The Nature of Power.mp3

00:00:01 In the past several days, we've watched as the ruling class and the leftist media has done what it's been doing my entire life and push the diversity lie onto the brainwashed masses as images of low skilled and no skilled bad parents and criminals through our screens, they screeched louder and louder about how we must accept these invaders.
00:00:20 Into our neighborhoods that we, not they.
00:00:23 Live in.
00:00:24 Let them into the hospitals that we not they must share with them.
00:00:28 Let their children into the schools.
00:00:29 But our not their children attend and generally share the meager table scraps they have tossed under the floor for us while grinning as we fight like animals to protect what little we have left.
00:00:42 But they don't do it just because it amuses them.
00:00:44 Although I'm.
00:00:45 I'm beginning to think.
00:00:46 That might be part.
00:00:46 Of it, they do it because the more they can splinter and annihilate our culture, the easier it is for them to control and intimidate us because they understand the true.
00:00:58 Nature of power.
00:00:59 They do it to keep wages down, force them down even lower so they can continue to live off the slaves that are too busy fighting for the unwanted speck of meat they discarded from their plates.
00:01:09 And when we're not forced into fighting to protect.
00:01:11 Our own people.
00:01:13 We're forced into protecting theirs.
00:01:16 We fight their wars against their competitors around the world so they can increase their treasure and conquer new territories for them to house even more slaves.
00:01:26 This is the world we live in and you might think I'm exaggerating.
00:01:29 But what if I told?
00:01:30 You they've admitted this openly, Hollywood, the propaganda wing of the ruling class has made several films sympathetic to immigration and open borders.
00:01:40 But because they.
00:01:41 Have been boiling the frog slowly.
00:01:45 And conditioning the public over the span of decades.
00:01:49 You have to go back quite.
00:01:51 A few years to really see the mask slip.
00:01:55 One film in particular that includes some really stunning admissions is the 2002 film gangs of New York.
00:02:03 Gangs of New York was dragged by Martin Scorsese, produced among others by Harvey Weinstein and his production company Miramax Films.
00:02:12 It was nominated for Best Picture in the cast as a virtual who's.
00:02:15 Crew of Oscar winning actors, gangs of New York is one of those movies that Hollywood claims is based on a true.
00:02:23 Sorry, in order to sell tickets, but in reality is mostly fictional and doesn't even really match up well with the official ruling class telling of history.
00:02:33 But that said, it does contain some very.
00:02:38 Very important truths.
00:02:40 Do you watch any of my videos I know.
00:02:41 This is going.
00:02:42 To be a.
00:02:42 Longer one.
00:02:43 This is the one to watch.
00:02:45 The film begins in New York in 1846, but because the producers likely saw Braveheart and were trying to cash in on the whole Celtic barbarian aesthetic, it's a bit confusing at first.
00:02:56 As we watched the two groups of rival Irish gangs preparing for an epic battle in the neighborhood called five points, what isn't clear?
00:03:05 That will be explained later is that these two gangs consist of two different groups.
00:03:11 The Group of American Born Irish who have some ties to the founding, and the new immigrant.
00:03:18 Now this is a stunning admission for some reason in 2002, Hollywood was completely fine with highlighting the problems of multiculturalism problems that can exist even between two people with roots in the same part of the world, the.
00:03:35 Natives, as they call themselves.
00:03:37 See themselves as.
00:03:38 Different as real.
00:03:40 Americans, Americans whose fathers died in the Revolutionary War.
00:03:44 Americans who came to the country before it was America.
00:03:48 To create and.
00:03:49 Build the country, not inhabit what others had built.
00:03:52 They are no longer Irish.
00:03:54 They feel different because.
00:03:55 They have a connection with the.
00:03:56 Founding of the country that today.
00:03:59 Hollywood and all.
00:04:00 Other carpetbaggers on the left will tell you doesn't matter at all as they tear down the statues of your ancestors.
00:04:06 Seek to rewrite your ancestors laws and desecrate their culture.
00:04:10 But I digress.
00:04:12 Maybe Hollywood was able to admit these important cultural aspects because.
00:04:18 Both groups were white.
00:04:20 Well, sort of.
00:04:20 They were.
00:04:21 They were Irish.
00:04:22 But I'm kidding.
00:04:23 OK, I couldn't.
