INSOMNIA STREA： NIGHT HIKE EDITION.mp3

00:06:17 We're speaking up here. Are you male or female? Male. I've been looking at you for about 45 minutes now, can you?
00:01:41 That's a charming looking thing.
00:01:42 Would you unveil yourself, though for anything to see who's inside?
00:01:52 Nice to see you over and that somebody is going to say, take the mask off inside.
00:01:55 Now you know, we're delighted to have you all with this.
00:01:58 Looking good.
00:01:59 Let's turn back to the man who.
00:02:04 The man who went with the craze for monsters long before come on now come on down.
00:02:08 The long claws there, ladies and gentlemen, back for the second go round and the one that was so popular not too long ago.
00:02:13 A thing called the.
00:02:14 Monster Mash, ladies and gentlemen.
00:02:15 Again, Mr.
00:02:16 Bobby Pickett.
00:02:32 I was working in the lab.
00:02:34 Late all night, when my eyes beheld, and he and my mum stood from his slab, began to rise, and suddenly, to my surprise.
00:02:47 He did the.
00:02:48 Man, it was a graveyard smell.
00:02:54 It caught on and flown.
00:02:55 It is.
00:02:57 It did the monster.
00:02:59 From my love.
00:03:01 Pause. Release.
00:03:03 The bedroom vampires came from their humble.
00:03:09 Abodes to get her job.
00:03:11 From my electrode.
00:03:13 So much.
00:03:14 They did the monster mash.
00:03:17 It was a graveyard.
00:03:23 Thank you so much.
00:03:33 The cast included Wolf and Dracula and his son.
00:03:40 15 Will Rock you over digging the sound eagle on chains backfires being hounds.
00:03:47 The popping dagger were about to arrive with their vocal group they.
00:03:55 Played the monster.
00:03:58 It was a graveyard shift.
00:04:05 They played along.
00:04:06 For March, out from his coffin racks, voice did ring seemed he was troubled by just one thing.
00:04:14 Opening the lid.
00:04:16 And shook his fists and says.
00:04:18 Whatever happened to my?
00:04:26 And you should graveyards, it's pop on and it's.
00:04:32 It's part of the band and my monster mash.
00:04:43 This mash was meant to when you get to my door.
00:04:46 Tell them.
00:04:49 And you can mom so much.
00:04:53 And you my graveyards, man, you.
00:04:55 Thank you very much.
00:04:57 Sit on and.
00:05:00 Then you can monster.
00:05:22 The Crash Course magazine which present you with US award for your outstanding achievements in the recording industry.
00:05:27 And have no, not really.
00:05:44 Good evening.
00:05:47 Good afternoon.
00:05:50 Good morning.
00:05:53 Or a good night.
00:05:56 This is the insomnia strain.
00:06:03 From the desert.
00:06:07 Using technology from the 90s.
00:06:13 Actually it's.
00:06:14 It's probably older than that, but the.
00:06:19 I'll just say it's old.
00:06:25 Stream through analog.
00:06:29 From my person.
00:06:33 Back to the pull box.
00:06:36 To you.
00:06:41 So the way that'll work.
00:06:44 Is it streams to my computer?
00:06:47 Well, it's not streaming.
00:06:49 Actually analog.
00:06:52 So it's.
00:06:54 It's broadcasting.
00:06:57 From some equipment that's pretty heavy that I'm wearing.
00:07:05 Using old loss technology.
00:07:11 The antenna at the pill blocks.
00:07:16 Which then goes to.
00:07:19 A capture card.
00:07:23 That then strings it to you.
00:07:27 So it's like I'm.
00:07:29 Kind of like the old.
00:07:32 TV stations, when they sent you, were back in the day, all right.
00:07:35 Everybody still do this.
00:07:37 Where you see like the TV van.
00:07:41 With the giant mast that would shoot up.
00:07:45 Out of the top.
00:07:49 That was a.
00:07:51 Microwave tower that was typically.
00:07:55 Broadcasting to the either an antenna on the.
00:07:58 Top of the.
00:08:00 TV station.
00:08:03 Or to.
00:08:06 Antenna on top of the mountain.
00:08:08 Or some other like repeater.
00:08:11 They would then broadcast back to the TV station.
00:08:18 That's why there will be a delay.
00:08:20 Because there would be some hops.
00:08:25 I'm not going quite as far.
00:08:29 And I'm going to pretty much stay within line of sight.
00:08:34 Got her big.
00:08:36 Backpack antenna on.
00:08:41 We'll hopefully be able to keep in contact.
00:08:48 And radio.
00:08:51 Wise back to the.
00:08:54 Pull box.
00:08:57 And the only weird thing is.
00:09:01 I'm not going to.
00:09:04 Be able to see your chat.
00:09:07 As I forgot to get.
00:09:14 My iPad like an idiot.
00:09:17 So it'll be all spooky.
00:09:20 For both of us.
00:09:23 And hopefully it's working.
00:09:24 It worked when.
00:09:24 I did the test.
00:09:27 So I'm fairly confident.
00:09:30 Then it'll work.
00:09:34 Hey I forgot.
00:09:36 I'm pretty sure I forgot to turn off my.
00:09:40 My microphone back at the.
00:09:45 Pill box.
00:09:47 There's like weird people out here on.
00:09:50 On ATV's and ****, so.
00:09:53 Hopefully don't have any weird encounters with weird desert people.
00:09:58 Anyway, so I left my microphone on.
00:10:02 Back at the pill.
00:10:02 Box, so you might, if you're lucky, you might get to hear classified cat.
00:10:15 Or other things.
00:10:18 Back of the house like.
00:10:21 Actually, I guess you didn't.
00:10:22 Hear the air.
00:10:22 Conditioner kick on, so you probably won't hear.
00:10:24 Anything and actually do pretty OK.
00:10:28 What else I forgot?
00:10:31 That's that's it.
00:10:33 So this is kind of an experiment.
00:10:37 I don't know if it's going to work.
00:10:40 But this could be fun.
00:10:42 It was a fun project.
00:10:43 And maybe I'll do a video showing kind.
00:10:45 Of how I did it.
00:10:47 Afterwards, but for now.
00:10:50 Let's talk about a couple of things.
00:10:54 One of the reasons why I did this.
00:10:59 There is a solar flare.
00:11:02 Going on.
00:11:05 And to be honest, I don't know.
00:11:09 All the science behind it.
00:11:12 All I'm going to be able to.
00:11:13 Do is simplify it.
00:11:15 In a way that makes sense easily.
00:11:20 I have very simple understanding of it.
00:11:24 But the the basic idea is we're at the very beginning.
00:11:29 Of an 11 year solar cycle.
00:11:33 Now these solar cycles are good for ham radio people.
00:11:37 Because in the middle of the solar cycle.
00:11:43 The solar activity.
00:11:45 Has a positive effect.
00:11:48 On propagation.
00:11:52 So if you've just recently got into ham radio.
00:11:56 I mean, within the last few years.
00:12:00 You've basically got into ham radio.
00:12:03 During the time where it's like the dead zone.
00:12:09 Now this is more the parts I understand OK.
00:12:12 Oh, sure was that.
00:12:19 Creepy, weird things out of here.
00:12:25 One of things I understand is.
00:12:27 So tonight.
00:12:30 We get we might get this.
00:12:31 Solar flare hitting the earth.
00:12:34 Or the solar weather or I.
00:12:36 Don't know what you want to call it right?
00:12:38 And when that happens?
00:12:45 A little animal over here.
00:12:46 Is that a snake?
00:12:51 Where he went.
00:12:53 Well, that happens.
00:12:56 It kind of.
00:12:59 It destroys.
00:13:02 Alright, let me start from.
00:13:03 The beginning I forgot where I was at.
00:13:05 OK, this is a lot, lot weirder than I thought.
00:13:07 It would be so.
00:13:11 So basically the solar cycle is about 11 years in the middle of the solar cycle.
00:13:16 Propagation is really good because solar activity is really high and then when it drops down.
00:13:22 Propagation is really bad and for those who don't know what that means.
00:13:27 Propagation simply means how far your.
00:13:32 Signal will go.
00:13:34 So if you just got into ham radio.
00:13:38 And you're on 20 meters as an example.
00:13:41 Which is just a wavelength.
00:13:43 It's just a frequency the band rather.
00:13:46 Of frequencies.
00:13:50 You probably are not super impressed.
00:13:54 With how far?
00:13:55 You can get out even though I have been able to get out.
00:13:58 To Eastern Europe.
00:14:01 Western Europe and Asia.
00:14:04 On a fairly regular basis.
00:14:07 But it's not super easy and I have to put.
00:14:10 A lot of.
00:14:10 Power out to do.
00:14:11 It now when there's a lot of solar activity, you.
00:14:16 Can do the same.
00:14:18 Long distance communications easier.
00:14:22 With less power.
00:14:25 So we're at the beginning of hand Rodeo getting more awesome is.
00:14:31 For like you know, eight years and then I.
00:14:33 Start to die down again, right?
00:14:38 The other side of that.
00:14:41 The the part that I don't understand.
00:14:42 The part that doesn't make sense to me.
00:14:45 Is the knight for example.
00:14:48 We're going to have, or possibly tonight, maybe tomorrow.
00:14:52 Who knows, in fact.
00:14:54 Right now it's affecting my my signal right now.
00:15:01 There will come a time in the next 48.
00:15:04 Hours or so.
00:15:05 Where a?
00:15:08 Burst of energy will hit the.
00:15:11 Earth's atmosphere from the sun.
00:15:13 And wreak havoc.
00:15:16 On communications.
00:15:19 Now I don't know all of the INS and.
00:15:21 Outs like I said, but.
00:15:24 There was an example of this recently.
00:15:27 By recently I think in the 1950s.
00:15:31 There is something called the Karen Carrington event.
00:15:36 And the Carrington event.
00:15:39 Back in the 1950s, when the soil activity.
00:15:46 Create a similar.
00:15:48 Well, we'll see what happens, right?
00:15:50 Energy burst.
00:15:52 I'll just say an intense energy burst.
00:15:56 That hit.
00:16:00 The Earth's atmosphere.
00:16:05 It was so intense.
00:16:07 Anything that's like a long wire.
00:16:11 We'll pick it up.
00:16:12 So I.
00:16:12 Can tell us, right?
00:16:15 This way for a while.
00:16:18 You know.
00:16:19 You know what? No.
00:16:20 Ain't walking in.
00:16:24 Anything that's like a long wire.
00:16:27 We'll pick up right here.
00:16:30 Waves let you like an antenna, right.
00:16:32 It will take it will pick up radiation.
00:16:36 So all these power.
00:16:38 Lines and Telegraph lines. Because remember, this is the 1950s, right?
00:16:44 So all these Telegraph lines.
00:16:47 That we're picking up the solar energy.
00:16:52 It was so much solar energy.
