19:49 Where she says look at these.
01:19:51 These advertisements that are designed to appeal to women, this is how they're going to view the future.
01:19:58 Generations are going to look back at us as just like these these stupid pieces of **** that couldn't do anything for ourselves because this is how we're depicted in pop culture.
01:20:12 When? When? Quite.
01:20:14 Honestly, these images are fantasies to the modern man.
01:20:21 A portrait.
01:20:22 Of women today.
01:20:27 There you are, ladies.
01:20:30 The perfect likeness of a Wellesley graduate, Magna Chunlai, doing exactly what she was trained to do.
01:20:41 A Rhodes scholar I.
01:20:44 Wonder if she recites Chaucer while she presses her husband's shirts slide.
01:20:52 Now you physics majors can calculate the mass and.
01:20:56 Volume of every meatloaf you make slide.
01:21:00 A girdle to set you free.
01:21:02 What does that mean?
01:21:10 See and now the subversive poison.
01:21:14 Has dribbled into the mind of even the based woman.
01:21:19 Little by little, she's eroding their culture.
01:21:23 Little by little, she's telling women.
01:21:25 Don't do.
01:21:28 What you have done in this culture?
01:21:32 For centuries, no, don't do that.
01:21:34 Throw it all away.
01:21:35 Go be a go.
01:21:36 Be a ah.
01:21:38 Ah, astrophysicist.
01:21:43 Why are you taking physics classes?
01:21:45 All you're going to do is make ******* meatloaf like a domestic slave.
01:21:54 If you want a family, there'll be time for that.
01:21:59 For now, focus on your selfish desires.
01:22:04 Self not just your selfish desires.
01:22:09 Choose a life path where instead of joining with a man.
01:22:15 To create a life, you're competing with him.
01:22:21 And possibly ending up like me, this, this professor who's unmarried with no family.
01:22:29 Who's who's so bitter about it that she's going around and trying to spread the poison to all the young women around her?
01:22:42 And then of course.
01:22:43 She gets called.
01:22:43 Into the office because you know again these institutions.
01:22:51 Subversion now they clearly were not equipped or unwilling to stop it, but at the time they at least recognized it.
01:23:01 Are you proud President Carr?
01:23:03 Yes, actually.
01:23:04 I am well.
01:23:06 You should be I guess.
01:23:07 Half of them are already married and.
01:23:09 The other half? Ohh, just.
01:23:10 Give it a month or so I.
01:23:11 Mean it's really only a matter of time.
01:23:14 So terrible, so terrible.
01:23:17 They're they're getting married.
01:23:19 Oh my God.
01:23:21 Oh my God.
01:23:26 I can't believe they're getting married.
01:23:32 So of course, The funny thing is like I'm, I'm actually cutting out a lot of this movie.
01:23:38 There's so much.
01:23:38 **** in this movie, that's just horrific.
01:23:42 She has a boyfriend in California.
01:23:44 I mentioned at the beginning of this.
01:23:46 And he comes.
01:23:47 Up to, I'm just.
01:23:48 There's like, a whole thing.
01:23:50 About this, but we're.
01:23:51 Just going to we're.
01:23:51 Cutting past the whole love story garbage.
01:23:53 Right.
01:23:54 But he comes up and proposes, and she turns him down because once again she she hates marriage.
01:24:00 But then she starts ******* the Italian professor.
01:24:04 Who has been?
01:24:04 ******* all the.
01:24:05 All the students.
01:24:08 Including the the, the Jewish ****** girl.
01:24:13 So and again, she's choosing as leftist progressives.
01:24:19 Do instead of having the stable man who is who wants to be a husband and provide for her, and he has all his **** together and is willing to pledge his loyalty to her.
01:24:34 No, no, she wants thee sexy womanizing.
01:24:39 Italian teacher.
01:24:49 We eloped over the week.
01:24:50 OK. So then.
01:24:53 She finds out that this girl that she was trying to muscle into going to Yale because she doesn't want her to throw her life away by getting married, she finds out that she got married, so she goes to her house to confront her.
01:25:09 Like how dare you get married?
01:25:11 You were supposed to go.
01:25:12 To Yale and be a lawyer.
01:25:15 Weekend, it turned out he was petrified of a big ceremony.
01:25:19 We did a sort.
01:25:19 Of spur of the moment thing.
01:25:22 Very romantic look.
01:25:32 Oh, hello.
01:25:35 See. She's she's speechless.
01:25:39 Look at that.
01:25:40 Look on her face.
01:25:43 She's so disgusted.
01:25:46 With this woman for getting married.
01:25:54 It was so.
01:25:55 Beneath her, she had so much potential, but now she's just she's she's going to be another appliance for her husband.
01:26:04 Just a dishwasher.
01:26:10 But you don't have to choose.
01:26:12 No, I have to.
01:26:13 I want to home.
01:26:14 I want a family.
01:26:15 That's not something else.
01:26:16 No one's asking you to sacrifice that, Jonah.
01:26:20 Just want you to.
01:26:20 Understand that you can do both.
01:26:23 See, you can do both.
01:26:26 You can you can have.
01:26:27 It all.
01:26:28 You can do both.
01:26:31 See, this is the repeated message that they hammer into the heads of the women watching this **** over and over and over again.
01:26:37 Don't get married.
01:26:38 Don't get married.
01:26:39 Don't get married.
01:26:40 Don't get married.
01:26:41 If you do, you're a loser.
01:26:43 If you do, you're a ****.
01:26:44 If you do, you're you're a a A subservient domestic servant.
01:26:52 Go be a lawyer.
01:26:53 You can still get married if you want.
01:26:55 You know, there there.
01:26:56 Will always be time for that later.
01:26:59 There's always going to be time for that later.
01:27:05 Don't worry that your ability to attract men.
01:27:10 Is is dropping every single year.
01:27:16 Because your fertility.
01:27:18 Is dropping every single year.
01:27:24 Don't worry about that.
01:27:28 Don't worry about the fact that all women are born with a a limited amount of eggs.
01:27:36 And eventually you run out of them.
01:27:41 You'll don't worry about that.
01:27:42 There's always time for a family later.
01:27:45 Always time.
01:27:46 For a family later.
01:27:53 What you want to do is.
01:27:56 Let's go be a lawyer.
01:28:00 You want to go make PowerPoints?
01:28:05 You don't want to support a.
01:28:06 Man, you want to compete with him.
01:28:18 And so of course, because.
01:28:23 She her character was too based, and because her character exists, Kirsten Dunst's character like I.
01:28:28 Said even in 2003, a lot of women would watch this and and kind of perceive it the same way. We've been watching this right. They would be like, well, what? What's?
01:28:35 Wrong with this I I want to get married.
01:28:38 I mean, these women aren't stupid.
01:28:39 They're going to school.
01:28:40 They're getting like their education and.
01:28:41 And, you know, they'll be better mothers for it.
01:28:44 You know, they're gonna, they're going to be more equipped to, to be supportive of their family and and and and they're not going to just be these, you know, ignorant housewives who keep depicting them as you know, what's, what's wrong with them.
01:28:59 Getting their degree and and getting married.
01:29:05 That character needs to undergo a change.
01:29:09 In the movie.
01:29:10 So that the person who's connecting with her.
01:29:16 We'll at least have that seed planted in her head.
01:29:20 That, oh.
01:29:22 Maybe there is a dark side.
01:29:24 To what I want.
01:29:27 And that, of course, is because she got married.
01:29:30 She finds out because the the Jewish ****** girl tells her.
01:29:37 That her husband's been cheating.
01:29:41 And it's all been a lie.
01:29:42 Your whole life has been a lie, just like this school.
01:29:46 It looks all beautiful and and and peaceful on the outside.
01:29:54 But on the inside it's a it's it's just all lies.
01:29:58 It's all lies.
01:29:59 It's all decay and.
01:30:02 Sadness and pain.
01:30:09 Just like her, her sham of a wedding or a sham of a marriage.
01:30:14 And you know what?
01:30:15 Even even uh, when it.
01:30:17 Comes to Julia Roberts character.
01:30:19 Same thing.
01:30:20 Same thing, just in case, you know, like you started thinking.
01:30:24 Well, she found a man.
01:30:25 I'm sure it's the the Italian womanizer guy.
01:30:30 Right.
01:30:33 But at least, I mean, she found a man.
01:30:35 Maybe I can find a man like that.
01:30:38 Because he's a lying sack of **** too.
01:30:42 Julia Roberts finds out that he made-up his whole past. He's never even been to Europe.
01:30:49 And he was never a war hero like he said he was.
01:30:53 He was just a pencil pusher who taught himself Italian.