00:04:24 Resist anyway, so in this battle the natives defeat the newly arrived Irish by killing their leader Daniel Day.
00:04:35 Lewis, playing the part of Bill the Butcher, declares victory over the leader of the Irish immigrants simply called Priest.
00:04:43 Played by Liam.
00:04:44 Nissan after priest dies, his son runs away and time passes.
00:04:49 We then Fast forward to that same boy all grown up and newly released from prison.
00:04:54 This is Leonardo DiCaprio playing the part of the priest son who is now called Amsterdam.
00:05:01 As soon as he's free from prison, the first thing he does is to dispose of his Bible in the most dramatic fashion possible.
00:05:09 Hollywood has always had an anti Christian fetish, so no real surprises.
00:05:14 Things have changed in five points since Amsterdam was a boy, but a few things are still the same.
00:05:20 For instance, Bill the Butcher is still the man in charge.
00:05:23 It's now 1862 and the Civil War is heating up around the country. There is an environment of chaos and anarchy in the city. The Civil War is an ongoing theme or along the periphery of the movie.
00:05:34 And another thing, the film.
00:05:35 Makers will will keep repeatedly doing.
00:05:38 Is they keep trying to conflate the new Irish immigrants with blacks. There's a constant theme of slavery. The new immigrants are always hanging out with blacks and and other, quote UN quote, marginalized groups.
00:05:50 They even go so.
00:05:51 Far as to and this is pretty shocking that they did this in 2002. But the immigrants even enjoy the.
00:05:56 Company of a.
00:05:57 Statistically impossible amount of transgender people, the film seems to be trying to lump everyone into two big groups, the same two groups they used today, the whites who founded the country and and their descendants, and then the other group, everyone.
00:06:15 The left hasn't just recently decided to attack white males.
00:06:19 In the last few years, that has always been their target.
00:06:24 The difference now is that they just make it more obvious because they've been winning and they don't have to beat around the Bush anymore, especially as whites become outnumbered.
00:06:33 Another group the film defines.
00:06:36 And this is actually pretty shocking.
00:06:38 A third group that is almost never spoken about in Hollywood films because much of Hollywood itself belongs to this group.
00:06:46 This group is the ruling class.
00:06:49 This film, despite its many other flaws, does a stunningly good job of somewhat accurately showing the audience A glimpse of the ruling class, how they interact with people, and why they seem to want a a constant flood of immigrants.
00:07:06 In fact, one of the first things we see is a local politician.
00:07:10 Welcoming new immigrants, getting off the boat and bribing them with food and coffee to try to get their vote.
00:07:16 We then see.
00:07:17 This same politician meeting with Bill the Butcher, who you could say is at this point similar to a figure like The Godfather.
00:07:27 The head of an organized crime community and much like in real life, rather than the ruling class looking to clean up this illegal power structure, they're looking for ways to use it for their own purposes, just like we've seen the ruling class in modern times.
00:07:43 Like when Robert Mueller let ****** Bulger kill people on mass.
00:07:46 With the full knowledge of the FBI, as long as he did what Mueller wanted and the same thing with the Obama administration working with MS13 and allowing Islamic extremists to deal cocaine, and quite.
00:07:59 Frankly, endless examples that go all the way back to the founding on both sides of the aisle.
00:08:05 This is, in fact how the ruling class operates in this country and country and countries around the world.
00:08:12 It's not just the narcotics smugglers South of the border running those governments with violence or or Jewish.
00:08:19 Oligarchs and organized crime in Russia or or even a mafia in Chicago.
00:08:24 This is how every government around the world, including our own, going all the way back to the founding Washington himself in many ways, was a crime boss if not a.
00:08:35 A war criminal.
00:08:36 Who often threaten Congress and ruled through intimidation at the end of the day, intimidation is what rules and controls humans, and if you have a lot of money but you're not very intimidating, you find people who are and you pay them off to do your dirty work behind the scenes.
00:08:55 This is how the world works.
00:08:57 Now and it's how the world worked back then.
00:09:00 It's just surprising how honest this movie is about the whole thing.
00:09:05 And this scene we.
00:09:06 See the local politician who represents the ruling class and and in another stunning aspect of the film, by the way, is the.
00:09:14 Quiet, unassuming banking class worm, tongue character who's always hovering close by but never really says anything.
00:09:21 They're trying to get the support of Bill the butcher to intimidate voters and to do his dirty work.