00:16:54 Not only did it overload.
00:16:56 The things connected to these lines.
00:17:00 And actually set fire.
00:17:03 Just some of the the.
00:17:04 Power lines and Telegraph lines.
00:17:08 Because it it energized the wire so much.
00:17:13 And it became like a heating element.
00:17:16 On your stove.
00:17:19 And so because of that.
00:17:22 You know you had.
00:17:25 All kinds of interruptions and power and communications and.
00:17:28 Stuff like that.
00:17:30 Now there's people predicting that if that happens.
00:17:37 A similar thing like that happens today.
00:17:40 A lot of our communications equipment.
00:17:44 There's a lot more sensitive.
00:17:47 Namely, and a lot.
00:17:48 Of people don't even know who this exists.
00:17:51 The lines that go across.
00:17:55 The Atlantic Ocean.
00:17:58 Yes, there are actual whoa.
00:18:00 Look that guy.
00:18:02 If you're sorry, guy.
00:18:03 A little little.
00:18:06 Kangaroo Rat ran across the.
00:18:09 The way there.
00:18:11 But the.
00:18:15 The There's there's lines actual like like tables.
00:18:21 Going from saying New York to London.
00:18:25 That have.
00:18:27 And then, because they're so long, they have.
00:18:34 That worked kind of same way that like Radio, Ham radio repeaters work.
00:18:38 Only it's, you know, it's it's it's wired, right?
00:18:44 But the wire so long.
00:18:47 And we're talking.
00:18:48 Miles and miles and miles and miles and miles.
00:18:51 Of wire.
00:18:53 And fiber optics and all this stuff.
00:18:57 That the.
00:18:59 Repeaters have to be there to.
00:19:03 Reapply the signal.
00:19:06 As it starts to die down.
00:19:09 From going through miles and miles and miles.
00:19:13 And some of those are fiber optic.
00:19:16 Because while fiber optic is a good conductor of light.
00:19:22 It's not perfect, so there is some loss.
00:19:26 And after miles and miles and miles.
00:19:29 Of course.
00:19:31 It has to be repeated.
00:19:34 So these long lines, whether they're fiber optic or otherwise.
00:19:39 Or just those repeaters?
00:19:42 They are sensitive to.
00:19:45 This kind of energy burst.
00:19:48 So in a worst case scenario, which I.
00:19:52 Nothing will happen at all, but in a worst case scenario.
00:19:57 Basically what you're looking at.
00:20:00 Is a whole lot of.
00:20:02 Communications going down.
00:20:05 A whole lot of.
00:20:07 Power State, you know.
00:20:09 Power generation stations going down.
00:20:12 I mean, you could really.
00:20:15 Really cause some damage.
00:20:19 And again, I'm not predicting that I don't.
00:20:21 Think that's what's going to happen at all?
00:20:23 Well you could.
00:20:26 It could.
00:20:28 And also, if you're super worried about a.
00:20:31 Paranoid about it.
00:20:33 And you want to hand radio?
00:20:34 You probably want to disconnect your antenna, because on a smaller scale.
00:20:40 It could affect your equipment by.
00:20:43 Your antenna picking up the.
00:20:48 The radiation and directing that to the.
00:20:50 Back of your radio.
00:20:53 Anyway, so that's part of why I thought I would fund to do this.
00:20:57 Because of the.
00:20:59 The Carrington event, which sounds really spooky.
00:21:03 Well, another reason.
00:21:06 Well, I thought this would be.
00:21:08 Kind of fun and spooky.
00:21:14 It is Halloween, technically, right now it is now Halloween.
00:21:20 Early morning, but still it's dark.
00:21:23 Stargate. Spooky.
00:21:26 Now there's different.
00:21:27 Schools of thought.
00:21:29 As to whether or not.
00:21:32 Halloween should be.
00:21:35 Celebrated by Christians.
00:21:38 There's a lot of people that have very.
00:21:42 Specific reasons and.
00:21:45 All this kind of stuff I don't want to talk about that tonight.
00:21:49 Maybe someday.
00:21:51 I don't want to talk about that.
00:21:54 I want to talk more about well, first of all.
00:21:58 In its current form, Halloween is an American holiday.
00:22:04 That was hugely.
00:22:07 Influenced by by, by Irish and Scots.
00:22:12 That they came to America, the current.
00:22:16 The current version, the you know the the.
00:22:18 The Halloween that.
00:22:20 We celebrate in the West.
00:22:21 That's pretty much the.
00:22:24 The origins.
00:22:27 And it's really not.
00:22:34 In its current form.
00:22:38 Now you could say that doesn't disqualify.
00:22:41 The holiday from being degenerate and bad, and like anyone who's been to a drunken Halloween party knows that a lot of people use it.
00:22:51 As an excuse to put a mask on.
00:22:55 And then act extra ******, you know.
00:23:02 I still think.
00:23:05 There is a place in culture.
00:23:08 Perhaps we're dressing up?
00:23:10 I don't know.
00:23:10 I've never.
00:23:11 Thought deeply about that.
00:23:14 But I don't see the harm in something like that in a limited fashion.
00:23:20 Now you might say, wow, that's the.
00:23:22 Kind of thing that could lead.
00:23:23 To like eventually that leads to trans stuff.
00:23:26 Right.
00:23:28 And it's like, well, I mean.
00:23:30 That's it like.
00:23:34 Does it?
00:23:35 I don't know.
00:23:35 Maybe I.
00:23:37 Have a hard time believing that.
00:23:38 But you know, I guess maybe.
00:23:44 Why, why?
00:23:45 Why do the degenerates have?
00:23:46 To ruin all fun like they.
00:23:49 It makes people suspicious.
00:23:50 Of everything now.
00:23:53 Including myself, I guess in some ways.
00:23:56 But I think there's also a place.
00:24:00 In culture.
00:24:03 For spooky, scary stories.
00:24:07 Spooky, scary stories.
00:24:11 People like spooky, scary stories.
00:24:19 The other reason I'm out here tonight.
00:24:22 As I asked some of the locals.
00:24:26 If there were any local.
00:24:30 Spooky, scary stories.
00:24:34 And I was told.
00:24:36 Much to my shock.
00:24:39 But there was quite a few local.
00:24:45 Spooky, scary stories.
00:24:49 And that many of them.
00:24:52 What place near?
00:24:54 Where the pillbox was.
00:24:57 Or is.
00:24:59 At least I hope it's still.
00:25:00 There, I guess I'll.
00:25:01 Find out when I get back right the.
00:25:07 Story that I'm going to focus on tonight on this creepy, scary edition of.
00:25:18 The insomniacs room hope I'm going the right way.
00:25:24 Here's the story.
00:25:28 I'm an old woman.
00:25:32 Who lived out in the desert?
00:25:35 In a house that is still there, apparently.
00:25:41 And I'm walking to.
00:25:44 What is supposedly the ruins?
00:25:51 Of this whole House now, I haven't seen.
00:25:52 It so I don't know.
00:25:54 In what condition it's in?
00:25:58 It might just be like a foundation or.
00:26:01 It might be a whole house.
00:26:04 What we're going to see.
00:26:06 We are going to see.
00:26:14 Some back story.
00:26:19 The creepy old lady that lived in the creepy old house in the creepy old desert.
00:26:31 So for a long time.
00:26:33 This town.
00:26:35 Or at least this area, I don't know.
00:26:37 If this town specifically.
00:26:39 But this area here like town, here so much.
00:26:44 But the people who live out here.
00:26:47 Or at least always the older buildings that exist here.
00:26:51 Our problem when they did.
00:26:53 A lot of mining out here.
00:26:56 I guess that was gold mining.
00:26:59 Copper mining.
00:27:02 All kinds of mining.
00:27:05 I don't know specifically.
00:27:07 This area and there are some gold mines out here.
00:27:12 But I don't know.
00:27:14 Specifically why people moved out here, but that doesn't matter what matters.
00:27:21 Is the creepy old woman.
00:27:25 Now, the reason why there's.
00:27:27 Women's even knowing about.
00:27:30 And I guess the house.
00:27:33 Is that there is some treasure involved?
00:27:36 So it's like it's like a spooky story.
00:27:40 And a treasure story.
00:27:44 All right, let's cut through.
00:27:55 That's right.
00:27:58 Figure out where to go here.
00:28:06 It's really a lot.
00:28:07 I forgot my stupid words. I you know I can't see you guys's comments. I don't have my.
00:28:14 IPad stuff.
00:28:20 On my GPS or anything else, but that's OK, I'm somewhat familiar.
00:28:25 With this area, let's just go this way.
00:28:34 Well, that's weird.
00:28:35 Zone 7. Motion detected.
00:28:47 This thing is so *******.
00:29:15 Well, it happens sometimes.
00:29:17 That's a.
00:29:19 One thing I didn't forget.
00:29:22 Is I have a.
00:29:24 Well, I don't want.
00:29:26 Divulge the details.
00:29:28 But the.
00:29:31 Pillbox has perimeter alarms.
00:29:35 That will.
00:29:37 Well, when I set up to do.
00:29:38 This when I trigger.
00:29:45 Well, beep my.
00:29:49 Well, that sounded like.
00:29:54 They'll beat my.
00:29:57 My Haley talking here.
00:29:59 Super old handy talking.
00:30:01 My 40 year old handy talking.
00:30:05 So that's what you heard there.
00:30:11 Not necessarily anything weird that's.
00:30:15 Doesn't happen too often, but sometimes, like the neighbors dogs or.
00:30:22 Coyote will trigger it.
00:30:25 So that's probably.
00:30:29 That's probably all it was.
00:30:33 Now that I'm coming telling spooky stories.
00:30:38 Down the desert.
00:30:38 I'm sure it's it's just.
00:30:41 I'm freaking myself out.
00:30:45 OK.
00:30:47 I kind of don't want to tell.
00:30:48 The story until I.
00:30:49 Get to the.
00:30:52 The spooky treasure house.
00:30:57 How sweet would that be if I found?
00:30:58 A bunch of.
00:31:01 Nazi gold.
00:31:06 It's way pretty Nazi but.
00:31:09 I found a bunch of gold bars on.
00:31:11 I would have to.
00:31:12 I would immediately and the and the.
00:31:16 And the stream.
00:31:18 And blame it on the.
00:31:21 The solo whatever thing.
00:31:28 So anyway, yeah, let's.
00:31:31 Let's hold off on.
00:31:34 Let's get to the place.
00:31:35 It's not that far.
00:31:38 I'm actually surprised I've ever seen it.
00:31:45 Well, yeah, unless it's just like a foundation.
00:31:49 And that will make sense why?
00:31:50 I've never seen it.
00:31:53 And it won't be as cool.
00:31:58 So anyhow.
00:32:06 There's a lot of ******* music this way.
00:32:07 Some bugs sitting in the face.
00:32:29 I think their side of this.
00:32:32 River thing or?