01:30:59 So all men are just lying, cheating scumbags, all of them.
01:31:12 And her uh.
01:31:17 What scene was this?
01:31:18 I'm forgetting what saying this is?
01:31:19 I'm look at my notes here.
01:31:26 Oh yeah, so then she tells her mother.
01:31:29 How miserable she is in the in the marriage.
01:31:33 And this is what happens next.
01:31:36 Miss Watson, can you help me get in touch with that friend of?
01:31:40 Yours in Greenwich Village.
01:31:41 What do?
01:31:41 You need in Greenwich Village.
01:31:44 An apartment.
01:31:47 I have filed for a divorce this morning.
01:31:50 You see.
01:31:53 Julia Roberts, a composite for a particular demographic that.
01:31:58 Subverted education.
01:32:00 Was right all along.
01:32:04 Marriage was a bad idea.
01:32:08 The good idea?
01:32:10 Is to get divorced now and then.
01:32:12 Go move to New York.
01:32:16 Where she can explore the world.
01:32:20 And try to go be an important person.
01:32:27 With her Jewish roommate.
01:32:36 You remember Giselle levy?
01:32:38 What'd you call her?
01:32:41 Yes, New York kite.
01:32:43 That's it.
01:32:44 Well, we're going to be roommates.
01:32:51 That's right.
01:32:53 The racist mom.
01:32:57 **** her.
01:33:00 **** her.
01:33:01 I'm going with this this Jewish girl.
01:33:04 And we're going to go live in New York.
01:33:09 It would be like sex in the city.
01:33:11 1954 style.
01:33:15 There ain't nothing you can do to stop it.
01:33:23 Well, let's face it.
01:33:24 The matriarch was was right.
01:33:29 Dear Betty.
01:33:31 I came to Wellesley because I wanted to make a difference.
01:33:35 So basically the way the movie ends is the school.
01:33:41 They see that she's a popular teacher, so they're.
01:33:43 Like well.
01:33:45 We can't just fire her, but what we're we also can't just let her keep doing this subversive.
01:33:50 So we'll offer her an extension to her contract or whatever, under the condition that she sticks to the curriculum, that we approve and doesn't go outside.
01:34:00 That and of course, because that defeats the whole purpose of why she's there in the first.
01:34:05 Place right?
01:34:08 She turns it down.
01:34:12 But to change.
01:34:13 Others used to lie to yourself.
01:34:16 My teacher, Catherine Watts.
01:34:19 That's funny.
01:34:20 I won't change for others.
01:34:22 It's lying to myself.
01:34:24 But I insist that all of you change for me.
01:34:31 When aren't all these other characters in the movie?
01:34:33 They're changing themselves for others, right?
01:34:35 They're changing themselves for her.
01:34:42 And lived by her own definition and would not compromise that not.
01:34:48 No, she wouldn't compromise her principles.
01:34:50 She just required you.
01:34:51 Compromised yours.
01:34:53 Even for Wellesley, I dedicate this my last editorial to an extraordinary woman who lived by example and compelled us all to see the world through your eyes.
01:35:09 So there you have it.
01:35:10 Take them all them.
01:35:15 And we we see the complete.
01:35:19 In this character, the character that started out thinking that getting married was a good idea.
01:35:24 That started out calling her out as being subversive.
01:35:31 Who wrote articles?
01:35:34 Complaining about the lesbian nurse that was giving out birth control to students.
01:35:41 That was writing articles about the subversive art teacher who was telling the students not to get married.
01:35:52 But now the subversion is complete, its total.
01:35:56 She is now divorced.
01:35:59 Moving to New York with a Jewish girl.
01:36:04 And writing articles praising.
01:36:07 The subversive teacher.
01:36:12 And that's the end of the movie.
01:36:17 That is Mona Lisa smile.
01:36:27 They laid it on pretty thick, you know.
01:36:36 I'm going to take a look at chat here.
01:36:47 Let's see here what a ****** movie.
01:36:49 Yeah, it's terrible.
01:36:50 But women loved it.
01:36:51 I remember women thinking this was good, and I think it did pretty well.
01:36:55 I'll look up.
01:36:56 Let me see how it did on.
01:36:57 The at the box.
01:36:59 What year did it come out?
01:37:06 I think it came out 2003.
01:37:14 Alright, so let's see here in two.
01:37:16 1003 was it.
01:37:18 Yeah. So let's see.
01:37:34 It's sometimes hard to find out because they do it by year and a lot of movies will crossover from one you know year to the next, the panel when it comes out.
01:37:42 Let's see what they've got here.
01:37:52 Yeah, I mean it.
01:37:54 Did pretty OK.
01:37:58 Domestic box office was 63 ******* million dollars.
01:38:04 That's not nothing.
01:38:07 The international box office was $77 million.
01:38:13 And the I don't know why.
01:38:16 There's an international and there's.
01:38:18 So I guess maybe they just combine.
01:38:19 The two, but.
01:38:21 Yeah, I guess the math kind of works out.
01:38:23 So it made $141.00 just that. That's just in box office like not not in terms of DVD's and and all that ****.
01:38:35 And what was the budget?
01:38:39 The budget was $65 million, probably because they had so many stars in it, right?
01:38:48 So they made, I mean they.
01:38:52 Got 2.2 times their money back for this is what I'm talking about. When people said left can't meme, the left can meme and make 60 ******* $5,000,000 doing it.
01:39:10 And this meme will live on far longer and keep making money.
01:39:16 Than any meme, the Wright comes up with.
01:39:21 This movie still makes money.
01:39:26 When people watch this **** on, like Hulu or Amazon or any of these services or even Netflix.
01:39:34 There's residuals.
01:39:43 This movie still makes money.
01:39:46 Like 20 years later.
01:39:50 And like I said, that was just box office.
01:40:10 And I made enough money.
01:40:13 To entirely fund.
01:40:17 Another meme just like it.
01:40:20 When they doubled their money.
01:40:23 And just think about that.
01:40:26 We can make a meme that's super effective.
01:40:32 That we can distribute worldwide.
01:40:38 In front of millions of people.
01:40:46 To a degree that it will actually change the culture.
01:40:53 And double our money.
01:41:06 The left can meme.
01:41:14 They're just so much better at it.
01:41:17 It doesn't seem like it's it's the same thing because.
01:41:21 It's that it's that superior.
01:41:26 We're not even on this level like we're not even close.
01:41:34 I mean, there's nothing that competes with this kind of meme.
01:41:37 That the right doesn't have anything like this.
01:41:44 And the insidious thing about this, like I said, it's not just like it's it's multifaceted like it's not just one leftist message.
01:41:54 Being hammered into the heads of the viewers, this is accomplishing so much on so many levels.
01:42:02 I mean, obviously there's the the basic subversive thing, you know, telling women not to get married you.
01:42:07 Can have it all.
01:42:08 Put everything off eventually, someday, that sort of a thing, right?
01:42:14 And look how that turned out.
01:42:20 But there's also just the fact that they rewrote history.
01:42:26 Oh no, it was just this white chick.
01:42:28 This white chick who just wanted to make a difference, that's all.
01:42:32 That's where all this subversion came from.
01:42:40 Speaking of subversion, calling out subversives, subversives, that's a.
01:42:45 That's a bad thing.
01:42:46 That's a no no.
01:42:48 That makes you a fascist.
01:42:49 Don't do that.
01:43:02 People are influenced by this stuff.
01:43:13 Especially if you get them in an.
01:43:14 Emotional state.
01:43:20 See the most the most effective propaganda against people to think emotionally about things just like I mean.
01:43:25 And by the way, that that applies to like ads, I mean as.
01:43:28 Simple as that.
01:43:30 If you're making an ad for something, anything.
01:43:35 The number one goal of the person making the ad is to get the person watching it to think emotionally about your product.
01:43:43 That's why in the UM.
01:43:45 The 80s.
01:43:47 And I guess in the 90s too.
01:43:49 You had, like the, uh, the long distance commercials.
01:43:55 That that really had nothing to do with the technology they were selling or the service they were selling.
01:44:01 It was just like let's get people to cry.
01:44:04 And then show the AT&T logo.
01:44:08 That's it.
01:44:14 And it became a fairly common tactic.
01:44:16 I think it got.
01:44:16 A little bit over overused, so they didn't they they they went out of fashion for a.
01:44:22 Little while but.
01:44:22 It's kind of it's kind of making a comeback.
01:44:25 If you want an example.
01:44:29 UM.
01:44:31 And you're you're maybe not quite agree with this, but you have to think of it from the point of, from the point of view of the the audience.