00:09:28 He explains exactly.
00:09:30 Why the ruling class has to make these unholy alliances rather than just openly using law enforcement?
00:09:36 To oppress the people.
00:09:38 The appearance of the law must be upheld.
00:09:42 Especially while it's being broke.
00:09:44 The appearance of the law must be upheld, especially while it's being broken.
00:09:51 Think of all the ways that applies to today.
00:09:55 And today's ruling class.
00:09:56 This is why at a certain point, it becomes impossible to clean up the corruption.
00:10:04 Once you start pulling on that thread, you unravel the entire system.
00:10:09 The ruling class is inseparably connected to organized crime, and always.
00:10:15 Has been so after this meeting with Bill the Butcher, we go back to Amsterdam.
00:10:20 Who has returned to the underground tunnel where he buried some personal items as a boy and he meets up with the immigrant Irish slash team diversity.
00:10:31 He gets the lowdown on what's been happening since he left, and since his father was killed and also meets the predictable strong independent woman character.
00:10:40 That seems to be mandatory in every single movie made after 1990 played by Cameron Diaz.
00:10:48 Dias is that an is that an Irish name?
00:10:53 I guess it doesn't matter. Neither is DiCaprio cultural appropriation. You see, it's it's OK, since we're just talking about cultureless white people anyway. So later on, Amsterdam's friend takes them to go sell some things they've stolen and we see yet another aspect of government corruption that goes all the way back to the founding and before The Dirty.
00:11:13 Cop this cop used to be one of the Irish immigrants that fought with Amsterdam's father, but has now sold out and is working for the establishment. One of the perks, of course, is he takes a cut.
00:11:27 From the lower.
00:11:28 Level gangs like this one, and in exchange he allows them to continue to.
00:11:34 Right.
00:11:35 This again is a fundamental principle of how the ruling class operates.
00:11:40 It's always turning a blind eye here and arresting your rival there so they can get their cut of your stolen goods.
00:11:49 Remember that it's not just dirty cops taking a cut from 2 bit thieves.
00:11:55 The culture that allows this to happen goes all the way to the top.
00:12:00 It's the very.
00:12:01 Fabric of our society.
00:12:04 We are all ruled by intimidation and it's all about who can intimidate who because the cop is higher in the hierarchy than these thieves.
00:12:13 He's allowed to dominate them and exploit them, but as we'll see later in the film, there will be a reversal of roles when the cop encounters those who are.
00:12:22 Above him in the hierarchy, and that is when he will be intimidated and extorted.
00:12:28 Think of it as a giant pyramid scheme with countless sociopaths stabbing each other in the back, trying to be the.
00:12:36 Ones at the top.
00:12:38 Welcome to human.
00:12:40 In fact, it's this aspect to humanity that leaves Amsterdam to meeting Bill the butcher, the man who killed his father.
00:12:49 They've gone to pay their tribute to the men above them in the hierarchy in the same exact way the men above you in the hierarchy demand large portions of your paycheck.
00:13:00 That they take from you with a threat of violence.
00:13:04 I mean, sure, they've made it all very official sounding, calling it a a tax code and added lots of paperwork to confuse as many people as possible.
00:13:13 And and this also allows their friends who are higher up in the pyramid scheme to avoid.
00:13:18 Making the same kind of payments of the people at the bottom have to make, but it's all the same.
00:13:23 Thing really.
00:13:24 You're all paying tribute to the ruling class to avoid violence that will happen to you if you don't like everything else.
00:13:32 It's rule through intimidation.
00:13:35 So Bill the butcher tells the young gangsters about a new job.
00:13:40 They can do for him.
00:13:41 There's a a ship in the harbor.
00:13:44 He'd like them to rob of.
00:13:45 Course he doesn't.
00:13:46 Even need to mention that even though they will be doing all the work and taking all the risk, they will once again be prepared to pay their tribute to the men above them in the pyramid scheme once they do the job.
00:14:00 So they go to do the job but find out someone has been.
00:14:03 Them to it, they still need to pay tribute, so they decide to.
00:14:06 Steal one of the bodies and sell it.
00:14:09 This impresses Bill the butcher, as does Amsterdam's ability to beat up one of his Hench men. And so through violence, intimidation and brutality, Amsterdam begins to move up and build a butcher's organization. And.
00:14:23 The social hierarchy at.