00:32:35 Wash bed or whatever this is.
00:32:48 The other thing is I want to.
00:32:49 Make sure I get to where we're going.
00:32:51 Before the headlamp.
00:32:54 Guys I've I've got backup flashlights but.
00:32:59 That's never as cool.
00:33:05 OK.
00:33:14 So I think I just need.
00:33:15 To cross through here.
00:33:18 I just don't see a good easy spot to cross over.
00:33:19 Right.
00:33:23 I don't.
00:33:24 Want to crawl around in a ditch?
00:33:27 And there are still snakes out.
00:33:31 Not as many.
00:33:34 In fact, I haven't seen one in a while.
00:33:52 I think.
00:33:53 To get to the other.
00:33:53 Side of this stuff.
00:33:56 I guess I could crawl through there.
00:34:00 That wouldn't be spooky at all.
00:34:06 Plus I can actually.
00:34:06 Get through that.
00:34:12 On the other side of this wall of.
00:34:23 Oh, here we go.
00:34:24 Maybe super exciting.
00:34:32 Hi guys.
00:34:53 OK.
00:35:00 Probably just always up through here.
00:35:09 So again, don't want to go.
00:35:10 For that crap.
00:35:13 Going to place them.
00:35:14 Go up.
00:35:48 Oh, no. Yeah.
00:35:51 Your parents well.
00:35:59 They don't look like it, but.
00:36:00 These things are thorny.
00:36:00 As ****.
00:36:06 Try to.
00:36:09 Got to go.
00:36:09 For it.
00:36:18 A TV.
00:36:21 You guys on the TV?
00:36:31 There it goes. Nice TV.
00:36:35 Always good.
00:36:37 Weird stuff out here.
00:36:40 And it's the creepy old ladies TV.
00:36:56 OK, I'm going the right way.
00:37:02 Like I happened.
00:37:24 Alright, twice is kind of weird.
00:37:41 Well, this is definitely kind of weird, but.
00:37:48 We're just going to keep going.
00:37:54 We're going to not think about.
00:37:55 That for right now.
00:38:05 Especially because I don't know if.
00:38:08 And make it back.
00:38:10 Hopefully we'll see some foxes, so one thing I do see when I'm out here, specially when I'm talking sometimes I'll talk on.
00:38:18 The phone. I'm out here.
00:38:20 And you would think that would scare them away.
00:38:25 On the contrary.
00:38:28 It seems to bring them out.
00:38:31 And you see.
00:38:32 Little pairs of eyes staring at you.
00:38:36 Within a Bush.
00:38:41 If you have to see that.
00:38:46 I'll keep an eye out for that.
00:38:49 And let you know.
00:39:48 Hang on, so I can.
00:39:49 Myself out a little bit.
00:40:00 That's ******* weird.
00:40:01 I thought I saw something there.
00:40:04 That was weird anyway.
00:40:11 You can get creepy out here.
00:40:15 Super creepy.
00:40:24 Oh, there's a little off road trail.
00:40:31 I think this might actually.
00:40:36 Even go to the house because I think.
00:40:39 It's kind of like a.
00:40:42 Kind of place that teenagers would go and.
00:40:47 Have sex at and drink and smoke pot and that sort of thing.
00:40:54 Yeah, there's some alcohol bottles, so we're getting close.
00:41:42 You guys hear that?
00:41:56 OK.
00:42:14 OK.
00:42:53 Oh yeah.
00:42:54 Sorry guys.
00:42:56 Little creep down out here.
00:42:58 That's what that was.
00:43:00 I was.
00:43:01 I have an audience.
00:43:03 I should probably be talking.
00:43:06 So you guys can still hear me?
00:43:12 Well, ****.
00:43:13 Let's just tell the story of the creepy lady and the creepy treasure.
00:43:18 So there was apparently.
00:43:21 A small town.
00:43:23 And it would, it would.
00:43:25 It's it doesn't.
00:43:27 Yeah, it doesn't really exist anymore.
00:43:30 But the.
00:43:32 And the money boom was going on out here.
00:43:36 There was a.
00:43:38 A town that would cater to the miners.
00:43:41 It's a little like a.
00:43:41 General store and.
00:43:44 You know, like the kind, you know, it was.
00:43:47 It was basically just men, right?
00:43:48 Just men that came out to go mine and.
00:43:51 And so there was also, as you might imagine.
00:43:57 And also gambling.
00:44:00 To try to wrestle.
00:44:03 The money.
00:44:05 Away from.
00:44:07 The miners.
00:44:11 And so this small town basically it.
00:44:13 Wasn't like huge, but had like.
00:44:15 Slot machines and poker and.
00:44:18 And you know, brothel and stuff like that.
00:44:22 And supposedly.
00:44:25 This woman ran.
00:44:27 The brothel.
00:44:29 And also supposedly.
00:44:32 She also was like had a relationship with the sheriff that was supposed to have jurisdiction.
00:44:42 Over the area, because, you know, gambling was illegal.
00:44:46 But you let it slide.
00:44:48 Because his girlfriend or mistress or whatever it was.
00:44:54 Was this creepy old lady?
00:44:56 Well, I guess back then, she wasn't creepy old.
00:44:58 Lady, she was probably.
00:45:00 Sexy **** or something?
00:45:02 I don't know.
00:45:05 This kind of ways what would go on where?
00:45:09 They I don't remember what year exactly it was, but they did have.
00:45:13 Some kind of communications?
00:45:15 So when the.
00:45:18 When the authorities were alerted, I don't know who exactly would be above the sheriff, but when someone complain or whatever.
00:45:27 And the sheriff, because they don't have actual, like, good roads out here, they still don't.
00:45:32 It was all dirt roads.
00:45:34 And you have to remember the kind of cars they had.
00:45:37 I think I think.
00:45:37 This is probably like.
00:45:39 1920s or so, I don't know, I actually.
00:45:42 Don't know the year.
00:45:44 And so.
00:45:45 I think 1920s we'll just say for the sake of the the spooky story, 1920s.
00:45:51 So the sheriff, when he was told they had to go.
00:45:55 And check on this town where there was supposedly gambling and and horn and all that stuff going on.
00:46:02 Well, what happened is you go out there.
00:46:06 And or he'd he'd make a.
00:46:09 Telegraph call or phone call.
00:46:10 I don't know which.
00:46:12 To the town and say, hey, I'm taking, you know, so and so and.
00:46:18 And whoever to go check the place out because there's been complaints.
00:46:22 And I have to show him that everything's fine.
00:46:26 And they're all time to hide.
00:46:28 All the slot machines.
00:46:31 And all the you.
00:46:32 Know the the prostitutes and stuff.
00:46:36 And so.
00:46:43 I think that's it actually.
00:46:46 How about that?
00:46:51 Hang on, I think I saw a building.
00:47:23 Just right through.
00:47:35 Looking for.
00:47:56 Is that it?
00:48:09 That's so weird.
00:48:10 I keep hearing ****.
00:48:37 OK.
00:48:44 All right.
00:49:20 There's no building here.
00:49:36 I'm kind of turned around.
00:49:41 Alert zone 1. Motion detection.
00:49:46 OK question I did bring the.
00:49:54 I think we're almost.
00:49:59 Alright, luckily.
00:50:03 We have just found the place because I am getting to where I need to go back to the.
00:50:09 I'll show you the.
00:50:10 Creepy house.
00:50:11 And I'll tell you.
00:50:11 I'll tell you the story on the way back.
00:50:13 I just.
00:50:14 It's starting to be.
00:50:15 Weird that there's.
00:50:18 So my alarms going off.
00:50:21 At the pull back, that's not a normal thing.
00:50:25 So so here apparently.
00:50:36 Gary witchhouse.
00:50:44 And that's kind of scary.
00:50:48 Also kind of surprised I ever saw this thing.
00:51:12 I don't want to go.
00:51:13 In there.
00:51:53 OK.
00:52:41 Employers, I guess I should be looking after spiders as much as I.
00:52:46 Should be looking out for.
00:52:57 Anyone here?
00:52:58 I don't want to go in there.
00:53:12 That's like, the grossest toilet I've ever seen.
00:53:50 There I.
00:54:49 How did that?
00:55:02 There's a Black Widow.
00:55:11 A bunch of spiders in here, actually.
00:55:23 Sure, lift that toilet seat.
00:55:30 It's Halloween, right?
00:55:42 Ohh, it's not as spooky as I was expecting.
00:55:56 It's a bit of a.
00:55:57 Fixer upper.
00:56:01 Oh, spiders.
00:56:02 One of you guys can see all.
00:56:03 The spiders in there.
00:56:07 Was ******* spider web looked insane?
00:59:05 All right, something is definitely going.
00:59:07 To get out of here.
01:01:46 And I'm not dead.
01:01:48 I'm not dead.
01:01:51 All right, all right, all right.
01:01:53 Happy Halloween, everybody.
01:01:57 OK.
01:01:58 Yeah, that didn't work out as well as I wanted, but it worked out pretty OK for a spooky Halloween.
01:02:04 What do you guys think?
01:02:06 I I did all that tonight.
01:02:08 That's why it wasn't as special effects packed as I wanted it to be.
01:02:12 But I I I really the weird thing is that was actually broadcast that was broadcast over the air like the the All the the weird spooky transmission.
01:02:26 Interference was actually me while this was playing to you guys.
01:02:30 Touching the antenna to make it more or less have crappy reception.
01:02:36 So that was me walking out with a body Cam.
01:02:39 There is no spooky lady.
01:02:40 I mean, there is a spooky.
01:02:42 There is a spooky.
01:02:43 I mean maybe there is.
01:02:44 There was a spooky A.
01:02:45 Band in a house out there.
01:02:47 I have no idea what the story is behind that.
01:02:50 But yeah, I thought it'd be cool to do a happy Halloween thing.
01:02:54 Excuse me?
01:02:56 I had a much more complicated.
01:02:58 Version I was going to do that.
01:03:01 It just ended up not working and then I had technical difficulties because I wanted to, you know, do the.
01:03:07 I wanted to actually broadcast a SD signal to my computer like that part was kind of real like would it really have the range that I was using it?
01:03:18 No probably not.
01:03:21 But that part was real and I wanted it to work and I had tons of technical problems trying to get it to.
01:03:28 And then I was going to also have just more to the story, but I literally shot.
01:03:33 And edited it.
01:03:34 Well, there's not really much of an added.
01:03:35 It's all one shot and it totally winged.
01:03:38 It didn't have like a script, just like was like.
01:03:40 All right, spooky.
01:03:41 Time and the reason I did that not only for spooky Halloween time, but to show you how easy it is to do a found footage film.
01:03:53 Now obviously look that looks very it was very thrown together.
01:03:57 It was very, you know it is.
01:04:00 There it is.
01:04:02 And people are asking that wasn't live.
01:04:03 It was no, it wasn't live.
