Sacrifice Rules.mp3

00:00:02 Last week we witnessed an appalling but sadly predictable chapter in the last days of the fading American Empire.
00:00:09 We watched as the people of New York celebrated with ecstatic cheers.
00:00:14 The passage of the law that legalized the abortion of babies on their birthdays, New York, a state that doesn't allow the death penalty for murderers, is now a state where babies can be poisoned to death on the day of their delivery while the mother is in labor.
00:00:34 And then have their body.
00:00:35 Torn from their mother's.
00:00:37 Womb and discarded like garbage.
00:00:40 And the left.
00:00:42 They're celebrating.
00:00:45 They smile smugly, or in this case they they're cheering.
00:00:49 As they call this baby on its birthday, a clump of cells.
00:00:54 In fact, if a baby survives an abortion, meaning it survives the attempted murder through some miracle.
00:01:01 And is a a living baby outside of the mother's womb, living on its own.
00:01:06 The baby can now be neglected until it dies.
00:01:11 That is what those people are cheering they can't hide behind this ambiguity of we don't know when life begins, which is something that's increasingly less ambiguous as modern science is giving us.
00:01:23 A little peek.
00:01:26 Beyond the lies of these unborn children.
00:01:29 Were somehow clumps of cells without feelings and without souls.
00:01:34 This is the state.
00:01:37 Of our dying nation now, this came to a surprise to many people, dumbfounded people who sadly.
00:01:44 Only reacted the same way that good people in this country have been reacting to every new evil by shaking their heads in shock and disgust and with fear.
00:01:56 Of what's coming next?
00:01:59 We all know what's coming next and how can this come as any surprise since 1973, since the Supreme Court decided in favor of Roe and Roe versus wade, the same Roe, who, by the way later admitted to lying about being raped, which was the whole basis of the case.
00:02:18 There have been over 60 million abortions performed and with the blessing and sometimes the financial assistance of the United States, 60 million Americans murdered and discarded in trash cans or their tiny bodies used in experiments in commercial products as casually as any natural resource.
00:02:38 How is it that it's only now that people are shocked?
00:02:42 How can there be any astonishment?
00:02:44 When this mass extermination was sanctioned and normalized well before many of us managed to be statistically lucky enough to not be aborted ourselves.
00:02:56 For example, 20 years ago in 1999, the Film Cider House rules produced by Harvey Weinstein's Miramax, of course.
00:03:06 Which also won two Oscars for its exceptional promotion of abortion.
00:03:13 It's a film that paints abortion as brave and a duty performed by fearless Renegade Geniuses.
00:03:21 Under constant attack by evil Christians who are too superstitious and thick headed to understand.
00:03:28 The sacrifice that must be performed this film wasn't just a defense of abortion, either.
00:03:35 It was an infomercial.
00:03:37 The soap opera nature of the film, and the casting choices were clearly targeted at women and designed not just to reinforce and justify the beliefs of those who savagely.
00:03:48 Discarded their unborn.
00:03:50 Or comfort them with moral platitudes and deception, but also, and likely more importantly.
00:03:58 To coax women.
00:04:00 And the participating in this barbaric ritual themselves to feed their self esteem and increase their status.
00:04:09 They paid abortion as a kind of rite of passage while representing pregnancy as something vile and hideous, and something that often resulted in death.
00:04:18 And if they happen to be a man that was dragged to the theatre.
00:04:21 They are feminist girlfriend they had.
00:04:22 A message for you too.
00:04:24 Be an abortion Dr.
00:04:26 It's the most honorable of all professions.
00:04:30 You will be a savior to countless women and any more qualms you have lingering inside your head.
00:04:37 Allow us to put them all to rest.
00:04:40 The film begins with the romantic soundtrack and images of a time that, as I've covered in other videos, America was.
00:04:47 Desperate to return to a time before the Marxist infiltration of our society and the mass of demographic shift that came with it, America is still filled with hope and wonder, and the music reflects this and is soon accompanied by narration.
00:05:03 Reinforcing this theme, the voice of Michael Caine, who plays the fearless abortion.
00:05:08 Doctor says in other parts of the world, young men leave home and travel far and wide in search.
00:05:14 Of a promising future.
00:05:16 Their journeys are often fueled by dreams of triumphing over evil.
00:05:21 Finding a great love or hope of fortunes easily.