00:14:25 Later we see Bill the Butcher again, meeting with the ruling class.
00:14:30 The politician tells them that.
00:14:31 In order to.
00:14:32 Keep the public happy and under the impression that the law is being upheld, that they need to put on a show and publicly hang some scapegoats.
00:14:42 He explains that they shouldn't hang any of the real criminals.
00:14:45 Because their assets would define innocent men or or men of no consequence, people that.
00:14:51 Have outlived their usefulness or.
00:14:54 People that have become nuisances to the ruling class or the organized crime gangs get these people they don't need anymore.
00:15:02 Pass them off as criminals and hang them in the public square to keep up the appearance of law and order.
00:15:09 This is another tactic of the ruling class.
00:15:11 They never seem to be able to prosecute the real criminals.
00:15:14 But they're always fast to throw the.
00:15:16 Book at those.
00:15:17 Who have become a thorn in their side.
00:15:19 This is the real purpose of law enforcement.
00:15:23 To keep the little.
00:15:23 People who commit crimes from becoming big people who commit crimes or to prevent rivals from creating their own criminal enterprises that would threaten.
00:15:32 Brown, all the while giving the public the impression that the law is being upheld because, as he said before, the appearance of the law must be upheld, especially while it's being broken and the best.
00:15:47 Way to do.
00:15:48 That is through intimidation, and I don't know what's more intimidating.
00:15:52 Than a public hanging.
00:15:54 Another strangely accurate insight, this film offers is shown later on in the film when it gives us a glimpse as to why the ruling class really wants immigrants.
00:16:05 The ruling class politician once again as.
00:16:07 Bill the butcher.
00:16:09 To get new immigrants to vote for him, and explains they need more and more immigrants.
00:16:14 Because they need more and more votes, it's all about votes and maintaining power.
00:16:19 This idea is actually disgusting.
00:16:22 The bill because for all of this fall.
00:16:24 He has what these immigrants don't have.
00:16:27 He has a genetic connection to the people that founded the country.
00:16:31 And because of that, he's protective of the society in a way that someone who who comes to enjoy that which is already created.
00:16:40 Can't possibly expect to appreciate in the same way or as Bill himself explains.
00:16:46 My father gave his life making this country what it.
00:16:49 Is murdered by the British with all of his men on the 25th of July and Alderman 1814. You think I'm going to help?
00:16:57 You with foul his leg.
00:16:58 See like giving this.
00:17:00 Country over to them once had no hand in the fighting for it.
00:17:03 Because they come off the boat crawling with lice and.
00:17:05 Begging you for soup.
00:17:07 The ruling class politician, of course, he doesn't feel the same kind of loyalty to the country for him and his silent worm tongue friend.
00:17:16 It's all about power.
00:17:18 You see this reinforced as the camera pans around to show men who are fresh off the boat receiving their citizenship, only to be suited up and then sent into the meat grinder of the front lines of the Civil War.
00:17:31 To replace those who are coming back and caskets, the ruling class wants immigration because they want slaves that vote for them and fight their wars.
00:17:41 Some things never change.
00:17:44 So Fast forward and I'm skipping a lot of aspects of the film, like the the love story stuff and the.
00:17:51 Amsterdam being conflicted about working for the man who killed his father and and planning to get revenge someday because those aren't really what's important about this movie.
00:18:02 I'm just focusing on the the glimpses of the the nature of the ruling class and the nature of power that this movie accurately gives us.
00:18:09 The rest of it's just filler or added to get your your girlfriend to want to go see the movie with you and overlook all the violence because they get to see Leonardo Di Caprio and and Cameron Diaz pretend to be Irish together.
00:18:21 One of these glimpses of truth comes when Bill the Butcher explains how he survives and how he.
00:18:35 The spectacle of fearsome acts.
00:18:37 The spectacle of fearsome acts.
00:18:41 Once more, preserves the order of things.
00:18:51 Power is always about intimidation.
00:18:55 You know, it used to confuse me why Muslims would conduct terror attacks on the countries that were letting them in with open arms.
00:19:03 It seemed to be completely counterproductive.
00:19:06 I couldn't understand how it would help them to achieve their goals.
00:19:10 It seemed like it would do the exact opposite.
00:19:13 Now certainly many of these.
00:19:15 Attacks we now know were false flags performed by the ruling class themselves.