01:04:05 I mean, it was live in that like I I really put a body camera on tonight like this.
01:04:10 This all happened tonight.
01:04:11 I really put a body camera on, turned it on and just start talking.
01:04:17 Like I I didn't have any plan.
01:04:18 I didn't have anything.
01:04:19 I was just like.
01:04:20 I mean, I had the plan was I'm gonna go to this spooky house.
01:04:24 And I'm just going to, like, act like I'm doing a stream live with the body Cam and then something scary happens.
01:04:32 And the ****** thing is you didn't get to see.
01:04:33 The scary **** like.
01:04:36 Let me see if I can.
01:04:38 Pull up the scary.
01:04:40 Like there's a bunch of scary stuff that, like, spooky things that I don't know if everyone caught like I put in like real quick, just a couple of frames of like a lady walking across the screen and like a spooky face like in the shadow and and little things. Like I didn't have time. I literally shot this at like 8 or 9:00.
01:04:58 So I went out and did that.
01:05:00 And then I came back in here.
01:05:02 Excuse me.
01:05:03 I'm like losing my voice for some.
01:05:04 Reason and you know try to throw in some spooky things and tried to do.
01:05:11 You know, I don't know.
01:05:12 I just tried to spooky it up as much as I could, but I was going to be live.
01:05:15 Like I I literally had like 2 hours and the thing itself is like an hour long and so anyone that.
01:05:21 Knows name about video means you're kind of ****** if if you if you have an hour of video to edit and it has to be live in two hours.
01:05:29 Not a good thing.
01:05:30 So that was the situation, but I wanted to get it because, you know, I had the there's only one Halloween.
01:05:36 Right.
01:05:37 So yeah, that's the that's the spooky Halloween time.
01:05:41 That's, but yeah, it's.
01:05:43 I've been watching a lot of found footage films.
01:05:46 In in preparation for, like I said, I had second thoughts about, you know, going, I think the day of the rope thing needs to happen, right and.
01:05:56 After watching a lot of found footage film.
01:06:00 I think there's no way we can **** it up like there's some of these are so bad and they make money.
01:06:05 I mean, I'm not.
01:06:06 I'm not expecting this to make money, but like it's going to be better than.
01:06:09 The ones that make money.
01:06:11 And what I just did like just to give you an idea, like I said, I literally I had no plan.
01:06:16 I had no plan.
01:06:17 My plan was walk to that house.
01:06:20 Do something spooky and I strapped on the body camera.
01:06:24 I walked out.
01:06:26 I made-up the like the perimeter alarm thing. I thought that would be kind of funny, you know? Like, that was, that was sort of part of, you know, to add some spooky to it.
01:06:35 And so I guess that was kind of planned, but not really like it was just sort of like in my head like, OK.
01:06:41 Pretend like the alarm is going off and one of the things I was going to do in the beginning, I said I mentioned like, Oh yeah, I left my microphone on.
01:06:49 You might hear the cat.
01:06:50 And I was thinking.
01:06:52 That I could one of the reasons I wanted the alarm going off is if I had had time, I was going to have spooky things that you'd be able to hear going out at my house and I wouldn't know that it was happening because like, I'm out doing my stream thing.
01:07:04 So either like you know, maybe like, I don't know, just spooky **** would happen at my house and.
01:07:09 You'd be able to hear it, and I wouldn't know it, so I'd be oblivious.
01:07:12 To it and you guys be like, Oh my God.
01:07:14 Don't go back home, Devin.
01:07:16 But like I didn't have time, I didn't have time.
01:07:19 And so I just throw it all together and.
01:07:20 Anyway, proof of concept, proof of concept wasn't the best thing you've ever seen.
01:07:26 Obviously not, I hope not.
01:07:29 But proof of concept that you can just ***** ** a body Cam, walk out into the desert to a creepy house and just ******** your way through it, and then edit it for like 2 hours.
01:07:42 And it's a thing.
01:07:43 Is it the best thing?
01:07:45 But it's still a thing.
01:07:47 And so if you actually spend the.
01:07:49 Time to, you know, plan it and you know I I think honestly less is more in terms of the planning just if you want it to seem real right you could always edit it down.
01:08:01 But if you shoot like a lot of raw footage and you're just winging it, it's going to seem more natural, and then you can just edit it down.
01:08:08 Not a big deal.
01:08:09 So anyway, that's it didn't want to leave you guys hanging thinking that like I was.
01:08:14 Ohh, let me show you.
01:08:15 So here's something.
01:08:16 That I wish you guys had been.
01:08:18 Able to see.
01:08:20 Because I made spooky.
01:08:27 Now, why is that opening VLC?
01:08:33 Here we are.
01:08:37 Yeah, so I made spooky spooky.
01:08:40 The very last part.
01:08:46 Well, actually there's a couple of parts.
01:08:47 So there's.
01:08:52 Or if I could easily find these parts.
01:08:57 Well, the last part is the part that I know is spooky.
01:08:59 Alright, so here's the last little bit.
01:09:02 That didn't really come across.
01:09:06 Door still open.
01:09:15 Because I was, I was touching the antenna to make too much static during this part.
01:09:19 You kind of missed it.
01:09:21 But here's the spooky ending.
01:09:38 Alright, something is definitely really going high to.
01:09:40 Get out of here.
01:09:51 I don't know if you guys saw the the.
01:09:52 Skull face that time.
01:10:00 Real quick, so I did like a couple of things like that, but probably no one I couldn't even see them and I knew they were there.
01:10:10 So I probably should have a little better of a job.
01:10:12 I just I had like literally 2 hours before I had to play this for you guys.
01:10:14 So anyway, happy Halloween.
01:10:18 I guess we'll talk to chat for a little bit and then I'm going to bail out of here.
01:10:21 What do you guys think I like I said, obviously it could be way better.
01:10:28 Yeah, people, I guess people miss that.
01:10:30 Yeah, it was supposed to be.
01:10:32 It was.
01:10:32 And there was a couple of creepy things.
01:10:34 Let me see if I can open up premiere and I'll show you kind of where they were at.
01:10:38 They were creepy things that I put in there that that again, I didn't even.
01:10:41 See them and I knew where that they were there so that I made them too.
01:10:45 I just didn't want it to be, like, too obvious.
01:10:47 Because I feel like people wouldn't believe it anymore.
01:10:50 They'd be.
01:10:50 Like oh oh.
01:10:52 I get it.
01:10:54 This is this is not a.
01:10:57 This is definitely not a a real thing anymore now.
01:11:02 Now I get it's Halloween.
01:11:03 Spooky insomnia stream.
01:11:06 All right here, I'm going to see if I can get premiered to load up here.
01:11:13 I don't have all my monitors set up, so it's kind.
01:11:15 Of stupid the.
01:11:16 Way it's.
01:11:17 The way it is right now.
01:11:22 Waiting for media pending to come up.
01:11:29 Eventually I will.
01:11:37 Alright, let's see.
01:11:38 I got some people while I'm waiting for that.
01:11:40 Oh, here it goes.
01:11:42 Let me let me see if I can load this up here.
01:11:48 Adobe premiere.
01:11:54 OK.
01:11:55 Well, this will work.
01:11:56 It's not ideal, but it will work.
01:12:05 Alright, so there's this part right here.
01:12:08 You look very carefully.
01:12:16 Look at the right side of the screen.
01:12:17 See that light colored lady walking.
01:12:20 Again, I want it very subtle.
01:12:24 Very subtle.
01:12:25 You'll see her locking right there.
01:12:27 There it is.
01:12:28 And then I move the flashlight over and she's gone.
01:12:31 Probably should have made her.
01:12:32 Easier to see.
01:12:35 And then on this one.
01:12:38 Look at the right side of the screen.
01:12:40 I got to move this.
01:12:42 See that creepy little kid?
01:12:44 She pops up just for a second again.
01:12:49 Well, oh right there.
01:12:50 Creep, little kid and then gone.
01:12:54 And then here's another one.
01:12:55 Forget what this one is.
01:12:57 OK.
01:12:59 I really hope I'm.
01:13:00 There's that.
01:13:01 There's this.
01:13:01 This is the most obvious one.
01:13:03 That's the one I thought.
01:13:04 Was maybe too obvious.
01:13:05 OK.
01:13:07 I really hope I'm going the right way.
01:13:10 Just real quick, just real quick.
01:13:14 And then here's.
01:13:17 I don't know what this one is.
01:13:19 What's this one?
01:13:20 What the ****?
01:13:29 Oh, there it is.
01:13:30 Real quick.
01:13:31 It's too quick.
01:13:32 Unfortunately, you'll see it flicker on.
01:13:34 It's a lady that flickers on but again.
01:13:37 I made it too ******* subtle.
01:13:41 And then on this one.
01:13:45 Look at the window.
01:13:47 You see the handprints appear and then disappear.
01:13:52 Again, I made it too quick and too subtle.
01:13:56 There's handprints on the window.
01:14:00 And then they fade off when my light goes.
01:14:01 Back on them.
01:14:06 And then this one look in the door.
01:14:13 See that?
01:14:14 That chick that slides in.
01:14:18 You guys probably missed that one.
01:14:25 And then she disappears.
01:14:31 Again, I had two hours.
01:14:35 And then this one.
01:14:39 You can see her.
01:14:41 I knew this one looked the edit wasn't that good.
01:14:43 So I kind of grabbed the antenna a bunch so that this.
01:14:46 One was.
01:14:47 I kind of muddied it up on purpose because if you look at it like this.
01:14:55 It's too obvious that she's there.
01:14:59 So I I I was.
01:15:01 Told not in the antenna during that part.
01:15:04 And then of course, the end.
01:15:09 Oh, it skipped it.
01:15:10 Because it has to render it.
01:15:25 So that was the end.
01:15:28 Anyway, yeah, like so that one girl, the.
01:15:34 That look kind of cheesy.
01:15:35 So once it looks like it's from a commercial I just grabbed because.
01:15:37 Again, I had two hours.
01:15:39 So I just grabbed green screen crap off YouTube and it and and then it was the.
01:15:46 It was like the second to last one.
01:15:48 I had to do and I kind of rushed it and when I got into premiere.
01:15:52 And looked at it, I was like uh.
01:15:54 That looks like ****, but I already knew what I was.
01:15:55 I I knew I was going to **** with the reception, so I was like, alright, whatever.
01:15:59 I'll just make it really bad during that part and it'll cover it up.
01:16:03 So anyway.
01:16:06 So that was it.
01:16:07 That was.
01:16:08 That's how easy it is just to do some found footage stuff.
01:16:11 Like I said, I just did it with a regular old body Cam.
01:16:14 The same camera I take on all my.
01:16:16 Heights and you know it made it look extra spooky because I had my headlamp on the night vision turned on.
01:16:23 And you know, there's.
01:16:26 There's so much we can do.
01:16:28 With the day of the rope film, obviously not all stuff weird, stuff like that, but similar.