01:44:38 Just think about remember the the famous Gillette razor commercial that was super subversive.
01:44:44 Had nothing to do with ******* shaving.
01:44:51 But it was supposed to make leftist, you know, mindless.
01:44:56 No inner voice.
01:44:57 Having NPCS think emotionally.
01:45:02 I guess think emotionally in pictures because.
01:45:04 They have no inner voice, but.
01:45:06 Think emotionally all the same.
01:45:14 I guess you.
01:45:14 Could say it got you to think emotionally too, that your emotion was anger.
01:45:20 But you know really when it.
01:45:22 Comes to this sort of thing.
01:45:24 Anger is just as good as anything else.
01:45:29 That's the emotional thinking that's going to make it.
01:45:31 Stick in your head.
01:45:36 I mean, how many rays are commercials do you remember?
01:45:40 Probably not many.
01:45:42 But you remember that one.
01:45:49 Mission accomplished.
01:45:59 So that's all these movies usually are designed to do is to get people to feel, you know, think emotionally while they're presented with these ideas.
01:46:21 Because it literally shuts off the rational.
01:46:24 Part of your brain.
01:46:33 And those ideas are going to take hold in one way or another.
01:46:39 Without any scrutiny.
01:46:43 Without any examination.
01:46:47 They'll just be accepted into your mind.
01:46:57 Along with whatever emotion.
01:47:00 You're feeling at the time that they're released.
01:47:09 Alright, let me take a look at chat here.
01:47:16 Mad Max Fury Fury Rd.
01:47:18 was feminist propaganda.
01:47:19 Top down as said by the director.
01:47:21 On top of it being so obvious, guys on the right still touted.
01:47:28 No, look, guys on the right, like lots of propaganda because they're thinking emotionally about it.
01:47:38 It's funny because just as the fame, the famous example, people hated my Joker review.
01:47:46 Because they were thinking emotionally about it.
01:47:51 The response to a movie review.
01:47:54 That you don't like that I got.
01:47:58 You were thinking emotionally about it.
01:48:00 If you got mad, if you got mad, look if you got mad at a movie review.
01:48:06 You you were thinking emotionally about it.
01:48:14 That's just, that's.
01:48:16 That's just fact.
01:48:18 And it kind of proves my point.
01:48:21 But that happens all the time, usually when I.
01:48:23 If I review a movie like this that no one really has seen or.
01:48:26 Likes, you know, or.
01:48:28 No one, I don't get any pushback.
01:48:30 People like.
01:48:30 Yeah, you're right.
01:48:31 You're right.
01:48:32 Because they they have, they're not, they're not thinking.
01:48:34 Emotionally about it.
01:48:36 But as soon.
01:48:37 As I examine something that they like.
01:48:42 Oh, then all of a sudden I'm out of line.
01:48:44 I'm out of.
01:48:44 Line because they like that propaganda.
01:48:48 Of course they like it.
01:48:54 Propaganda wouldn't really be propaganda if if people didn't like it.
01:49:04 And if you get angry and defensive?
01:49:08 About someone else not liking the thing you like, it's because you're.
01:49:11 Thinking emotionally about it.
01:49:19 That's just the way it is.
01:49:30 Got out to Q101 for gifting 26 Subs to the channel. I don't know who you're talking about. What you're talking.
01:49:43 You should do a Sound of Music review.
01:49:45 I started to.
01:49:47 It's a long movie and I think one of the reasons why I kind of stopped is I think there's some.
01:49:55 Some Catholic **** to it that I don't quite as a non Catholic that I'm not going to quite be able to address properly.
01:50:06 Maybe if I had I could team up with like a Catholic because there is some Catholic **** in there that I think is going on and I just don't.
01:50:13 I mean, I I kind of get it, but I.
01:50:15 Think there might be more.
01:50:16 To it than that like I think it hits.
01:50:18 Different if you're.
01:50:19 Catholic, but I don't know, maybe I'm wrong.
01:50:31 You got funded pretty heavy.
01:50:33 It's a good thing.
01:50:34 Cool, right on.
01:50:37 Well, thank you, I guess.
01:50:40 I'm not.
01:50:41 I'll find out what you guys are.
01:50:42 Talking about later.
01:50:45 Do a movie review of Pretty Woman.
01:50:47 Well, that's that's a pretty easy one, right?
01:50:52 Funny how how?
01:50:53 Julia Roberts ends up in a lot of these these movies that have the same message.
01:50:59 And she's America's sweetheart.
01:51:03 She's she's like the female Tom Hanks.
01:51:05 She really is.
01:51:16 I wonder if Devin even getting the funds that we send in via trobo, I don't know.
01:51:22 I I I don't.
01:51:24 I don't.
01:51:24 I don't understand the monetization program and I've looked into it.
01:51:28 I'm just like, I don't.
01:51:29 How do I?
01:51:31 I I'll have to figure out I I guess if people are sending me stuff.
01:51:38 Uh, it looks like you guys are saying the.
01:51:41 The connection got bad.
01:51:43 That's right, I'm.
01:51:44 Still recording.
01:51:45 Like I said, I'm not going to.
01:51:47 I'm not going to stop.
01:51:51 People blaming ADL and Mossad.
01:51:56 For the stream eating it.
01:52:05 Well, it looks like it's going to come back.
01:52:09 But it did drop a lot of frames.
01:52:19 Alright, well, since I can't talk to chat because you guys can't hear.
01:52:22 I'm saying anymore.
01:52:28 I guess I will launch into for those of you listening to the recording.
01:52:34 Oh, we're back on lines here, so that's good.
01:52:37 I'll take a look at this other story that I wanted to read.
01:52:43 But it was too long.
01:52:44 It's too long.
01:52:46 Now this is from zero hedge.
01:52:52 Digital trails.
01:52:53 How the FBI is identifying, tracking and rounding up dissidents.
01:53:00 Let me take her off the screen.
01:53:04 Or actually do it this way so it's easier to bring up stuff later.
01:53:10 OK.
01:53:14 This is an article I'm I'm assuming is authored by John W Whitehead and Nisha Whitehead via the Rutherford Institute.
01:53:21 Americans deserve the freedom to choose a life without surveillance, and the government regulation that would make that possible.
01:53:29 While we continue to believe the sentiment we fear it may be or may soon be obsolete.
01:53:35 Were relevant.
01:53:37 We deserve that freedom, but the window to achieve it narrows a little more each day.
01:53:43 If we don't act now with great urgency, it may very well close for good.
01:53:48 That's a quote from Charlie Worzel and Stuart A Thompson from the New York Times.
01:53:52 I don't know when, but look, it's that it's already over.
01:53:57 It was over.
01:53:59 When they did the Patriot Act and and no one.
01:54:03 No one better than I.
01:54:05 And that was 20 ******* years ago.
01:54:07 So it's it's and it's it's so much worse now.
01:54:15 It's worse than most people even know.
01:54:20 We're not going back, or at least not.
01:54:22 There's no.
01:54:24 It's it's the kind of thing that once you, once you gift the government, never.
01:54:30 Gives up power.
01:54:32 And certainly not power.
01:54:33 That's this, that's this awesome.
01:54:38 So there's no political way that you're going to get those that privacy back.
01:54:45 With every new smart piece of technology we acquire every new app we download, every new photo or post we share online, we are making it that much easier for the government and its corporate partners to identify, track and eventually round us up.
01:55:00 Saint or Sinner and it doesn't matter because we're all being swept up into a massive digital data dragnet that does not distinguish between those who are innocent of wrongdoing, suspects or criminals.
01:55:11 Like I said, you need to start living like you're a criminal because as far as they're concerned, you.
01:55:17 Are a criminal.
01:55:19 And it's just a matter of time before they find a way of making it so.
01:55:24 This is what it means to live in a suspect society. The government's efforts to round up those who took part in the capital riots show exactly how vulnerable we all are to the menace the menace. Sorry, I got, like, bad cotton mouth from drinking coffee and doing that again.
01:55:45 Drinking water this time.
01:55:47 All right, governments.
01:55:50 Efforts to round up those took part in.
01:55:51 The capital we are all vulnerable to the menace of a surveillance state that aspires to a God, like awareness of our lives, which is what they want.
01:56:03 And you know, it's the corporatocracy they want you to have all these Amazon products, these Google.
01:56:08 Products, these products that spy on you and you can be like, Oh well, it's it's OK because.
01:56:13 Has it's kind of like that 1950s view of what the future will be, where we all have smart houses that control our environment.
01:56:20 And do it.
01:56:21 Yeah, well, that's how they sell it and all that data gets streamed to somewhere.