00:19:20 Using this same unholy alliance we see in the movie The ruling class, leveraging the violence of others to get the things that they want done.
00:19:29 But whether you're talking about those false flags or we're talking about legitimate terror attacks, it it.
00:19:35 Doesn't really matter.
00:19:36 It all boils down to the same thing.
00:19:39 It's the spectacle of fearsome acts.
00:19:43 It's always about intimidation.
00:19:46 I remember years.
00:19:47 Ago when, when South Park wanted to show Mohammed in an episode and Comedy Central forced them to censor it.
00:19:54 In the same episode, the sensors allowed the depiction of Jesus in the most blasphemous way possible.
00:20:03 The whole thing was very revealing.
00:20:05 The executives at Comedy Central were afraid to show Mohammed in a completely normal situation because of what had happened.
00:20:15 In the whole Charlie Hebdo incident, they were being ruled by intimidation and by.
00:20:21 Fear the spectacle of fearsome acts had controlled their behavior.
00:20:27 Christians, on the other hand, aren't intimidating at all.
00:20:32 So they have no problem at all, allowing this disgusting depiction of Jesus while censoring the normal appearance of Muhammad.
00:20:42 It's always about fear and intimidation.
00:20:47 So later on.
00:20:48 When the film is demonstrating once again how multiculturalism doesn't work, how instead of a melting pot, there is a a series of self segregated communities all competing for resources and power.
00:21:00 Bill is told in.
00:21:01 Chinatown that his apprentice Amsterdam is the son of his fallen arch nemesis, the preacher.
00:21:07 On the beginning of.
00:21:08 Film he's told that Amsterdam is planning to kill Bill the butcher to avenge his father. Because of this, Amsterdam's plan is foiled and Bill decides to spare him after putting on a show or.
00:21:23 In other words.
00:21:24 A spectacle of fearsome ex Amsterdam is.
00:21:29 Consequently, nursed back to health by Cameron Odias and declares war on the butcher.
00:21:37 The butcher calls on the cop from earlier in the film, who, as I said, is lower in the hierarchy to go take care of the problem, but he fails and now Amsterdam.
00:21:47 Having learned the true nature of power.
00:21:51 Puts on his own display.
00:21:53 Of a fearsome act, he, too is now attempting to rule through fear and intimidation, because that is the only way.
00:22:02 To move up in the hierarchy in a system that rewards brutality, the only way to move up is to be more brutal than your opponent, and Amsterdam has finally learned the lesson that most NPC's will never learn.
00:22:18 They will refuse.
00:22:19 To believe it because it contradicts their carefully crafted.
00:22:23 Programming that goes against everything.
00:22:26 They are ever taught in public by any of these leaders.
00:22:29 They are told again and again and again that power is only gained by by turning the other cheek and through non violence, when clearly they don't believe what they're saying because the ruling class never uses peaceful protests.
00:22:42 To get what they.
00:22:43 Want it's always through threats of violence.
00:22:47 If the secret to the ruling class and their power were.
00:22:50 To be revealed the.
00:22:51 Hierarchy would be overwhelmed with violence and.
00:22:53 Chaos and that can never, ever, ever be allowed.
00:22:56 This is a secret that must be kept safe and order.
00:23:00 Preserve the hierarchy, which is why it's amazing how accurately and.
00:23:06 The mask is allowed to slip in this film.
00:23:10 Will the butcher response with yet another fearsome act? He tortures Amsterdam's friend, the one that betrayed him, but who Amsterdam had since forgiven.
00:23:19 And in this scene, Amsterdam kills his friend in both an act of mercy, but also resolved.
00:23:26 He knows that power comes from violence.
00:23:30 He is focused now on gaining power and overcoming the emotional blocks and the programming that even a criminal in the lower levels of the hierarchy must overcome to claw their way to the top.
00:23:44 The ruling class, the the politician of the top of the pyramid, begins to notice the shifts in power and violence, and he does what the people at the top of the pyramid do best.
00:23:55 He attempts not to fight these criminals, but to leverage their violence and their power for his own needs.
00:24:01 Amsterdam still clinging to the idea that.
00:24:05 There are some peaceful solutions when dealing with this hierarchy of brutality.
00:24:09 Naively finds and Irishman that he thinks being convinced to run and be their voice in the ruling class.