01:16:35 Where because it the whole point, the whole idea of the the day of the movie right is the the hub in the center of all the little vignettes.
01:16:45 All the little mini stories that will get get tied together, they're tied together by an NSA agent at his computer, right?
01:16:54 So the movie opens up NSA agent at his computer.
01:16:58 He opens up his desktop and starts spying on people, and when he's spying on people, he's just turning on people's phones, turning on their webcams, turning on their alexas.
01:17:11 And you know all the, all their, you know, different spying devices they have in their house and because people have so many spying.
01:17:19 Devices in their house now.
01:17:21 Then it's you can really set up like four or five cameras if you want.
01:17:26 The cameras don't have to be good.
01:17:28 In fact, it's worse if they are like the one thing that I noticed when I was watching these.
01:17:32 Found footage movies.
01:17:35 Is that it started?
01:17:37 The movie started seeming ****** when the footage was too good.
01:17:44 When it didn't make sense like.
01:17:47 Why is this guy?
01:17:50 Like running around with literally a Steadicam or or or there'd be instances where like.
01:17:55 Who's even shooting this?
01:17:57 You know, like it's not real.
01:17:58 Like there's you needed this angle.
01:18:00 So you just put it in there with no explanation as to where that photo gaming came from.
01:18:04 And I'm supposed to believe that I'm watching a bunch of footage that people found.
01:18:10 And that's what we want to stay away from.
01:18:14 We want to stay away from anything like a the acting looking bad.
01:18:20 You know, because that was the other thing with a lot of these movies is the acting is not that great.
01:18:24 Now what they did is they offset it by showing *******.
01:18:27 That's what they did.
01:18:29 Like in VHS, like the the that that Frank.
01:18:33 Eyes, every single one of those movies, there's a decent amount of *******, and it's because the acting is like one step of like one tiny step above ***** acting.
01:18:46 And the only way people forgive that is if you.
01:18:48 Put ******* in.
01:18:50 Well, we're not going to put ******* in.
01:18:51 And so the acting has to actually be good.
01:18:54 You can't just, you know, gloss it over with with **** so.
01:19:00 We need good acting, natural acting because that was the other thing that would be weird is when their actors would act not just poorly, but just unrealistically to the situation.
01:19:13 Including like I said, like, oh, I'm getting chased by a monster, but I'm going to make sure to hold the camera on my face.
01:19:21 As I get chased by a monster.
01:19:26 Because that's super important that I have a selfie of me.
01:19:29 Getting chased by a monster.
01:19:33 And when there's so many other.
01:19:35 Options you know to choose like like we just said, there's security camera angles.
01:19:39 You could switch to.
01:19:41 There's, you know, there's, you know, all kinds of different cameras in peoples homes nowadays.
01:19:46 So you have shot selection, you just just don't have a shot.
01:19:50 That doesn't make any ******* sense.
01:19:54 And uh.
01:19:56 Don't try to gussy it up.
01:19:59 When when in real life, like look, everyone, especially nowadays, everyone has seen a ton a ton, a phone footage.
01:20:08 Everyone knows what phone footage looks like.
01:20:11 Everyone knows the.
01:20:12 Difference between phone footage and studio lighting footage.
01:20:18 And it like I said.
01:20:20 It it, it's almost like it defeats the whole purpose.
01:20:23 It just makes it ******.
01:20:24 It goes from being ohh like you know.
01:20:26 OK, perfect example paranormal activity.
01:20:30 Not the best either.
01:20:31 Not the best movie.
01:20:32 In fact, it's kind of like what I just did, where there's a lot of just nothing happening.
01:20:37 But that's what.
01:20:38 Makes it spooky.
01:20:39 And there's not like a whole lot of weird camera angles that wouldn't make sense that they would have like.
01:20:45 So even though you know, obviously it's a.
01:20:46 Movie or like Blair Witch is the kind of the same way you can kind of buy into the idea that, oh, OK, this makes sense, that they would have this angle or this shot or whatever.
01:20:57 Like I can start to suspend my disbelief.
01:21:01 And because every nothing is studio lit, everything's using. In fact, that's the other good thing they did in paranormal activity. And that part of it was budget reasons.
01:21:10 But it it it just also adds to the authenticity of it is they used crappy video equipment they didn't use like a.
01:21:18 $20,000 red camera or a film camera or you know, something that a normal person wouldn't have.
01:21:25 They shot it on like I think mini DV.
01:21:30 And then, you know, blew it up onto when they brought to to theaters, they blew it up on to film, but it was shot on a TV.
01:21:37 Another little known fact.
01:21:40 Is the the movie this in my opinion, probably one of the best, or at least the scariest zombie movies ever made.
01:21:50 Was it 28 days or 28 days later? Which one is that?
01:21:56 28 days we're going to have it here.
01:22:01 Yeah, 28 days later, 2002.
01:22:09 What is this?
01:22:10 All right.
01:22:13 Where is the video player.
01:22:20 So this movie.
01:22:22 This was shot.
01:22:24 On mini DV.
01:22:27 They shot the entire movie.
01:22:31 That's why it looks kind of grainy.
01:22:34 It looks kind of low fi.
01:22:37 Because it was.
01:22:39 They shot the entire film on mini DV.
01:22:43 Which is 720 pixels by 480 pixels. It's not a lot of pixels, especially if you blow that **** up onto a theater screen.
01:22:53 But they did it and it looks good.
01:22:56 I mean it looks.
01:22:56 Like mini DV.
01:23:00 But they made it work.
01:23:02 And it looked extra like it kind of real.
01:23:06 And extra kind of scary.
01:23:09 Because it had that kind of grainy look to it.
01:23:11 Now I think they they put some.
01:23:14 There, there used to be this weird lens adapter that would kind of mimic the.
01:23:19 It would almost try to give you depth of field on a mini DV camera.
01:23:23 I don't know if they used one.
01:23:24 Of those, or if they just had some pretty good lenses, there's not like a whole lot.
01:23:29 Of depth of field going on.
01:23:31 So I don't, maybe they just use some cool lenses and good color correction.
01:23:35 But look, I mean you can tell that's not shot on film.
01:23:40 And in fact, when they shot these scenes in London where there's no one around.
01:23:46 They literally just shot them early in the morning.
01:23:49 When no one was around.
01:23:51 That's why everything happened so like.
01:23:57 You know, like, right at dawn.
01:24:00 Because that was.
01:24:01 That's what they did.
01:24:07 So less is more, less is more.
01:24:10 If if you want to work on this movie and again I gotta.
01:24:14 I gotta put together how we're going.
01:24:15 To do this.
01:24:17 In an organized fashion.
01:24:21 If you want to start thinking about this now, or if you've been thinking about it since I brought it up like a year.
01:24:26 Ago, you know, I mean, I get it.
01:24:27 I know.
01:24:29 Less is more.
01:24:31 You don't want, you don't want lights.
01:24:34 You don't even want like a fancy.
01:24:36 I mean, one thing I will say that you can that you should make sure that you do because you I would say make sure that the audio is good because you can we can make the audio sound crappy if it's too good.
01:24:50 Now you can't do the same thing with video.
01:24:51 The video is too good.
01:24:52 I mean like because the lighting and all this other stuff like there's no way to really.
01:24:57 I mean, you can do some things, but like it's still going to look just.
01:25:00 It's gonna look too good.
01:25:02 Audio I'd rather have it be too good and then make it crappy if if you have to.
01:25:08 Because if I can't hear you, what you're saying?
01:25:11 You know.
01:25:12 It is I mean, but at the same time there's ways to do that using just the.
01:25:17 I mean, I just used honestly what I just did there because it was noisy and crappy.
01:25:22 It kind of again, it gave it authenticity.
01:25:24 I just used the microphone that was literally on the the body Cam.
01:25:29 And you know, it sounded kind of ******, but like it.
01:25:32 It kind of added to it.
01:25:33 So anyway.
01:25:36 Let's go to chat for a little.
01:25:37 Bit and then I'm going to bail.
01:25:41 Look at the the tipped.
01:25:46 Every single time.
01:25:50 You wedged us, you mill fire trucker.
01:25:53 I have no idea what that even means.
01:25:55 This was the spookiest telling I had in a while.
01:25:58 I actually was tensing up the whole time.
01:26:00 Well, there you go.
01:26:01 It was the.
01:26:02 It was the long tension builder.
01:26:07 Alright, let's take a look here.
01:26:09 See what you guys got.
01:26:16 And some at 28 weeks later, that's the that's the sequel. High Priest King Terry combined Blair Witch with the with clerks.
01:26:24 And you have a very mediocre product with bad acting that is passable enough to be a cult classic.
01:26:29 Yeah, I hate clerks.
01:26:30 I hate clerks.
01:26:32 I hate clerks.
01:26:32 I rewatched Blair witch.
01:26:34 I saw that in the theaters.
01:26:36 And there were people that thought it was real.
01:26:39 I had a friend that we got that granted, this friend wasn't very smart, but I had a friend that when we were going to the theater.
01:26:45 They're kept telling us.
01:26:47 No, dude, it's real.
01:26:48 No, dude, I'm telling you, it's real.
01:26:50 I'm like, it's not real.
01:26:51 Like they wouldn't be able to.
01:26:52 They you think they'd really make a movie out of, like, footage from people that got murdered?
01:26:59 I mean, come on, man.
01:27:00 Like, they're not.
01:27:01 We're not there yet.
01:27:03 No, man, it's real.
01:27:05 There are people that thought it was real.
01:27:07 And you watch it now, and it's not that great, but well, I mean, honestly, they're compared to some of the stuff they make now it's it's not that bad either.
01:27:19 But clerks is.
01:27:20 I'll always hate that movie.
01:27:22 That's like one of the worst movies I.
01:27:23 Think ever made?
01:27:27 Greens, whatever.
01:27:29 I like the sound of rushing blood or a stream at the beginning of the fourth act.
01:27:33 It was very subtle and as much soundtrack as you could get away with without adding a soundtrack.
01:27:40 Yeah, well, I did add some some whooshing sounds, a little bit in the in the house.
01:27:48 And but yeah, like I said, I had to get, I had to be pretty subtle about it.
01:27:54 I had more time.
01:27:55 This would have been actually kind.
01:27:56 Of good and spooky.
01:27:58 But it was.
01:27:59 It wasn't.
01:28:00 Like I said, I edited the entire thing in two hours and it was an hour long, so I had to pretty much just, you know.
01:28:09 Did you add the coyotes?
01:28:11 I did add the Coyotes just because I thought it needed something and I I there was a there was an easy there was an easy thing to add.
01:28:20 I mean, I hear coyotes out there all the time, but I didn't this time and I thought this is an easy thing to add.
01:28:25 That'll add to the spookiness?
01:28:27 That won't seem weird, that it's there, and so I I just dropped it in there real quick.
01:28:33 High Priest King Terry.