01:56:28 Relying on selfies, social media posts, location data, geotag photos, facial recognition, surveillance cameras and crowdsourcing, governments, government agents are compiling a massive data trove on anyone.
01:56:44 One who may have been anywhere in the vicinity of the capital on January 6, 2021, the amount of digital information is staggering.
01:56:54 1500 Hours of surveillance and body worn camera footage. I'm sorry, 15,000 hours, not 1500 hours, 1600.
01:57:04 Or 1600 electronic devices, 270,000 digital media tips, at least 140,000 photos and videos about 100,000 location pings for thousands of smartphones.
01:57:20 And that's just what we know for more than 300 individual individuals from 40 states have already been charged and another 280 arrested in connection with the events on January 6th. As many as 500 others are still being hunted by government agents.
01:57:40 Also included in this data Roundup are individuals who may have had nothing to do with the riots but whose cell phone location data identified them as being in the wrong place at the wrong time.
01:57:55 Forget about being innocent until proven guilty and a suspect societies is what I'm saying.
01:58:00 You you have to live like you're a criminal.
01:58:03 Doesn't matter if you are.
01:58:04 You have to live with the same care that a criminal would.
01:58:10 In a suspect society such as ours, the burden of proof has been.
01:58:15 Now you start off as guilty and you have to prove your innocence.
01:58:19 For, for instance, you didn't even have to be involved in the capital riots to qualify for a visit from the FBI.
01:58:27 Investigators have reportedly been tracking and questioning anyone whose cell phones connected to Wi-Fi or pinged cell phone towers.
01:58:35 Near the capital, one man who had gone out for a walk with his daughters, only to end up stranded near the capital, crowds actually had FBI agents show up at his door days later.
01:58:48 Using Google Maps, agents were able to pinpoint exactly where they were standing and for.
01:58:53 How long?
01:58:55 All of the many creepy, calculating, invasive investigative and surveillance tools that the government has acquired.
01:59:02 Over the years.
01:59:03 Are on full display right now in the FBI's ongoing efforts to bring the rioters to, quote, UN quote, justice.
01:59:10 FBI agents are matching are matching photos with drivers, license pictures, tracking movements by way of license plate tool readers, and zooming in on physical identity physical identifying marks.
01:59:25 Such as moles, scars, tattoos as well as brands, logos and symbols on clothing and back.
01:59:32 Banks, they're pouring over hours of security and body camera footage, scouring social media posts, triangulating data from cell phone towers and Wi-Fi signals, layering facial recognition software on top of that, and then cross referencing footage with public social media posts. And we know.
01:59:51 That they've got private stuff.
01:59:54 This is just the.
01:59:55 Show we know for sure, right?
01:59:57 It's not just the FBI in the hunt, however.
02:00:00 They've enlisted the help of volunteer posses of private citizens.
02:00:05 Such as one called deep state dogs.
02:00:09 That's really what they call themselves deep state dogs.
02:00:16 Because leftists have have a.
02:00:20 Fascination with being little good little helpers for the state to collaborate on the grunt work, as Dinah Voyles Pulver.
02:00:30 Obviously a a white Christian right reports once deep state dogs locates a person and confirms their identity.
02:00:39 Ready. They put a package together with the person's name, address, phone number and several images and send it to the FBI, according to the USA TODAY.
02:00:50 The FBI is relying on American public and volunteer cyber sleuths to help bolster its cases, so the FBI is it has like a I guess their own little weaponized autism going on, huh?
02:01:05 They've got this.
02:01:06 They're crowd sourcing the investigation.
02:01:11 And it's funny because.
02:01:14 Often you know, Speaking of weaponized autism, often you would have people on 4 Chan or other places who would identify Antifa people and submit this **** to the FBI.
02:01:25 And the FBI did nothing.
02:01:29 It was like pulling teeth just to get the guy with the bike lock, who literally attempted murder on a on a on a guy at at.
02:01:36 I think he was at Berkeley, right?
02:01:39 Smacked him in the head of the bike lock.
02:01:44 And it was like pulling teeth just to get him arrested.
02:01:46 And he was, you know.
02:01:49 He got off Scott free.
02:01:51 I don't even think he.
02:01:52 Lost his job.
02:01:59 And yet, if you happen to be at a Trump rally that got out of hand.
02:02:04 Or didn't get out of hand enough depending on.
02:02:06 How you look at it?
02:02:10 The FBI is going to.
02:02:11 Be knocking on your door.
02:02:17 I just got a message saying that.
02:02:20 We are disconnected, but I'm going to continue anyway.
02:02:25 As if it's, uh.
02:02:27 Still working.
02:02:31 Every move you make is being monitored, mined for data, crunched and tabulated in order to form a picture.
02:02:41 Of who you are, what makes you tick, and how best to control you.
02:02:46 When and if it becomes necessary to bring.
02:02:49 You in line.
02:02:51 All this data they use to create these profiles, these psychological profiles on you to figure out how to advertise to you.
02:02:59 That's not the only.
02:03:03 Data they can extrapolate from this, right?
02:03:05 That's not the only.
02:03:07 It's really they're they're coming up with profiles on how to manipulate you.
02:03:14 And don't think that you're some magical, unique snowflake that's going to be immune to big data being analyzed and AI or analysts coming up with ways that you're going to be especially susceptible to.
02:03:34 Ways to manipulate you and subvert you.
02:03:38 You're tailor made.
02:03:41 Memes, if you will.
02:03:45 Just for you.
02:03:49 You're not as unique and special and.
02:03:52 And snowflake like as you might imagine.
02:03:57 You're at the end of the day, you're.
02:03:59 Still, a human and human human behavior is more.
02:04:03 Predictable than anyone wants to admit.
02:04:10 Simply liking or sharing this article on Facebook, retweeting it on Twitter, or merely reading it on your or reading it on, or I'm sorry, reading it or any other articles related to government wrongdoing, surveillance, police misconduct, or civil liberties might be enough to get you categorized as a particular kind of person.
02:04:30 With particular kinds of interests that reflect a particular kind of mindset that might.
02:04:36 Just lead to engage, lead you to engage in a particular kind of activity and therefore puts you in the crosshairs of a government investigation as a potential troublemaker, AKA a domestic extremist.
02:04:51 This is what I've been telling you guys.
02:04:55 You know simply by watching this this stream.
02:05:00 You know that you.
02:05:01 Don't have to.
02:05:01 You don't have to share this article I'm reading.
02:05:03 I mean, you're already on.
02:05:04 You're if you're hearing this, you're already on a list, right?
02:05:08 Chances are, as the Washington Post reports, you have already been assigned a color-coded threat score. Green, yellow, or red. I'm sure I'm red.
02:05:19 So police are forewarned about your potential inclination to be a troublemaker, depending on whether you've had a career in the military, posted a comment perceived as threatening on Facebook, suffer from a particular medical condition, or knows someone who knows someone who might have committed a crime, in other words.
02:05:39 You might already be.
02:05:40 Flagged as potential anti government in a government database somewhere.
02:05:45 Main core, for example, that's a database that they have that identifies and tracks individuals who aren't inclined to March in lockstep to the police states dictates.
02:06:00 The government has the know how it took days, if not hours or minutes, for the FBI to begin the process of identifying, tracking and rounding up those suspected of being at the capital riots.
02:06:13 Imagine how quickly government agents could target round up any segment of the society they wanted to based on the digital trails and digital footprints.
02:06:23 We leave behind.
02:06:25 Of course, the government has been hard at work for years acquiring this totalitarian totalitarian powers.
02:06:33 Sorry, I'm a little tired.
02:06:34 I'm up for.
02:06:36 Uh, we're almost at 24 hours, honestly.
02:06:43 Long before the January 6th riots, the FBI was busily amassing the surveillance tools necessary to monitor social media posts, track and identify individuals using cell phone signals and facial recognition technology, and round up suspects who may be of interest to the government for one reason or another.
02:07:04 As The Intercept reported, the FBI, CIA, NSA and other government agencies have been increasingly invested in corporate surveillance technologies that can mine constitutionally protected speech on social media platforms such as Facebook, Twitter and Instagram, in order to identify potential extremists.
02:07:24 And predict who might engage in future acts of anti government behavior.
02:07:29 So clearly I'm, you know, coded red so the.
02:07:35 This is this is the kind of data that the government wouldn't have had access to, or the ability to go seek out and try to get.
02:07:42 But what they're saying is enough people are just openly and willingly giving it to these corporations with no privacy regulations whatsoever.
02:07:52 So in the same way that Facebook can sell all your data.
02:07:56 To I don't know, like Domino's Pizza.
02:07:59 They can sell it.