00:05:27 The shot then fades to an establishing shot of what we will soon discover is the orphanage that double s as an abortion clinic.
00:05:35 The perfect and picturesque view of the past that the audience was just experiencing is about to be deconstructed like so many other films made by Hollywood, this film seeks to pervert the past and to solely the reputation of your ancestors.
00:05:50 In order to justify the present, it's about to tell you that the pristine snow Covered train station and the romantic music is really just a veneer.
00:06:01 Covering a far darker reality, but it's a reality that you should embrace.
00:06:07 The voice continues here at searing clouds.
00:06:10 Even the decision to get off the train is not easily made, for it requires an earlier, more difficult decision.
00:06:18 Add a child to your life.
00:06:21 Or leave one behind.
00:06:23 The narration continues as we get a tour of the orphanage and the voice describes himself as a doctor that helps children and what he calls.
00:06:34 Unhappily, pregnant women, we are now introduced to one of.
00:06:37 The children named Homer Wells.
00:06:39 Who's adopted out and returned by several families, and eventually the doctor decides to just teach Homer what he knows as if he were an apprentice.
00:06:47 Homer is taught to deliver babies, but the doctor at first decides against teaching Homer.
00:06:54 How to perform abortions now?
00:06:56 The interesting thing here is this is an admission that there is something morally different.
00:07:04 Between delivering a baby and aborting a baby, the film makers know that in order to erase that deep moral truth and side the hearts and minds of the audience, they must first acknowledge it.
00:07:19 They acknowledge that on a basic animal level, people, even even if they couldn't quite articulate why, would have a visceral negative reaction to the idea that this young boy was being taught how to perform abortions, something that if they really took the time to think about.
00:07:39 They begin to question why should it feel any different?
00:07:42 That the boy was being taught how to perform.
00:07:43 Abortions than it would to find out that he was being taught to remove 2.
00:07:50 But before the audience can even begin to ponder these things, the narrator instantly makes the appeal that pro abortion people were making by erasing the baby from the argument completely and putting all the focus on the woman by saying long ago, I decided it was the women sometimes.
00:08:09 That needed to be delivered.
00:08:12 Think about that wording.
00:08:14 When you think of a person being delivered, what is the?
00:08:17 First phrase that comes to mind.
00:08:21 Deliver us from evil.
00:08:24 The film makers have just.
00:08:25 Subtly planted the idea on the head of the.
00:08:27 Audience that being pregnant.
00:08:30 Is somehow being a captive of evil and evil that this doctor, who, by the way given the context, is taking the place of God.
00:08:41 But this doctor must deliver this woman from.
00:08:45 He is saving her from the evil by killing her baby.
00:08:50 This is probably one of the most disgustingly evil but effective lines of rhetoric I've ever encountered, and it's flawlessy executed with happy romantic music still playing.
00:09:02 In the background, the majority of the audience won't give it a second conscious thought, and they won't have time to because in the very next shot we see.
00:09:09 This young boy.
00:09:11 Dumping the remains of the murdered child into the incinerator.
00:09:17 Next we see that the abortion Dr.
00:09:18 is also a drug addict, sniffing ether.
00:09:20 And again, we have to ask.
00:09:23 If abortion is simply the act of delivering these women from the evil of having children, why must he constantly drug himself to get through the day Homer comes and tells him that there are two pregnant women who have arrived.
00:09:37 One would like to deliver the baby and one would like to be deliver.
00:09:42 The drugged up doctor attempts to guilt the young man into performing the abortion, saying that he can't understand why he doesn't want to help these women that need his help.
00:09:52 The boy explains he doesn't want.
00:09:53 To do it because it's.
00:09:54 Illegal and he never wants to know how to do it anyway, but that the doctor had insisted and forcibly shown him.
00:10:00 How to do it?
00:10:02 Homer goes and delivers a baby while the doctor goes to perform the abortion.
00:10:07 Afterwards, they make small talk name some of the babies and Homer dumps the aborted baby into the incinerator.
00:10:15 And at this point, we must ask.
00:10:17 Why do the film makers keep showing us this?
00:10:21 This film is designed to promote abortion, yet they keep showing the gruesome act of dumping the dead baby into the fire.
00:10:31 From a psychological standpoint, this is a way the film makers are desensitizing the audience.
00:10:38 Humans can get used to anything through being exposed to it in repetition, and this is true of the characters the first time we saw home or dumping a dead baby into the fire.