01:28:34 Since most of the spy devices in our homes are audio only, we need animated steel panels or B roll to provide some illustration to snooping Amazon Alexa conversation.
01:28:47 Well, I would say.
01:28:51 I would say so.
01:28:53 There's there's refrigerators with cameras on them.
01:28:56 I mean, like, you don't have to actually own the appliance that has a camera on it.
01:29:02 And I would also say.
01:29:06 Because this is a fictional universe.
01:29:08 If you put like a fisheye lens on something and just throw it on, you know on a wall like it's an Alexa, like a fake Alexa.
01:29:18 You know, I don't think that's too weird.
01:29:20 I don't think.
01:29:21 In fact, I wouldn't even be that.
01:29:22 Like, would you be surprised if it came out tomorrow that all these electives actually do have cameras that they didn't tell anyone about?
01:29:29 You know, like I wouldn't be.
01:29:31 And it's only a matter of time before they do.
01:29:33 In fact, they're adding that's that's the new thing, right?
01:29:35 Amazon saying, oh, get the Amazon.
01:29:38 Don't you want to see?
01:29:39 Like, I don't know if you guys have done YouTube lately, it's like the only commercial.
01:29:42 I ever see.
01:29:43 It's like ohh look, your dog is digging a hole in the backyard.
01:29:47 Aren't you glad that you put our camera on your house so that you can see that your dog dug the the hole in the backyard and not your neighbor?
01:29:54 It's like, what the ****?
01:29:56 And then like, you know, they want you to put the.
01:29:57 Camera on your door.
01:29:59 Like, oh, look, now you can see who's who's at the door while at the same time selling you on the idea of, oh, look, you should get give us keys to your house.
01:30:08 Let Amazon bring your package into your house.
01:30:12 But it's cool because we'll also sell you a camera so you can watch the guy that you're letting into your house into your house.
01:30:20 You know what I mean?
01:30:21 And so you could have cameras set up all over the place in in this fictional scenario, if you were in a house and it would make sense almost no matter where you were.
01:30:33 Like or it could just be a security camera.
01:30:35 People have security cameras like all over their houses.
01:30:38 I mean, I do on a closed circuit not connected to the Internet.
01:30:40 Kind of a thing.
01:30:42 But most people are streaming their whole their whole lives straight to, you know, to some cloud service.
01:30:52 But it's so convenient I can just open up.
01:30:54 My phone and.
01:30:55 And there's people that have cameras in their ******* dog feeders.
01:31:00 Look, I can say hello to my dog while he's eating.
01:31:02 The food.
01:31:04 There's cameras on everything, and then if you were to go outside, like if you're shooting the scene, that's like taking place anywhere outside.
01:31:11 You know, there's especially if you're in England, you know, like there's there's cameras, every ******* where.
01:31:17 But there's cameras everywhere, everywhere.
01:31:18 Now, you know, it's not just like.
01:31:20 The It's not an unusual thing, and so you you you'd be able to again, you'd have to make the angle make sense.
01:31:27 You can't have, like, this perfectly framed because that's the problem.
01:31:31 When I'd watch these.
01:31:33 These and go ahead.
01:31:35 I would recommend you do it.
01:31:36 I mean, look, there's they're super degenerate and rated R and whatever so.
01:31:40 You know.
01:31:41 Act accordingly.
01:31:42 You know if if you don't want if you don't want that in your.
01:31:45 Head don't watch them, but.
01:31:47 I'm just saying, like if you want to just see some of the techniques.
01:31:51 There, there's a there's a few of them that you look at them and and it's just like.
01:31:58 They almost do.
01:31:58 You know what's a good one that that still screws up from time to time, but it's it's for I forgive them because overall they did a pretty OK job was Cloverfield.
01:32:10 People forget about Cloverfield, Cloverfield.
01:32:13 Was was fairly.
01:32:14 I mean, it's a little ridiculous that they keep bringing the camera with them.
01:32:19 But they they.
01:32:20 Make a little sense of it like they have it.
01:32:22 They even have a discussion about like, why are you still shooting this?
01:32:25 This is insane and like I don't know, it doesn't seem as real when I look through the viewpoint.
01:32:29 You know, they, they, they, they try to address it and whatever, but it's still a little weird, but it works.
01:32:35 And part of the reason it works is the acting is OK like, it's not like.
01:32:39 As bad as some of these?
01:32:40 Other ones.
01:32:41 And so there's there's, I would take a look at some of these.
01:32:46 If you want.
01:32:48 And just anytime that you it, it doesn't look real to you.
01:32:54 Ask yourself why.
01:32:56 In 99% of the time, it's because a the the the shot is framed too good.
01:33:04 It doesn't make sense.
01:33:05 It doesn't make sense that there be a security camera that would be perfectly have you exactly in shot.
01:33:12 You know, with the lighting everything it's like we've all seen like how many security camera videos have we watched of, like black people beating up Asian people, right?
01:33:22 Now, sometimes they're right in the middle of the frame, conveniently, but still, like the angle is not, you know, it's not shot like it's not framed by a, by a a cinematographer, you know, I.
01:33:33 Mean it's just.
01:33:34 Just the wide angle lands up high, pointing at a street corner or whatever, right?
01:33:40 So just keep that in mind that if you're going to need a shot like that, don't do it in a way that that.
01:33:45 Doesn't make sense.
01:33:56 Yeah, let's see here. Let's.
01:33:57 See here, blah blah blah.
01:34:00 Red *****.
01:34:01 I didn't see any of the ghosts because I thought it was real.
01:34:04 I think because of the video compression through the stream, you probably didn't need to add any distortion.
01:34:09 Well, I wanted to have the the analog look.
01:34:12 And and because it wouldn't make sense.
01:34:16 That I would.
01:34:17 Be able to do that like it still kind of doesn't like for me to actually stream an analog signal.
01:34:23 I mean I I could do it, but I wouldn't be able.
01:34:27 To go very.
01:34:27 Far, you know I wouldn't be able to go.
01:34:30 I mean, maybe, I don't know, maybe I I should experiment.
01:34:32 See how far I can go.
01:34:34 But it it wouldn't make sense that I would have night vision.
01:34:41 On like say like if I was just streaming from a a tablet like no what tablet has night vision like nothing.
01:34:49 Right?
01:34:49 So I had to make sense of that.
01:34:52 And I felt like that was more believable.
01:34:54 And making it kind of ****** and analogy made sense because like I said, I really did.
01:34:59 It was real.
01:35:00 It wasn't like an effect I put on there like I really.
01:35:03 Got the footage.
01:35:04 That I shot and edited, you know, the ghosts and stuff into.
01:35:08 And then I played it on an analog device through a transmit.
01:35:13 To a receiver to a capture card and then to OBS.
01:35:18 So it really was transmitting and I don't know, I don't know.
01:35:23 I felt like it just it would add a little and a layer of believability to it.
01:35:27 It's all about the details, man.
01:35:29 It's all about the details.
01:35:33 Patron of the north as a child, what was your favorite Halloween costume?
01:35:40 There's a story my mom likes to tell all the time of me running around.
01:35:46 Screaming that I'm the Hulk when I was a little kid wearing Hulk underoos.
01:35:51 I don't know why she likes telling that story, but I don't know.
01:35:54 Apparently I like the Hulk when I was like a little kid.
01:35:57 My favorite costume.
01:36:00 The good idea of how things, how much things have changed.
01:36:03 I dressed up as a homeless Mexican one year.
01:36:07 And I would I probably was like a freshman in high school.
01:36:11 With a literal cardboard sign over my, you know, like I had like a a sign that we went over my neck.
01:36:21 That said, we'll work for beans.
01:36:25 And no one said **** about it, like no one thought.
01:36:27 No one was like, Oh my God.
01:36:30 Oh my God.
01:36:31 Like I I went trick or treating.
01:36:34 As a homeless Mexican with a cardboard sign that said we'll work for beings and no one, no one thought it was edgy.
01:36:43 No one.
01:36:46 My parents didn't think it was edgy like they took a Polaroid of it.
01:36:50 I could find it somewhere.
01:36:55 Deharo is the leftist propaganda.
01:36:58 Today, objectively lower quality than that of the 20th century.
01:37:02 If so, is this due to the IQ of the left decreasing due to dysgenics and more diverse people involved in production in addition?
01:37:10 To the Jews.
01:37:12 All the above, I would say it's it's it has to do with, but you're it, it goes both ways.
01:37:19 It has to deal with the people creating the content.
01:37:22 They are worse.
01:37:24 They're worse at it.
01:37:25 They're worse at it and they are worse out of it, partially because of diversity.
01:37:31 They're worse at it, partially because of nepotism, and they're worse at it, partially because of dysgenics, but it matters less.
01:37:40 Because the audience is stupider, partially because of diversity, partially because of dysgenics, you know?
01:37:48 And so as long as they it sells.
01:37:53 You know, like it, that's all that really matters, right?
01:37:56 That's all they care about.
01:37:59 And a lot of this stuff still sells like these.
01:38:01 These ******* comic book movies.
01:38:03 I don't know how they do or how they make as.
01:38:05 Much money as they do.
01:38:07 But people go and they watch them and they buy all their merchandise and you know, so.
01:38:12 They they don't really have to try as hard and so, but yeah, it's you're you're looking at, what you're seeing is you're seeing a you're just seeing the, the, the.
01:38:24 The capabilities of the people.
01:38:27 In the craft going down.
01:38:32 But they're.
01:38:33 At the same time, their audience is IQ is dropping.
01:38:36 At the same time, so it's.
01:38:37 Not as you know, it's like this.
01:38:39 Yeah, I think I mentioned last stream black movies, right?
01:38:43 Like there's always the black movies that you guys, you know, I'm talking about, right, that you'll see an ad or a a movie trailer.
01:38:51 And like, a black comedy.
01:38:54 And it's it's like some black guy dressed up as his grandma or, you know, it's just it's like, it's like, literally, it's like children's comedy.
01:39:02 Like you see the jokes and like nothing even makes you smile.
01:39:05 You're just like God, who goes to those.
01:39:13 So as as the general population becomes more diverse, look, and you could say the same thing like OK, like The Simpsons used to make fun of in the same way The Simpsons would make fun of Mexican TV, right?
01:39:25 Like they had the B, the guy in the B suit.
01:39:28 Making like really childish, stupid jokes.
01:39:34 Because if you watch Mexican television.
01:39:38 You know like.
01:39:39 I mean ****.
01:39:39 Our bad, our bad comedy relies on on stupid laugh tracks.
01:39:46 You know, the Mexican comedy relies on stupid laugh tracks and sound effects like, you know, like, like it.
01:39:56 It's it's.
01:39:56 It's literally like made.
01:39:58 For children this stuff.
01:40:00 And so, you know, invite the third world, become the third world.
01:40:03 You know, your art is going.
01:40:04 To reflect that.