02:07:59 To the FBI and do.
02:08:07 All it needs is the data which more than 90% of young adults and 65% of American adults are happy to provide.
02:08:15 When the government sees all and knows all and has an abundance of laws to render even the most seemingly upstanding citizen a criminal and law breaker than the old adage that you've got nothing to worry about.
02:08:26 If you've done nothing.
02:08:28 Or if you've got nothing to hide, it no longer applies.
02:08:30 This is what I've been telling you.
02:08:31 You got to live your life like you're a criminal, even if you think you're not doing anything wrong, they'll find something and and.
02:08:37 And they have.
02:08:38 And they do.
02:08:41 As the 4th Amendment and its prohibited prohibitions, unwarranted searches and invasions of privacy without probable cause, those safeguards have been rendered all but useless by legislative and runs and judicial justifications and corporate collusions.
02:08:59 We now find ourselves in the inevitable, inevitable position of being monitored, managed and controlled by our technology, which answers not to us but to our government and corporate rulers.
02:09:13 Consider that on any given day, the average American going about his daily business will be monitored, surveilled, spied on, and tracked in more than 20 different ways by both government and corporate eyes and ears.
02:09:29 A by product of this new age in which we live.
02:09:32 Whether you're walking through a store or driving your car.
02:09:35 Checking e-mail or talking to friends and family on the phone, you can be sure that some government agency, whether the NSA or some other entity, is listening in and tracking your.
02:09:47 This doesn't even begin to touch on the corporate trackers that monitor your purchases, web browsing, social media posts, and other activities taking place in the cybersphere, for example, police have been using Stingray devices mounted on their cruisers to intercept cell phone calls.
02:10:06 And text messages without court issued search warrants.
02:10:11 Now see the Stingray device is what they are.
02:10:13 They're just they mimic cell phone towers.
02:10:16 So your cell phone sees it and thinks it's a cell phone tower and connects to it, and it's like a man in the middle attack in a way.
02:10:25 Right.
02:10:25 So you'll send the text message.
02:10:27 It'll go, because what will happen is the Stingray device will receive it just like a normal cell phone tower, and then forward it on to a real cell phone.
02:10:37 And so it it gets delivered so.
02:10:39 You don't know any difference.
02:10:40 But now they have a copy of it.
02:10:44 Doppler radar devices, which can detect human breathing and movement within a home, are already being employed by police to deliver arrest warrants.
02:10:54 So yeah, they can effectively see through the walls of your house if you're home.
02:10:59 And so if you just don't answer the door that doesn't, that doesn't wash anymore.
02:11:04 You know, if they go to serve a warrant and they know you're in there, they'll they'll kick your ******* door down.
02:11:11 License plate readers, yet another law enforcement spine device made possible through funding by the Department of Homeland Security, a department, by the way, that didn't exist prior to 911.
02:11:21 All this stuff, like I said that quote asking what if it's going to be too late?
02:11:26 Pretty soon it was too late when the Department of Homeland.
02:11:29 Security was was created.
02:11:32 OK, that's when it was too late.
02:11:34 And that was 20 / 20 years ago.
02:11:39 Can record up to 1800 license plates per minute.
02:11:44 Moreover, these surveillance cameras can also photograph those inside a moving car.
02:11:50 Reports indicate that the Drug Enforcement Administration has been using the cameras in conjunction conjunction with facial recognition software to build a vehicle surveillance database.
02:12:01 Of the nation's cars, drivers and passengers.
02:12:05 See, that's.
02:12:06 That's another thing they can do.
02:12:07 It's not just about, you know, like I said, when they deployed these cameras for these red light cameras, this is the one of the concerns people had.
02:12:14 No, no.
02:12:14 One gives a **** about this.
02:12:17 So even if you don't have a phone with you, like a little tracking device in your pocket, if you drive around with your friend, one of these cameras picks, picks, takes a picture of both of you, identifies both of you, and now it makes a connection.
02:12:31 Well, these people are clearly friends.
02:12:34 Because they're in a car together.
02:12:36 And then if another one of these cameras takes a picture somewhere else in town, Oh well.
02:12:41 Like if somehow you've avoided any kind of tracking device.
02:12:46 On your person.
02:12:48 Well, now they know at least kind of the route they because they know what time you were here and what time you were there.
02:12:57 And that that's all going to get way.
02:13:00 This is one of the reasons why they want the self driving cars, because all that **** will get way, way easier once they get the.
02:13:06 Self driving cars.
02:13:09 Sidewalk and public space cameras sold to gullible communities as surefire means of fighting crime, is yet another DHS program that is blanketing small and large towns alike.
02:13:21 With government funded and monitored surveillance cameras, it's all part of a public private partnership that gives government officials.
02:13:28 Access to all manner of surveillance cameras on.
02:13:31 And walks buildings, buses, even those installed on private property like the Amazon ring that they really want you to get.
02:13:41 Couple these surveillance cameras with facial recognition and behavior sensing technology.
02:13:48 And you have the makings of pre crime cameras which scan your mannerisms, compare you to remember.
02:13:56 I've talked about this.
02:13:58 What's going to happen is.
02:13:59 It will.
02:14:01 What they'll be able to do is let's say, all right, let's say that the guy who shot up the the Asian ***********, right?
02:14:08 Presumably they've got quite a file on him just because they have quite a file on everybody.
02:14:12 Right.
02:14:14 So let's say they go back and they look at his, his background.
02:14:18 They look at the websites that he visits, they look at, he may, it might even just sound it might be something that seems unrelated, but like, maybe they look at the brand.
02:14:27 Of deodorant he uses.
02:14:30 And they look at the his favorite food.
02:14:33 It could be something as simple as that, like literally.
02:14:36 And they can determine well, you know, people that that post on the and look, there might even be weird coincidences like that.
02:14:44 Like or like weird correlations, rather like that there there could be like a weird correlation where people that you know just as an example people that people that go to 4 Chan.
02:14:56 Also by axe body spray like.
02:15:00 You know what I mean?
02:15:00 I'm just.
02:15:02 And so they can.
02:15:04 They'll start creating these profiles even if it's like totally unrelated **** or seemingly unrelated ****.
02:15:10 And now, because maybe randomly, maybe coincidentally, you share some of the same interests that a criminal does, just totally randomly.
02:15:22 You are now put on the naughty list.
02:15:26 And eventually, Bill Barr want Bill Barr wants to implement a lot of this pre crime ****, right or dead before he resigned.
02:15:36 Sorry queue people and and so let's say that he they they get his dream and they implement all this pre crime stuff.
02:15:44 That's precisely what.
02:15:45 Would happen.
02:15:46 You know they, they you.
02:15:48 You hear this more and more every time there's a crime like.
02:15:50 Well, why would why didn't someone stop it before the violence?
02:15:55 Why wasn't he stopped before the crime?
02:15:59 You see what I'm saying?
02:16:00 That's what they want.
02:16:07 Developers are hard at work on a radar gun that can actually show if you or someone in your car is texting.
02:16:14 Another technology being developed, dubbed the Text Analyzer device, would allow the police to determine whether someone was driving while distracted, refusing to submit one's phone to testing could result in a suspended or revoked license.
02:16:29 And like I've said, the cops have devices already where you give them your phone and they plug it in and it just images it.
02:16:39 So they have.
02:16:41 Or even if it doesn't image the whole thing in in, in, in if they if it's something they if they need to be.
02:16:46 Able to return it to you quickly that has the option to just take your text messages, your contacts, that sort of a thing, so that already exists and you can get it right.
02:16:54 Now it's on the market.
02:16:58 It's a sure bet that anything the government welcomes and funds too enthusiastically is bound to be a Trojan horse full of nasty, invasive surprises.
02:17:06 Case in point, police body cameras hailed as the easy fix solution to police abuses.
02:17:12 These body cameras, made possible by funding from the Department of Justice, turned police officers into roving surveillance.
02:17:19 Cameras of course.
02:17:20 If you try to request access to that footage, you'll find yourself being LED a merry and costly chase through miles of red tape, bureaucratic footmen, and unhelpful courts.
02:17:31 The Internet of Things refers to the growing number of smart appliances and electronic devices now connected to the Internet and capable of interacting with each other on being and being controlled remotely.
02:17:42 These range from thermostats and coffee makers to cars and TV's. Of course, there's a price to pay for each.
02:17:51 For I'm sorry for such easy control and access.
02:17:54 That price amounts to relinquishing ultimate control of the of access to your home, to the government and its corporate partners.
02:18:03 For example, while Samsung Smart TV's are capable of listening to what you say, thereby allowing users to control the TV using voice commands and also records.