00:10:47 This is what his.
00:10:48 Face looked like.
00:10:50 The second time, however, he looks as if he's simply taking.
00:10:53 Out the trash.
00:10:55 And he's even chatting casually with the young boy as he does it.
00:10:59 The filmmakers, through repetition, are getting the audience used to and tolerant of the idea that a baby is being murdered and its remains are being casually discarded in our fire.
00:11:11 And honestly, it's not much of A stretch to say.
00:11:14 They're getting the audience comfortable with something that closely.
00:11:18 Resembles baby sacrifice.
00:11:22 Next, we're introduced to Fuzz.
00:11:23 Now Fuzz is a child at the orphanage with chronic health issues, but he only exists.
00:11:29 To humanize the doctors, you see the doctors who so casually dispose of babies.
00:11:35 Care very deeply for this child.
00:11:38 This character exists only.
00:11:41 As a reoccurring prop that is brought out and waved around in front of the audience just long enough to keep them thinking that the abortion doctors aren't monsters, we also meet this young female orphan who throws herself at home.
00:11:55 She's also used as a prop to develop his character as a man who doesn't take advantage of women.
00:12:01 He's safe and very non threatening.
00:12:03 Next we see the rest of the orphans praying before bed.
00:12:06 The music is still soft and lilting as the nurse who helps perform the abortions leads the prayer.
00:12:14 The wording of the prayer.
00:12:15 Seems to be asking God to help with the abortions as she asks for help to make it through the day.
00:12:22 Quote until the fever of life is over and our work is done.
00:12:29 The children at the orphanage play and they seem to be very well taken care of.
00:12:32 They all hope to be adopted as different couples come in.
00:12:36 They have movie night and they only have one film.
00:12:39 It's King Kong, a film that features a woman that needs to be rescued from an animal.
00:12:45 That views her as his mother.
00:12:49 The seasons change and the doctor continues to use Ether to get through the day.
00:12:54 At 1.1.
00:12:55 Of the orphans is telling Homer he wishes he could find his parents.
00:12:59 When Homer asked the child why he responds.
00:13:03 So that he can kill them.
00:13:05 This is the film chipping away at the idea that adoption is a viable option.
00:13:12 It's necessary that the orphanage be a happy place in order to make the abortion doctors look like Saints.
00:13:18 But the children have to appear as if they're dangerous or unhealthy.
00:13:23 The parents were right to not want them.
00:13:25 And maybe, just maybe.
00:13:27 It would have been better.
00:13:28 For everyone.
00:13:29 If they had been aborted.
00:13:31 And the next scene, one of the kids makes a discovery, huddled against the incinerator that has burned the remains of countless babies.
00:13:38 There is a.
00:13:40 The symbolism will become clear as we find out more, but she is kneeling at the feet of the altar where the children are being sacrificed.
00:13:49 We soon discover that she is pregnant and just like every pro abortion advocate, has been regurgitating without anything to substantiate it.
00:13:57 She is the mythical victim.
00:13:59 Of all backroom abortions that plagued the country prior to Roe versus Wade.
00:14:05 The procedure has.
00:14:06 Gone wrong and she's now dying of the complication.
00:14:10 The doctor uses this opportunity to shame Homer.
00:14:14 Look at this terrible wound this woman has suffered because men like him didn't want to perform abortions if only abortions had been legal and free.
00:14:24 This poor girl wouldn't be dying here on the operators table.
00:14:28 And, of course.
00:14:29 She does die.
00:14:31 Inexplicably, instead of alerting any kind of authorities, they simply.
00:14:35 Dig a grave and bury her.
00:14:37 While the abortion Dr.
00:14:38 Spouts out pro abortion talking points, like if you're going to give people the right to have children, you need to give them the right to decide whether or not to have them.
00:14:48 Which of course is just some jumbled word salad that seems to insinuate that people can't control.
00:14:53 Whether or not they get pregnant.
00:14:55 When they get back from burying the girl and all American couple arrives at the orphanage for an abortion, this is the model.
00:15:03 Couple the handsome, friendly young GI's ready to go fight the war in Europe. Cast by the likeable Paul Rudd with his angelic girlfriend played by Charlize Theron. They are loving and tolerant.
00:15:16 As the orphans play on their car and they even bring chocolates for the kids, everyone is smiles and very casually.
00:15:23 They get the abortion without any moral dilemmas at all.