01:40:08 Apathy or pythiosis 777. Hey, Devin, I'm a Hollywood effects artist and own and effects studio makeup props, Z Brush and Adobe premiere editing. Well, there you go. That would be.
01:40:25 You'll be able to do a lot of fun.
01:40:27 The thing with the the day of the movie though luckily is we don't need a whole lot of.
01:40:31 I mean, if there's something you can think of or it makes sense, like don't put video facts in there just.
01:40:35 For the sake of doing it, but if you can think of a good reason why, like you know, there's.
01:40:40 Stuff like gunshots and.
01:40:42 You know things like that, that would be.
01:40:45 But you know, we don't need any like monsters or aliens or, you know, spaceships and stuff.
01:40:50 So I kind of want to make it like that.
01:40:53 Where it's as little as few effects as as as possible.
01:40:59 In order for, you know, to make to make your little vignette for this.
01:41:08 Red counts really enjoy it.
01:41:10 Thank you.
01:41:10 I'm glad you guys liked it.
01:41:14 Devin did brown face.
01:41:16 Yes, I did and.
01:41:19 My like I said, my parents didn't even like.
01:41:23 Didn't even say anything.
01:41:24 They were just like, oh, alright, all the kids get together and they snapped the photo and.
01:41:28 That was that.
01:41:29 It was.
01:41:29 That's back when white primacy was still like.
01:41:32 Around and so no one cared.
01:41:35 A green zanger.
01:41:36 I remember a MSM article from 10 years ago where the CIA, NSA tried to legalize them, accessing every camera around the world couldn't find if they managed to pull that off.
01:41:49 Anyway, when you are not deep in the woods, chances are you are on camera.
01:41:55 And they can access it well, yeah.
01:41:56 Like here's the thing, whether it's legal or not, they can do.
01:42:00 Doesn't matter if it's legal or not, they can absolutely do it.
01:42:04 And you know, look, I don't know if you guys remember there was that Batman movie where it's the one with Christian Bale and and like the Morgan Freeman is like his.
01:42:17 His Butler or whatever, and he makes that.
01:42:20 I forget which one this, which one this was, but he makes like this technology that activates everyone's phones all at the same time and does sonar and it creates these 3D models of like, yeah.
01:42:32 And and he made the and then he's like, I must.
01:42:34 This technology is too powerful.
01:42:36 I must use it for this one instance because, you know, I need to do it, you know, in order to.
01:42:40 To save the Princess or like, you know, whatever I have to do it and.
01:42:46 But then I'll destroy the.
01:42:47 Technology and what I remember when I watched that saying.
01:42:50 And like even then, like, you know, I wasn't, like, super Red pill, but black pilled or anything.
01:42:57 But even then I was like, oh, I see.
01:42:59 What you.
01:42:59 Guys are doing.
01:43:00 You're basically. This is the the Intel you know. This is the same thing with that show 24 is doing. You're basically getting people to at least accept scenarios in which that would be acceptable.
01:43:12 Yeah, just be like, oh, well, I mean, Batman isn't going to use it for evil.
01:43:16 He just needs to use it to save the Princess.
01:43:19 You know, and and it's putting in people's minds that, OK, this horrific technology, you know, it shouldn't be used, you know, unless you, you absolutely have to and then it should be destroyed as if like that's that's ever going to happen with the NSA or CIA. No, they they absolutely they absolutely.
01:43:40 Can access if it's connected to the web, they can access it.
01:43:44 I mean, if it's got an Intel processor in it doesn't matter what your security is.
01:43:48 Apparently they've got hardware back doors and a lot of.
01:43:51 These these chips.
01:43:53 And who knows, it might not even just be, you know, that's that's just one chip.
01:43:57 There's all these chip manufacturers.
01:44:00 You you think that Intel's only one that's that's not or that's playing ball with the the the alphabet agencies?
01:44:08 You know it, it's and it's not even just our our intelligence agencies.
01:44:13 You know, you had.
01:44:13 That, that, that weird stuff with China and that was that company starts from.
01:44:21 You know some weird Chinese name, their phones and some of their hardware had backdoors and then everyone acted like, Oh my God, that's great.
01:44:30 Well, whatever we've been ******* doing that for for decades.
01:44:34 So just I wouldn't.
01:44:35 I would just never assume.
01:44:38 That it was.
01:44:40 Thing was secure when you worked as a bouncer.
01:44:43 Did you ever work the club at Halloween?
01:44:45 Any crazy stories?
01:44:47 Did you wear a costume?
01:44:48 I never wore a costume when I was.
01:44:50 I was working crazy stories and there's a lot of crazy bouncer stories, but like nothing that's too.
01:45:00 Out of the ordinary, I mean just the kind of.
01:45:01 Thing you'd expect.
01:45:04 Just, you know, throwing drunk people out.
01:45:11 Deaf would you consider adopting the dogma 95 manifesto for the DOTR movie? Not sure what that is. I'll search it and look it up later. Dogma 95.
01:45:28 Or dog me.
01:45:32 Filmmaking movement star 95.
01:45:42 OK, it's saying like create like it's basically like having like.
01:45:48 Like a decency code.
01:45:51 Y'all look into it like, that's the thing I would like I.
01:45:53 Would like this to be.
01:45:55 See, here's the hard thing.
01:45:56 Here's here's the fine line that you gotta to skate on.
01:46:00 It's got to be the kind of thing that.
01:46:04 A Normie would like.
01:46:07 And if, if it's kind of like, that's another reason why we went over that film.
01:46:12 That was supposed to appeal the Conservatives to show you like, what not to do.
01:46:18 And if it becomes obvious?
01:46:22 That you are.
01:46:25 It's kind of like, OK, so.
01:46:29 One thing that I've never been able to like.
01:46:34 Is when you.
01:46:36 When you dial around on the radio.
01:46:39 And you find a radio station.
01:46:42 And you hear a song like I haven't heard this song.
01:46:45 Isn't too bad.
01:46:46 And then they get.
01:46:47 To the chorus.
01:46:50 And it's like.
01:46:54 Like the chorus is basically just Jesus, Jesus, Jesus, I love Jesus and like has nothing to.
01:46:59 Do with the rest of the song.
01:47:01 Like nothing to do with.
01:47:02 The rest of the song.
01:47:04 And then you realize, oh, these were artists that found the loophole.
01:47:09 These are artists that we're like, yeah, we're not super great.
01:47:12 We're not bad, but we're not great.
01:47:14 We can't really make it in the industry.
01:47:17 So we just seeing our same song and just add, you know, in fact I think South Park even did like an episode on this.
01:47:23 Just add, you know, replace baby with Jesus.
01:47:27 And then you'll you'll.
01:47:28 Get signed on a Christian label and you'll make a ton of money.
01:47:32 But normies will never like that.
01:47:35 I don't even. I don't even like it. I don't know who likes it. Someone. I mean, someone's apparently buying.
01:47:40 It, but if you make a movie.
01:47:43 That you can tell.
01:47:46 Is specific like cause.
01:47:48 Think of it this way.
01:47:49 When when the when the.
01:47:50 Satanist make a move.
01:47:53 Do they explicitly make it?
01:47:56 Just for other Satanists, or do lots and lots and lots of churchgoing Christians line up and to buy the tickets and watch it, and never once consciously think to themselves.
01:48:09 Well, that was subversive.
01:48:11 No, they.
01:48:12 You see what I mean?
01:48:13 Like you can't make it.
01:48:15 Unrealistically claim.
01:48:18 Right.
01:48:19 Like if there's a situation where people would be going, oh, ****. Like if someone's getting shot at right.
01:48:26 Even a priest might go.
01:48:27 Oh ****.
01:48:28 If you shot at him with a gun, right?
01:48:32 And and if people.
01:48:33 Are going.
01:48:33 Oh golly gosh.
01:48:34 Oh, good.
01:48:34 Ohh golly gosh.
01:48:35 Stop shooting me.
01:48:39 It you know, immediately people gonna be like, alright, it's just like using the wrong camera angle.
01:48:44 It's got it takes you out.
01:48:45 Of it, you just like.
01:48:45 Oh, this is stupid.
01:48:47 And I know what you're doing this, you know.
01:48:50 So it's yeah, you can do it, but it's it's hard to do that and keep realism because the world.
01:48:58 It's not.
01:48:59 I mean, look, there's movies.
01:49:00 You could do that with, right?
01:49:02 Probably not the subject matter of the movie that we're doing, but you could do a movie like, say, a nice family movie about a family that lives, you know, like on a homestead and and, you know, they go through some kind of ordeal or, I don't know, but you could do it in a way that.
01:49:20 There's never any kind of.
01:49:22 Obscenity, right?
01:49:25 But we live in an obscene world, and if you're current, if you're trying to depict an obscene world, you know it might be tough.
01:49:35 It might be tough.
01:49:37 But you know, that's why everyone's everyone that would be making their own little.
01:49:42 Vignettes you know, see show me what you got, if you if this is.
01:49:46 Something you think you can pull off?
01:49:51 Let's see here.
01:49:55 Neo pioneer, before you stop playing video games, what were your go to game?
01:50:01 Your rat poison stream really struck, stuck with me and is the reason I don't play games as much as I.
01:50:06 Used to.
01:50:07 You shouldn't play games at all.
01:50:10 I haven't played games in years.
01:50:11 I don't even like it anymore.
01:50:13 In fact, I feel like I have so much to.
01:50:14 Do I?
01:50:14 Don't know when I would like it.
01:50:17 It would just it it just.
01:50:19 You know, it literally is just.
01:50:22 Time wasting like it, it literally is time wasting.
01:50:26 It's using productive energy.
01:50:29 In a non productive way, it's functionally no different than watching **** and jacking up, because the same thing it's sitting down, staring at his screen getting dopamine.
01:50:44 But accomplishing nothing.
01:50:47 You know.
01:50:50 But you know, I don't know.
01:50:52 Anyway, the the I used to play.
01:50:57 When I played like the Battlefield games, I was like really, really, really good at the Battlefield games.
01:51:05 I never really called.
01:51:06 I played Call of Duty cause I was just more of a.
01:51:08 Battlefield person.
01:51:10 I played counter strike back in the day but not I like the battlefield ones more I mean.
01:51:18 There's people that still ******* play counter strike.
01:51:20 I don't know why that game will never die.
01:51:24 Yeah, that's pretty much honestly.
01:51:26 That was pretty much it was.
01:51:27 I played the battlefield games in the little bit of counter strike way back in the day.
01:51:32 I played Unreal tournament.
01:51:35 But first person shooters, basically.
01:51:38 Because it was the reason I like those games is a.
01:51:42 You didn't have to invest a bunch of time like you.
01:51:45 That's like get a degree in the game, like to know you know what I mean?
01:51:50 There's some of these games.
01:51:51 It's like you have to play the game for like 6 months before you know how to play the game.