02:18:15 Everything you say and relays it to a third party, EG the government.
02:18:19 You know, same thing with your phones.
02:18:21 If you have a phone or you say hey Google.
02:18:24 You know or any of the anything voice activated.
02:18:29 You see the way that those work, a lot of people have no idea.
02:18:32 This is how the technology works.
02:18:35 If you have voice activated technology.
02:18:40 It's it's essentially streaming.
02:18:43 Your audio to a server, that's why OK like Siri, for example, on iPhones, if your Internet is down, it won't work, right?
02:18:51 Like even if you're not asking it about something on the Internet, if you just ask it to, like, do something kind of, I don't know normal, it won't work because it requires the connection to a server.
02:19:04 Because it uploads what you said.
02:19:06 To be interpreted and then you know and.
02:19:08 I'm sure doesn't save.
02:19:10 A copy.
02:19:11 No, of course it saves a copy.
02:19:14 And then it it the the phone is told what to do in response.
02:19:19 So the even the voice command stuff isn't even local to your phone.
02:19:26 This this kind of **** is, I mean.
02:19:29 It's a data mining wet dream.
02:19:31 And no one seems to care like no one cares.
02:19:34 Everyone thinks that.
02:19:35 Oh, well, this is all just part of, you know, it's it's.
02:19:39 It's all part of the evolution, right?
02:19:42 This is it's.
02:19:43 It's getting us closer to flying.
02:19:44 Cars, I swear.
02:19:49 Then again, the government doesn't really need to spy on you using your smart TV when the FBI can remotely activate the microphone on your cell phone and record your conversations.
02:19:58 So even if you don't have the the speech stuff activated, they they have the technology to activate microphones and cameras.
02:20:09 Pretty much, I mean all devices there.
02:20:13 The FBI can also do the same thing to laptop computers.
02:20:18 Without the owner knowing any better.
02:20:22 Drones which are taking to the skies and mass are converging point are the converging point for all of the weapons and technology already available to law enforcement agencies.
02:20:33 In fact, drones can listen in on your phone calls, see through the walls of your home, can scan your biometrics, photograph you and track your movement.
02:20:42 And even corral you with sophisticated weaponry.
02:20:46 All of these technologies add up to a society in which there is little room for indiscretions, imperfections, or acts of independence.
02:20:54 Especially not when the government can listen in on your phone calls, monitor your driving habits, track your movements, scrutinize your purchases.
02:21:02 And peer through the walls of your home.
02:21:04 These digital trails are everywhere, as investigative journalist Charlie warts, Warzel and Stuart A Thompson explain, this data collected by smartphone apps and then fed into dizzying, dizzyingly complex digital advertising ecosystems, provide an intimate record of people, whether they were visiting.
02:21:26 Drug treatment centers, strip clubs, casinos, abortion clinics or places of worship in such a surveillance ecosystem were all suspect, suspects and data bits to be tracked, cataloged and targeted.
02:21:41 To think of the information or to think that the information will be used against individuals only if they've broken the laws.
02:21:50 Naive such data is collected and remains vulnerable to use and abuse.
02:21:56 Whether people gather in support of an insurrection or they justly protest.
02:22:02 Release violence.
02:22:03 This collection will only grow more sophisticated.
02:22:07 It gets easier by the day.
02:22:09 It does not discriminate, it harvests from the phones of MAGA, rioters, police officers, lawmakers, passer.
02:22:17 Myers there is no evidence from the past or current day that the power of this data collection offers will be used only to good ends.
02:22:26 There is no evidence that if we allow it to continue to happen, that the country will be safer or fairer.
02:22:33 That's a quote from.
02:22:36 Warzel and Thompson.
02:22:39 So there you go.
02:22:42 That's pretty much exactly what I've been saying for months.
02:22:50 For years, really in terms of the surveillance.
02:22:51 State ****, but.
02:22:53 Especially after January 6th, I knew they were going to step it up a notch, but you know, for.
02:23:00 It was game over when they when they created Homeland Security.
02:23:04 It was game over.
02:23:04 When they created the Patriot Act.
02:23:07 It was game over well before that.
02:23:09 It was game over.
02:23:10 When the when?
02:23:11 The the necessary steps.
02:23:13 Were made to even make that possible.
02:23:16 You know, it was game over when they rammed ******* airplanes into buildings and.
02:23:20 Said it was, you know, low IQ Muslims with box cutters.
02:23:26 You know, that's that.
02:23:27 That's when it was game over.
02:23:28 But even before that.
02:23:30 But we can go on.
02:23:31 Forever things have been getting progressively worse for a long time.
02:23:34 You got to.
02:23:35 Zoom out the graph.
02:23:38 All right, guys.
02:23:39 Uh, like I said, I'm a little.
02:23:40 I'm I'm pretty tired.
02:23:43 And my internet's not doing the best, but I'm going to look at chat for a little bit.
02:23:47 And then I'm going to bail.
02:23:50 Hopefully you guys like the the live film dissection.
02:23:54 The only thing I think I screwed up.
02:23:56 So the way that I had those.
02:23:58 Clips I freeze framed in between the clips.
02:24:02 So I would know that it was a new clip.
02:24:04 You know, when I was playing it back as one big long file because I don't have.
02:24:08 A way yet?
02:24:10 Of, or at least a clean way.
02:24:12 OK, of doing like a playlist where I have a bunch of individual clips, so I know like when they're going to stop and have it go to the next one and all this other stuff.
02:24:23 So like the way that I did, I just rendered it out is 1 big long clip with like stills in between.
02:24:28 So that's why it would freeze awkwardly every.
02:24:30 Once in a.
02:24:30 While I didn't realize it, it it was as long as it was.
02:24:35 So I'll know to to shorten those freeze frames.
02:24:39 But other than that, I think it turned out OK I think.
02:24:42 It went OK.
02:24:44 Let me take a look at a.
02:24:47 Chat here.
02:24:49 Thank you, stack.
02:24:50 This **** needs to be said.
02:24:51 Yeah, I.
02:24:52 Mean you absolutely need to be aware of this kind of stuff going on.
02:24:58 It's and look, it's too late for a lot of us.
02:25:01 I mean, like I said, obviously me and and and people like me.
02:25:04 I mean, and even probably most of you.
02:25:10 It's it's more.
02:25:12 Also you got to think of this way.
02:25:15 You got to deprive them of data because it deprives them not just of like, oh, you're going to get a list.
02:25:20 Or not like.
02:25:21 We're already on list it they're they're going to create.
02:25:25 Models that are somewhat accurate, more accurate than a lot of people want to admit because like I said, human behavior is way more predictable than a lot of people.
02:25:32 To admit.
02:25:33 And they're going to create accurate behavioral models for people based on data, and they'll be able to predict what you're going to do.
02:25:40 And they'll if if, let's say you do get wrapped up in some kind of.
02:25:42 An investigation or whatever.
02:25:44 They'll know what buttons to push.
02:25:48 The more data you give them, they'll the the more confidence they'll have in those buttons.
02:25:55 And the more predictable you will become.
02:26:00 That's just the way it is.
02:26:01 The more data they.
02:26:02 Have the more.
02:26:04 Predictable you are.
02:26:05 To them.
02:26:06 So you want to make be as much of A mystery to them as possible.
02:26:11 And like I said, you don't want to.
02:26:12 You want to try to limit as much liability as you possibly can, not just in the digital world, but in the real world too.
02:26:20 And uh, yeah, you don't have to be like.
02:26:22 Some total ****** about it.
02:26:24 But just be smart.
02:26:27 Just be smart.
02:26:32 Uh, let's take a look here.
02:26:37 What are your thoughts on Sling Blade?
02:26:38 I don't know if I ever saw like the the theatrical one, the sling blade started out as a short film and I saw the short film when I was I was studying film and the short film was.
02:26:49 Kind of meh.
02:26:51 I'd have to watch the the theatrical version.
02:26:59 Your best suggestion from your vids intro to my somewhat well best suggestion.
02:27:08 I I don't know.
02:27:10 I do so much different stuff.
02:27:12 I cover so many different things.
02:27:16 I don't know.
02:27:17 I don't know to tell you, I don't know.
02:27:19 That's up to you.
02:27:19 You know your mom way.
02:27:20 More than I know your mom.
02:27:25 Did you hear that?
02:27:26 The Tanzanian president coincidentally died of a heart attack for speaking out against the COVID hoax?
02:27:32 Would not be surprised.
02:27:33 I mean, look, uh.
02:27:37 They'll suicide whoever.
02:27:40 You're you're not people to them, especially not a Tanzanian president.
02:27:49 What are my thoughts on Tarantino?