00:15:28 Homer befriends the couple and decides to leave the orphanage to go with them.
00:15:32 The abortion Dr.
00:15:33 of course, gets angry because he feels betrayed.
00:15:35 He has trained Homer to be an abortion Dr.
00:15:39 that can take over his illegal abortions once he is gone because he's afraid that.
00:15:44 If he doesn't.
00:15:45 The Evil Christian board of directors for the orphanage.
00:15:48 They replace him with a doctor that won't perform these oh so necessary.
00:15:54 Illegal abortions.
00:15:56 Now that the film has managed to slowly normalize abortion and even performing abortions using Homer's character going from the boy who was disgusted by dumping the remains of babies into a fire to a doctor performing some of the abortions himself, and then solidified the normalization with the casualness.
00:16:16 Of the abortion performed by the star-studded all American celebrity couple. It's now crucial that the audience is kept lost in the story. As these seeds blossom and bloom in their minds. If the movie were to end right there.
00:16:31 And the lights in the theater came on, bringing them back to reality.
00:16:34 They might begin to critically think about.
00:16:35 Everything they had just.
00:16:36 Seen the film makers know this can't happen, yet the audience must remain lost.
00:16:41 In the story.
00:16:42 Only allowed to access the emotional parts of their brains so that these ideas have time to take root, much like Homer is taking a break from the abortion clinic where it works, the audience is being given a break.
00:16:54 From the horror that was normalized.
00:16:57 The film makers take us to a beautiful town where the couple is from the young GI he leaves to go fight in the war, but not before he gives Homer a job picking apples at his family's org.
00:17:09 Homer lives with the black migrant workers and we get the typical diversity messaging that Hollywood puts out in all of.
00:17:15 Its films.
00:17:15 Homer also falls in love with the GI's abortion, getting girlfriend who clearly has no self-control, and they have a love affair.
00:17:23 This portion of the film is bursting with romantic and sappy music, beautiful landscapes and and hyper emotional moments.
00:17:31 Never once is the audience required to think critically or or logically about any of it.
00:17:36 And they would most likely be incapable of doing so if they tried every scene.
00:17:40 Is designed to tug.
00:17:41 On deep human.
00:17:42 Emotions from lost when Homer makes love to the object of his desire.
00:17:48 To suspense when the migrant workers have a knife fight to sorrow when the sickly fuzz finally succumbs to his ailments.
00:17:56 After traveling through this world of emotions and feelings long enough to almost forget that Homer was ever an abortion, Dr.
00:18:03 or a boy dumping baby remains into an incinerator.
00:18:07 The film makers now return to tend to the seeds that now have had time to take root.
00:18:13 The daughter of one of the migrant.
00:18:15 Workers is pregnant, and as it turns.
00:18:17 Out her father is the father of the baby.
00:18:21 The audience is now confronted with a thorn on the rows that they've been smelling for nearly an hour now, and having already been guided down the road of accepting abortion for reasons of convenience, they are now presented with one of the least controversial moral dilemmas related to abortion Homer and the audience that has been living vicariously through him for the past hour.
00:18:43 Must decide if a girl that has been raped by her father should be allowed an abortion.
00:18:48 And of course.
00:18:50 The choice is made Homer performs the abortion and the movie has now accomplished its mission. Very few in the audience, even those that might be pro-life, are mentally fighting this decision.
00:19:02 They have been slowly guided by the hand to accept this as just a necessary aspect of the world.
00:19:08 Abortion is something that that saves poor.
00:19:11 Helpless women and the men that perform.
00:19:13 These abortions are reluctant heroes.
00:19:16 The film makers.
00:19:17 Have done everything they've set out to do.
00:19:20 They simply need to wrap things up now with a nice little bow.
00:19:23 Things quickly and between Homer and his emotional distraction when the young GI returns home with war injuries, the abortion Dr.
00:19:31 finally overdoses on ether.
00:19:33 And to prevent the orphanage from falling into the hands of the evil Christian.
00:19:37 Board of directors.
00:19:39 Using forged documents and lying about being a Christian missionary himself, Homer returns to the orphanage so that they can remain an abortion clinic so that he can be that reluctant here.
00:19:52 That champion of women that delivers them from the evil.
00:19:56 Of having a baby.
00:19:57 And makes sure the fire and the incinerator never goes out.
00:20:03 For black pilled.
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