01:51:56 And that's stupid.
01:51:57 Or like you have to keep playing the game like or like your character starved to death or you know, something stupid.
01:52:03 Like I don't want that.
01:52:04 I want to be able to just sit down.
01:52:06 Play the game for a while and then just not play it and like nothing bad happens, you know.
01:52:11 And then if I sit back down and play it.
01:52:13 It's everything's the same, you know.
01:52:16 So that's that's why, like and plus it was against real people.
01:52:20 There's no like NPCS or.
01:52:23 You know, quests or and that's the thing too you have.
01:52:26 To like rely on.
01:52:29 Your team be even being that great like you could.
01:52:32 I single handedly, would you know, turn the tides of a game on a regular basis.
01:52:39 And that was that was appealing, too, is like not having to.
01:52:43 Not having to like have like a clan or you know what?
01:52:46 I mean like.
01:52:47 It just.
01:52:47 I don't.
01:52:48 I don't want to have to, like, have the video game.
01:52:50 Be like this big part of my life.
01:52:53 And unfortunately that's that's that's the way video games have have gone.
01:53:00 The horror 1400 thoughts on the movies easy. A Super bad which are said to be the millennial generation. What Breakfast Club was for genetics.
01:53:10 I don't think I ever saw easy a.
01:53:14 Saw Super Bad when it was new and I thought it was funny at the time.
01:53:23 I guarantee you just because of who's in it.
01:53:26 Then it's subversive as hell and it's it's kind of, I would say it's more like.
01:53:32 It's more like Porky's than it is like ******* breakfast club, because the whole point of Super bad is they're trying to.
01:53:37 *** **** right?
01:53:38 So it's more like or like an American Pie, right?
01:53:41 It's more like that's it's more of a let's it's young men trying to *** **** movie.
01:53:48 There's funny parts in it, but it's it's still young men trying to *** **** movie, whereas breakfast Club isn't really like that.
01:53:55 I don't easy a I don't know that sounds like that's probably the same kind of a thing, but I've never.
01:54:00 I've never seen it.
01:54:02 Green zanger on the Halloween back door or hardware back door.
01:54:07 Eyes are tired.
01:54:08 Not only video, but audio too.
01:54:11 There are nowadays basically just too many factors of audio chips that share the whole market.
01:54:17 I assume they're always on.
01:54:18 I suspect them to be on every or even when I take the battery out of my phone, one conductor would supply the mic well, yeah, like.
01:54:27 Well, there's the famous picture of Zuckerberg.
01:54:30 He's in like a Facebook laboratory.
01:54:33 And they plug into the microphone Jack a cut wire because that physically disconnects the the microphone that shorts out the the internal microphone.
01:54:44 And so if someone starts trying to activate the audio, it won't work.
01:54:51 Another way to get around that is to.
01:54:54 You could have a USB only a lot of motherboards have the audio thing built in, so you'd have to like physically disable the audio on like in the BIOS at the at the.
01:55:05 Released the video card or audio card on the motherboard and then only use the USB one when you're using it.
01:55:15 But I mean, there's only.
01:55:16 You can only be.
01:55:17 So paranoid, right?
01:55:19 At a certain point, it's just like kind of like is it worth it?
01:55:22 Like, are you really like, are you?
01:55:24 You know, like there's some things you should do just to do it, but at a certain point, it's just like.
01:55:30 You're going to forget something.
01:55:32 And I was talking to a guy that worked in security.
01:55:35 A friend of mine, and he was saying the problem is it's hard to find the balance because.
01:55:41 The more you try to evade.
01:55:47 The the spine.
01:55:49 The more you kind of stick out right?
01:55:51 So like, if all of your web traffic was on tour.
01:55:56 That would raise some eyebrows because they can tell they that they might not be able to always.
01:56:00 I mean they can if they if you.
01:56:02 Depend on what what nodes you're using, right?
01:56:05 Because the federal government runs a lot of those nodes.
01:56:09 So you know you never, you're not really all that secure, but let's say that you were.
01:56:14 They can't.
01:56:15 They might not be able to see what you're doing.
01:56:19 But they can see you're using Tor.
01:56:22 And they're going to be like, why is that guy using Tor?
01:56:26 Why is this?
01:56:27 You know there.
01:56:28 There, there's going to be.
01:56:31 At a certain point, almost becomes self defeating because.
01:56:38 You stick out.
01:56:39 It's it's.
01:56:40 It's easier to just get lost in the noise and then just realize, don't talk about anything that you wouldn't want.
01:56:48 People to hear around devices that you think would be able to.
01:56:53 Transmit that to people you would want to.
01:56:56 Hear it and.
01:56:56 You know, and also just any conversation you have on that's digital, just assume.
01:57:00 That it's being.
01:57:01 Listened to or something, or that it could be.
01:57:05 Speaking of conservative movies, the film studio Ben Shapiro owns made a movie where the main character is a white girl with a black boyfriend.
01:57:13 Who worked together to stop a white mass shooter?
01:57:18 Why am I not surprised?
01:57:21 Maybe I'll have to look into that.
01:57:23 I I haven't heard of that one.
01:57:26 Lord of the Rings is better than Star Wars. Star Wars has left this propaganda. The rebels are left. This militants, George Lucas is a ship Lib who lives in Marin County, which is 90% wealthy. White **** libs. Isn't he married to a black lady?
01:57:39 Too I'm pretty.
01:57:40 I'm pretty sure he is.
01:57:46 OK.
01:57:53 The way you describe what you were like when you were in your teens and early 20s is what my.
01:57:57 Brother is like now you mean awesome.
01:58:03 No, I I just, yeah, I just wasted all my time playing video games and just getting drunk and high like it was.
01:58:09 I wasted at least a decade, probably more of my life just being ******, and that's I I think that's just.
01:58:17 I don't think that was specific to my generation.
01:58:19 I think it's that's just every it's worse now.
01:58:23 You know, it's just worse people.
01:58:25 People play even more video games like the Minecraft.
01:58:29 I mean, luckily I was I I missed that.
01:58:32 Like I I was starting to be.
01:58:34 It just seemed like a baby game when it came out, like it just seemed like my little brother liked it.
01:58:39 But it just seemed like kind of like a a baby game to.
01:58:41 Me and then the.
01:58:42 Other thing like, Oh no, look, look.
01:58:43 But you get to.
01:58:44 Create I was already a 3D animator at that point. I'm like yeah, it looks like a ****** version of what I do for money, you know, like why would I do that?
01:58:53 It's I get paid to, like, make real cool 3D stuff that doesn't look like blocky ******** and.
01:58:59 Why would I want to do that in my free time with that anyway?
01:59:03 And I could be totally wrong Minecraft thing.
01:59:05 Like I said, my kid brother loved it.
01:59:07 I just, it just seemed like baby game to me.
01:59:11 Kind of like The Sims too, right?
01:59:13 Like, it just seemed like a fancier version of The Sims.
01:59:16 I could never, you know, something that's weird about zoomers.
01:59:21 And my little brothers like this.
01:59:24 I remember I would play a first person shooter.
01:59:27 I brought my computer to my parents house once.
01:59:31 I don't remember why, but I set it up and was playing a game with some of my friends online.
01:59:36 And my little brother was watching and like, oh, you know, this is awesome.
01:59:41 And I was like, yeah, you should play.
01:59:43 And he didn't want to play.
01:59:46 He only wanted to watch me play.
01:59:49 And I I was just like what?
01:59:51 What's wrong with you?
01:59:52 Like, I I couldn't relate.
01:59:53 To that cause.
01:59:54 When I was a kid and I.
01:59:56 I I want you know, I I.
01:59:58 Remember, getting into fist fights with my older brother over who got to play the next game on the Nintendo or whatever, right?
02:00:06 And so it's weird.
02:00:07 I'm like, OK, well, I guess you can just sit there and watch me like a.
02:00:11 And then all this twitch stuff comes out.
02:00:13 And if that's what it is, it's just people watching.
02:00:16 Someone else played I.
02:00:19 I don't get it.
02:00:20 I don't.
02:00:20 I really don't get.
02:00:26 Did you ever see Rushmore?
02:00:27 It's my favorite movie.
02:00:28 What do you think of Wes Anderson movies?
02:00:30 I did see Rushmore.
02:00:33 I'd have to watch it again. It's been a really long time. I don't remember much about it other than Bill Murray's in it.
02:00:44 Yeah, I'd have to watch it again.
02:00:49 OK, I'm at.
02:00:52 Trying to skip through here just because I want.
02:00:54 To get to the end of here.
02:00:57 Alright, here we go.
02:00:59 I've heard this before.
02:01:00 People are indoors too much.
02:01:04 My brother did the same thing when I played Skyrim.
02:01:07 Yeah, it's just it again.
02:01:10 I don't understand it.
02:01:11 I just think that.
02:01:13 It might have something to do with.
02:01:16 Kids that were raised not just because we were raised like the millennials, were raised on like television, right?
02:01:23 And I think the zoomers were raised on.
02:01:27 Twitch, or, you know, I mean, I don't, I just don't get it.
02:01:29 I don't get watching someone else play a video game, but at the same time, I don't.
02:01:33 Get watching someone play a football game.
02:01:36 I just, I don't understand that I don't understand.
02:01:40 I mean, I just don't understand it.
02:01:43 Like I wouldn't want to watch anyone do any.
02:01:45 Their job, no matter what it was.
02:01:47 You know, like why would I go?
02:01:49 Like would I pay for tickets?
02:01:52 To watch a window washer wash a building.
02:01:56 Even if he was like the best window washer in the world.
02:02:02 I just don't get it.
02:02:05 I might want to play on the little machine that lifts you up and down.
02:02:09 You know, up the side of the the, the, the building.
02:02:12 That'd be kind of fun for a little bit.
02:02:16 I don't know why someone else do it.
02:02:18 It's stupid.
02:02:20 I just don't get it.
02:02:21 It's it's just this level of passive passivity that I just.
02:02:26 I can't relate to.
02:02:28 So anyway guys, thanks for uh.
02:02:32 For spending Halloween morning.
02:02:36 With me at the creepy old Lady House, I actually don't like, so I don't know the story behind that creepy old that it is a creepy house like that place kind of creeped me.
02:02:45 Out and I'm almost positive people have died there.
02:02:52 And I'll do more on on on.
02:02:55 We'll figure out like an organized way to do the.
02:02:59 The the movie The like I said I've.
02:03:01 I've been really thinking about that a lot this week, which is why I just said **** it.
02:03:05 Let's just throw something together.
02:03:07 And see what what what comes of it.
02:03:10 And I'm I'm feeling I'm feeling it, I'm thinking.
02:03:13 We need to do it.
02:03:17 Look out.
02:03:18 Watch out for that.
02:03:20 And in the meantime.
02:03:24 The black pill?
02:03:25 Lime, of course.
02:03:28 Devon stack.