02:27:52 Well, on a personal level, I think he's a a creep, possibly a pedophile, and he's very subversive.
02:27:59 That was actually going to be one one.
02:28:01 So one of my ideas.
02:28:02 Was and I may still do this.
02:28:05 I watched the original inglorious ********.
02:28:09 The one that was from the 70s that Tarantino remade.
02:28:16 I actually I didn't finish it, but I got through a lot of it before I I was kind of thinking I I had the shift gears.
02:28:24 Because I wasn't.
02:28:25 I didn't.
02:28:25 Didn't or I didn't know what to.
02:28:27 Expect I'd seen.
02:28:28 The new one?
02:28:29 When it was new, so it's been some years, right?
02:28:33 And I thought to myself, well, the old ones, apparently, it's probably about Jews that go kill Nazis, right?
02:28:43 It's not.
02:28:44 It's not about that at all.
02:28:45 It's it's supposed to be a serious movie.
02:28:51 I mean, there's like comedy in it and stuff like that, but it's not supposed to be.
02:28:56 It's not a parody, right?
02:28:57 It's not like a over the top.
02:29:00 I mean, there's parts of it that are, but like it's only over the top because of.
02:29:05 You know, low budget and.
02:29:08 And stuff like that, like it was.
02:29:09 It was supposed to be.
02:29:10 Like a real movie.
02:29:13 And while it does push diversity really hard and whatnot, it's there's no Jews that are like going to kill Nazis.
02:29:26 In fact, they even have a.
02:29:27 Nazi. That's a good guy.
02:29:30 And yeah, the the plot lines pretty much way different.
02:29:34 And so Tarantino just wanted to, I mean, as he often does.
02:29:39 He just wants to to.
02:29:42 Well, subvert. Subvert the West.
02:29:44 I mean, his father, his father has been Infowars, saying exactly that, that his son makes satanic garbage, basically.
02:29:50 I mean, I don't remember the exact wording, but that's pretty much what he was saying.
02:29:54 His own dad.
02:29:56 It's been on Infowars.
02:29:58 Telling everybody that Tarantino is a ***** ** **** and subversive.
02:30:06 So there you go.
02:30:09 UM boomers over 65 are almost hopeless to wake up, especially to the JQ. Yeah, pretty much.
02:30:18 Pretty much.
02:30:22 Didn't know that was a remake.
02:30:23 Yeah, like there's almost every ideas.
02:30:27 Been done.
02:30:30 Do you prefer Apple or windows?
02:30:32 I don't know.
02:30:32 There's situations where.
02:30:34 I've used both.
02:30:39 It depends on what you're doing.
02:30:41 You know, if you just want to interface, that's going to just work and you don't have to think too hard.
02:30:47 Apples get better for that, so it's more of like a almost like an appliance if you.
02:30:52 Think of it that way.
02:30:54 Whereas windows.
02:30:58 You can customize and you have more software and you can get get better hardware and stuff like that.
02:31:03 And then if you really want to geek out, you can do go to Linux route, but then with Linux you get limited software.
02:31:11 And the usability goes down dramatically.
02:31:21 Everyone attempt The CW chat again.
02:31:23 Yes, I am.
02:31:24 In fact I I have improved my antenna setup.
02:31:33 By that's part of actually what I was doing today because of these wind storms and stuff like that.
02:31:38 I had to get the antenna in a way that wasn't going to get blown out of *******.
02:31:44 **** like you.
02:31:45 Know blown out of trees and things.
02:31:48 So I I improved it substantially and I added six and 10 meters, which I'd never used before, and I was pretty excited because I I got, I got that antenna up and I was like, well, you know, I just and usually this might be a little nerdy ham radio talk for some people.
02:32:08 But I don't care to do it.
02:32:09 Anyway, because it might encourage you to to research it.
02:32:12 So I had never made any contacts on 10 meters before because it's usually dead and there was like this weird opening and propagation right as I was testing it to see if it worked.
02:32:26 And in fact the CB bands like were like on fire.
02:32:30 I was hearing people from.
02:32:32 All over like the ******* country.
02:32:34 And on 10 meters.
02:32:37 I talked to people in South America on 10 meters with like 50 watts.
02:32:44 I talked to Brazil on 10 meters today.
02:32:49 Brazil, I talked to Argentina.
02:32:55 And there was, I mean, I don't know where everyone for some reason it was coming from South because I was hearing lots and lots and lots of Spanish.
02:33:06 And but yeah, I don't know if that I think that was like kind.
02:33:10 Of a that's not usual.
02:33:12 But I was hearing see beers from in California, Washington State, Missouri.
02:33:22 I mean, just all over the the western half of the United States, I was hearing sea beers like truckers and stuff.
02:33:29 I don't know what happened, but propagation got weird and all of a sudden 10 and 11 meters opened up like crazy today.
02:33:36 Oh in Canada.
02:33:38 I was hearing people in Canada too on 10 meters.
02:33:42 Far away in Canada.
02:33:45 Like way up north in Canada.
02:33:51 Yeah, that was kind of fun.
02:33:53 But yeah, I just, I just tested it real quick and got that up and working, but I cut the noise back dramatically by by getting it up off off the ground a lot higher.
02:34:05 So I think that coupled with a.
02:34:09 Maybe a better receiver?
02:34:13 UMI think the receiver I was using it needs to be recapped.
02:34:18 You know, it's like a.
02:34:20 40 year old receiver that's never been recapped and the sensitivity is not that great and the selectivity is not that great.
02:34:28 In fact it's so bad it might be better just to get one of these cheap ***.
02:34:35 Portable the Chinese.
02:34:38 Texan portables that do SSB.
02:34:42 Since I kind of want to get one anyway.
02:34:45 And then plug that up, plug that into my real antenna, because I just need the audio out, right?
02:34:51 So it doesn't matter if it's getting received by like this, you know, big, Awesome Base station or something small.
02:34:59 And then at the very least.
02:35:02 Because that's the thing too is my receivers are all analog, so you can you can calibrate and and be pretty, you know, know that you're pretty close to being exactly on frequency, but you're never gonna be exactly on frequency the way that you would.
02:35:14 Be if you have a digital display.
02:35:17 So I can set that up.
02:35:19 It's going to take some time to do that.
02:35:20 I'm still shifting things around here and trying to get everything all situated just just for day-to-day stuff so.
02:35:34 Because like like I said, I've got.
02:35:37 I have so many, so many projects going on, it's gotten a little chaotic here.
02:35:41 Like it doesn't look.
02:35:43 It's not like a ******* crack house on here by.
02:35:45 Any means but.
02:35:45 Like it's a little chaotic.
02:35:47 I got to get some of this stuff like like I still have just as an example.
02:35:51 I still have like a a ******* stack of VHS tapes on my desk right here, like from that night from that stream.
02:35:58 I need to go.
02:35:59 I need to.
02:35:59 I don't know. Like throw.
02:36:00 These away or what?
02:36:01 I mean I got.
02:36:03 Like the I have a tape eraser so I can erase the.
02:36:09 The the ******, I guess.
02:36:11 But I was kind of thinking like, I mean, I have so many.
02:36:14 I'm never going to need all these VHS tapes.
02:36:16 Like I'm never.
02:36:17 Going to need them.
02:36:18 I mean, I I'd like to keep some just to have right, because I've got vintage or, you know, video stuff too.
02:36:24 I've got like.
02:36:26 SVHS decks and stuff like that, so you know it's not bad to have them.
02:36:30 But I was thinking like especially the the the branded ***** tapes, like the tapes that are, like purchased instead of like that one that.
02:36:38 Was kind of bootlegged or whatever.
02:36:39 It was.
02:36:40 It'd be fun to maybe instead of doing the burning of books, I could do a thing where I'm burning ***** like ***** tapes.
02:36:50 I'm sure that's full of that's really bad for the environment.
02:36:53 Burning, burning, ******* VHS tapes.
02:36:56 But I don't know.
02:36:56 Maybe, maybe fun.
02:36:57 Be a fun.
02:36:58 Thing to do.
02:37:01 But I'll be probably doing that.
02:37:03 Or something about that pretty soon.
02:37:05 Anyway, but yeah, we'll get the we'll.
02:37:06 Get the you know The CW or maybe even RTY with the like I said, 20 meters.
02:37:14 I I could always make contacts on it and stuff like that, and I could always hear, but I I don't know.
02:37:20 I must have been getting some QRM from somewhere because just by getting the antenna a little bit higher off the ground and grounding it better and stuff, it got way quieter, like in a good way like it it got way clearer.
02:37:34 On pretty much.