00:24:17 That's when in the following scenes, the film openly praises voter fraud as the new Irish immigrants vote numerous times to elect their candidate, the audience is now exposed to yet another truth.
00:24:31 But in pursuit of power.
00:24:33 Nothing should be off the table that if.
00:24:36 You want to win.
00:24:37 You must employ every tactic available to you, because if you don't, your opponent will.
00:24:44 But since they were willing to do what it takes, the Irish actually end up winning the election with voter fraud.
00:24:52 And then yet another stunning admission in this rare cornucopia of truth on celluloid.
00:24:58 Monks already won by 3000 more votes than.
00:25:01 There are voters.
00:25:02 Three, make it 2030. We don't need a victory. We need a Roman triumph.
00:25:06 But we don't have anymore ballots.
00:25:08 Remember the first rule of politics?
00:25:10 The ballots.
00:25:11 So make the results.
00:25:12 The counters make the results.
00:25:13 After the vote bill the Butcher who's well aware of the voter fraud and the outcome of the election, decides to remind people.
00:25:22 Of how the hierarchy really works, he goes and publicly kills the Irish immigrant candidate in another violent spectacle.
00:25:32 Now this, of course dismays the establishment, because this imaginary structure has to be respected at all costs.
00:25:38 I mean, if this Irish member of the ruling class could be killed by.
00:25:42 Well, the butcher that threatened the structure in which he himself used for power and protection, the ruling class must remain untouchable no matter what.
00:25:53 And so with some interesting symbolism on his clothing, that's too obvious to miss.
00:25:59 He goes and.
00:26:00 He visits Bill the butcher to explain that he has crossed the line, but Bill, aware that without fear and without intimidation, these politicians, their, their authority, is meaningless.
00:26:13 He tells them to leave five points and that he'll be killed if he ever comes back.
00:26:18 Now, while all this is going on, the civil war.
00:26:21 Is still happening.
00:26:23 The ruling class is is being run out of immigrants to send to war, and they begin to actually just draft members of the pub.
00:26:30 Public they exempt themselves, of course, by creating a loophole that allows you to buy your way out of the draft so that members of the ruling class can avoid fighting their own wars, and that only the people at the bottom of the pyramid will ever have to shed any blood.
00:26:45 The lower classes begin to riot in response, and it is in this environment.
00:26:50 Of chaos that Amsterdam challenges Bill the butcher to a final showdown.
00:26:56 Neither one is willing to be intimidated, so the only answer.
00:27:00 Is to eliminate one or the other.
00:27:03 At this point, we're treated to glimpses of the ruling class discussing the violence as casually as one might talk about a a billiards game.
00:27:12 They're disconnected and insulated.
00:27:14 They have mastered the hierarchy and are confident in their positions in it.
00:27:19 Meanwhile, the streets.
00:27:20 Hello descending the chaos and Amsterdam and build the butcher will have their fight in this climax of violence, death and brutality.
00:27:31 The audience is reminded once again that the only way the ruling class can manage to stay in their positions of power is if they're able to maintain the necessary threats and intimidation needed to keep the public in line.
00:27:46 That without this threat of violence.
00:27:48 They're not just vulnerable, but the most vulnerable members of society.
00:27:53 These seeings also serve as a reminder to the ruling class themselves as to why it's so important for them to maintain control over the brutal forces within the hierarchy that without them, they are nothing.
00:28:10 And so in response, they use the only power that really matters in society, intimidation and brutality, and they order the soldiers to turn their guns on the citizens to put down the insurrection as Amsterdam and build a butcher fight to the death.
00:28:27 And as Bill the butcher, the so-called native.
00:28:31 Meets his end at the hands of the immigrant.
00:28:34 The metaphor is too obvious for anyone to miss.
00:28:38 And in the end, as if to admit visually, the truth that these power dynamics never change.
00:28:44 The last shot in the film shows times passage until we're left with a skyline that prominently features the Twin towers that at the time of this film's release had already fallen in the world's most infamous spectacle of a fearsome act.
00:29:02 It's in this moment we are left to reflect.
00:29:05 On the true nature of power, what it meant in the past.
00:29:10 And what it means?
00:29:12 For the future.
00:29:15 For black pilled.
00:29:17 I'm Devin stack.
00:29:19 If you like my videos, make sure you like and subscribe.
00:29:21 Make sure you share if you want to support me, you can always grab a copy of my book day of the Rope Link is in the description.
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