02:37:36 All bands, but specifically 20, you got a lot better, so maybe, maybe even RTY if I get like a modern.
02:37:47 Because like I got an RTT white decoder from the ******* 70s and it doesn't care where the audio comes from, right?
02:37:54 So I could even plug in and it's got video out so I can plug that into the stream so I can bring it up as a little window in the corner.
02:38:03 And so, you know, we could do and that would be.
02:38:10 Maybe even easier for it to read.
02:38:13 If I can get it right on on frequency.
02:38:19 I'm gonna.
02:38:20 I'm gonna turn in cause I'm.
02:38:21 I'm like, losing steam.
02:38:24 Pretty ******* tired.
02:38:27 I'll read one last thing here. Did you ever watch the show called Hunted in 2017, it was a show about these groups of people who would.
02:38:34 Try to see how.
02:38:36 They could evade the police before being caught.
02:38:38 Very eye opening about all of this surveillance ship.
02:38:41 No, I did not.
02:38:43 You know, maybe I'll take a look at that.
02:38:46 Alright well this.
02:38:47 One will will the extreme surveillance affect the white left as well?
02:38:52 Or are they safe?
02:38:54 Well, it won't.
02:38:55 Affect them now?
02:38:57 I mean, look at Antifa.
02:38:58 Were they arresting Antifa?
02:39:01 They're, I mean, fellow white.
02:39:04 Some of them are actually white.
02:39:05 Though kind of, I mean, they're mutants, but they're, you know, whatever.
02:39:10 Ethnically white in a way.
02:39:13 Yeah, those guys don't get arrested.
02:39:15 So yeah, you're they don't pose a threat.
02:39:18 You pose a threat.
02:39:19 The right poses a threat.
02:39:25 And the governments on the left.
02:39:27 Like the the same.
02:39:31 Bureaucrats are exactly how you like, vote and believe in the politics that you would expect them to.
02:39:43 I mean, they're your political enemies.
02:39:46 The same way that you view leftists.
02:39:52 The people working at the FBI view you.
02:39:56 It's the, it's just the.
02:39:58 180 degree version of that.
02:40:02 And look this diversity ****, that's not just at, you know, this H1B1 visa crap. Like, that's not just uh going on over in Silicon Valley.
02:40:13 Are you kidding me?
02:40:17 So there's there's no white primacy at these agencies either, so there's not even like, I mean, you're you're the enemy.
02:40:25 Now the founding stock.
02:40:28 The the descendants of the people who created this country.
02:40:32 Are now the enemy.
02:40:34 Of the people who run the country.
02:40:36 Pure and simple.
02:40:40 That's just that.
02:40:40 That's the way that it is.
02:40:43 And there's there's a lot of people that have a.
02:40:45 Hard time getting that.
02:40:48 Especially like the boomer people, because they're they're just they're they're from a different time it.
02:40:52 Wasn't like that.
02:40:54 And they they just don't have a grasp on how things are anymore.
02:40:59 I mean, they're they're just, they don't get it.
02:41:02 And that's fine, you know.
02:41:07 That's I mean and and and.
02:41:10 Obviously it would make our life a lot.
02:41:12 Easier if.
02:41:12 They did, but.
02:41:14 It's just one of those things.
02:41:15 Got to pick your battles.
02:41:16 And I think I think.
02:41:20 It's like a cost benefit thing, right?
02:41:23 Like people keep asking about how to red pill boomers.
02:41:25 Well, what do you expect to get out of it?
02:41:26 Like, really.
02:41:27 What are you?
02:41:27 Get out of it.
02:41:30 Make I mean, probably get more funding, I guess.
02:41:32 I mean because boomers have.
02:41:35 All the money.
02:41:36 So that I guess that'd be kind of nice.
02:41:39 To get to get some funding thrown our way, you know, maybe even like, it depends on what particular what we're talking about.
02:41:49 If they're like lawyers or something, that'd be good, you know, have like, I mean they they have.
02:41:56 They have more capital and they've got more experience.
02:41:58 So like if they could somehow you can manage to get boomers that to channel that into.
02:42:06 Into the movement or whatever. That'd be good. I just don't think it's worth especially boomers because you got remember, boomers are pretty old now. I know people like to call like people who are like 35A. Boomer, but that's.
02:42:18 No, they're not.
02:42:19 Boomers like, like boomers are pretty ******* old now, you know, boomers are like Biden, right?
02:42:29 I mean, they're pretty old now.
02:42:31 So what?
02:42:32 What are you really?
02:42:32 What are you going to expect them to do?
02:42:34 For you at this point.
02:42:36 I yeah.
02:42:37 I just don't see it.
02:42:38 It's it's.
02:42:38 Kind of like a.
02:42:41 Cut your losses kind of a thing.
02:42:42 You know, if you're just, if you're just using Boomer to describe people over 30.
02:42:51 You know, there's still obviously a lot of people over 30 that you definitely want to try to get to that have also some of them, some of whom have resources and experience in the same way they could be useful.
02:43:03 But they're younger and have lived in diversity, certainly be more exposed to it than a lot of boomers were and and have a better understanding of the current situation and not have the same baggage of the civil rights movement and all this other stuff.
02:43:19 So those guys are going to be easier.
02:43:21 I just think boomers are either based.
02:43:24 Or they're not.
02:43:26 It's like I said, even with my.
02:43:27 Mom who?
02:43:29 You know for a boomer is pretty based.
02:43:31 She was into conspiracies and **** like that.
02:43:35 And you know, like she was into, like, the the Clinton body count back when it was on VHS, you know, **** like that.
02:43:44 Even her like if I don't talk to her.
02:43:46 For a while.
02:43:47 She starts reverting back and I have to like read red pillar or black pillar or whatever all over again.
02:43:54 The next time I talk to her, if if I if I if it's been a while.
02:43:57 So I talked to her.
02:43:59 Because it's just, you know.
02:44:03 The it's like those old those old CRT monitors that they get burned in because they have the same image on them for so long.
02:44:13 And you can try to degaust it and do all these other things to try to get rid of it.
02:44:17 And you know, sort of make it better, but once it's burned in there, it's burned in.
02:44:22 There, you know like.
02:44:23 That's that's kind of how you know, that's kind of how the human mind is too the human mind.
02:44:30 If it displays the same image long.
02:44:34 It just burns in there and you can't really.
02:44:36 There's nothing you can do.
02:44:36 About it.
02:44:37 And you can, you know, you can recap it and and degout it and do all kinds of things to make make it, you know, fix the color and stuff like that.
02:44:46 But it's always going to have that.
02:44:48 You're not getting rid of that.
02:44:50 That's always going to be there.
02:44:52 And that's, you know, that's the way it is.
02:44:55 Alright guys.
02:44:57 Thanks for hanging out this. I'll try to get this uploaded as soon as possible. You might notice this the last one took a while just because my Internet like seriously there was over over 2 times on bit shoot specifically. It's not Bishop's fault, it's just my Internet. It literally said 100.
02:45:16 And I was like, yes, it finally ******* worked and.
02:45:18 Then it failed.
02:45:21 I'm like mother **** and I had.
02:45:22 To re upload.
02:45:25 Odyssey failed out, too.
02:45:26 The Odyssey failed like three or four times, and so I had to keep trying to reupload, to actually get it up.
02:45:33 So hopefully I don't run into the same problem with this one tonight and but I'll try to get up.
02:45:39 In fact, I'll try to do it.
02:45:40 Now I'll try to.
02:45:41 Send it up now.
02:45:42 It could take a while, but the Internet at least seems to be working for now, so maybe.
02:45:46 It'll get done, but in.
02:45:47 The meantime.
02:45:49 Hope you guys enjoy your Sunday.
02:45:53 For black pilled.
02:45:56 I am of course.
02:45:59 Devon stag.
02:46:01 As the world passes into the second-half of the 20th century after the birth of Christ, Western man is confronted for the first time in history with the problem of whether his world and his works will outlast the century. Whether his culture will survive.
02:46:18 Dissatisfaction and boredom with the daily routines of life are increasingly apparent.
02:46:24 And no matter how streamlined the design of modern living, everyday tasks in the 20th century are often regarded with distaste.
02:46:38 In this age of tension, man is assiduous and eager in his search for relaxation.
02:46:43 Too often unhappy with himself, he drifts into easy avenues of escape.
02:47:03 Creatively reflecting the anxious temper of the times is modern art.
02:47:07 And Impatiens, with traditional forms and limitations, had launched the 20th century artist on a restless search for new ways of expression and for new techniques.
02:47:20 Today's wide acceptance of modern art indicates that the public, too, shares that restlessness.