Soap Operas that Wash Your Mind.mp3

00:00:02 Whenever you consume media, whether it's a movie.
00:00:03 Stand up comedy or or even advertising.
00:00:07 A good exercise is to identify who the target audience is.
00:00:13 Sometimes it's obvious, and sometimes it's a little harder to decode, but.
00:00:19 It's always there.
00:00:21 Nobody spends the time and money to make media, not even me.
00:00:26 If they have at least some idea of who they're talking to, unless you're a homeless person screaming on a street corner, you need to know who your audience is.
00:00:38 So you know how.
00:00:40 To talk to them, the way I talk to my mother, for example, is different than the way I talk to my Internet companies customer service.
00:00:48 We use different tones, different vocabulary and strategies.
00:00:54 So we can be more effective in communicating with the individuals we're talking to.
00:00:59 Knowing the target audience will tell you a lot about the content that you're watching.
00:01:05 The target audience for a show that I've ignored completely.
00:01:10 Because I knew right away that I wasn't.
00:01:13 That target audience and I had a pretty good idea of who that target audience was.
00:01:20 And I pretty much considered them a lost cause because I'm talking about The Handmaid's Tale now.
00:01:26 The Handmaid's Tale is a series that if you don't know this.
00:01:29 Is being put out by Hulu, who I assume produced it specifically for cat ladies and low IQ feminists.
00:01:41 And their beta orbiters to fill the gaping hole.
00:01:46 That remains in their souls from the lack of having family and or purpose.
00:01:53 A hole that Hollywood used to fill.
00:01:57 With soap operas and novellas.
00:02:01 To some extent.
00:02:02 Reality TV virtual worlds.
00:02:06 That give them a false perception of reality.
00:02:11 And they are fake worlds.
00:02:13 That's why people binge watch.
00:02:16 Entire series in a few days because they're escaping reality.
00:02:23 By immersing themselves totally.
00:02:26 In this fictional world, the structure of these shows is even designed around this idea.
00:02:33 Instead of being content, you can sit down and watch for one episode and you know, enjoy 30 minutes and then get back to your life.
00:02:41 This content is is designed.
00:02:44 To be in non-linear and therefore a little more complicated or confusing.
00:02:49 Continuous story.
00:02:52 That's impossible to understand unless you've seen every episode from the beginning.
00:03:00 And because the audience ends up spending hours and hours and hours with these.
00:03:05 Fictional characters in this fake world.
00:03:09 More time than they probably spend with a lot of.
00:03:11 Their family members.
00:03:13 They grow attached.
00:03:16 To these characters and emotionally involved with them on some level, they feel as if they have a relationship.
00:03:24 With these fictional characters, if you don't believe me, just look at Twitter after one of these shows, like Game of Thrones is a good example.
00:03:34 Look at Twitter after Game of Thrones kills off a character.
00:03:39 People actually mourn the loss.
00:03:43 Of these fictional characters.
00:03:46 The loss of these characters from their virtual existence like they would a family member.
00:03:52 On some rational level, but these are irrational people we're talking about.
00:03:56 They might understand it's not real.
00:04:00 But how is it possible that this kind of reaction?
00:04:04 Is coming from a grown man watching a movie trailer unless he feels like he's literally in a relationship.
00:04:13 With the fictional characters he's viewing in this Star Wars trailer and Star Wars.
00:04:20 Is a movie that that took advantage of this format and and it has since the beginning.
00:04:26 George Lucas even named the First Star Wars movie, episode 4.
00:04:32 Decades before he'd create episode one, two or three because he understood the power.
00:04:38 Of this delivery system, the idea that that you're coming into the story halfway, you have to, like, start from the beginning, you have, you have to understand the whole story.
00:04:48 You have to watch all of them.
00:04:50 And The Handmaid's Tale uses this same methadone drip delivery system to worm its way into the veins of its audience, an audience that's easy to identify if we just look at the main character offered, who was played by Elizabeth Moss.
00:05:10 It's no accident that they picked an actress so unattractive.
00:05:14 An actress who looks like Uma Thurman's short, chubby burn victim cousin after several botched reconstructive surgeries.
00:05:22 I mean this kind of ugly.
00:05:24 It's not an accident, it's they cast her because she's not threatening.
00:05:31 To their demographic, it might even make some of the more degenerate and confused male members of the audience.
00:05:39 Feel feminine?
00:05:40 She's non threatening, relatable and this is the vessel the audience will occupy as she walks us through this fictional world in the in The Handmaid's Tale.
00:05:53 She's their avatar.
00:05:55 So what kind of world is it?
00:05:57 Well, again, that's also easy to figure out now that you know who the target audience is.
00:06:04 Western women.
00:06:06 What kinds of messages?
00:06:09 Just based on personal experience, what kind of messages do you think?
00:06:14 People like the shows creator Bruce Miller.
00:06:18 Would want to insert into this virtual world.
00:06:21 What kind of experiences?
00:06:24 Would he want these women to virtually experience?
00:06:30 Within just the first few minutes of the first episode, we see.
00:06:34 One of the most common.
00:06:36 Hollywood cliches employed.
00:06:38 Anytime the audience is perceived to be substantially female, and that of course is that Elizabeth Moss has a black husband and an interracial kid.
00:06:50 No surprises there.
00:06:52 I've covered this in other videos and anyone paying even like a tiny bit of attention understands that this is something that's being meaned hard for almost a decade now.
00:07:02 I can also guess without even waiting for it to happen, that they're being chased by by evil white men, another Hollywood trope that is.
00:07:12 Paraded around in almost all content produced today, ads for products, TV shows and movies, they all.
00:07:20 Follow this formula strong, powerful white women with tender, loving black men persecuted by the evil white men, evil white men that that shoot her husband and take her child and and beat her severely all to the sounds of ominous theatrical music.
00:07:39 I mean, it feels like this cliche is the setup for.
00:07:42 Literally half the content made in the last two years by Hollywood, so.
00:07:47 Watching this, I'm already bored.
00:07:49 But I persevered.
00:07:51 I watched two seasons of this garbage so you wouldn't have to.
00:07:55 Now, I have to admit.
00:07:57 I made liberal use of the Fast forward button, which was actually pretty easy to do without missing anything, because not just because everything was so predictable, which was.
00:08:09 But because shows like this are cluttered with.
00:08:12 Killer long shots of character staring off at nothing as.
00:08:17 Ominous tones play in the background.
00:08:20 It's honestly half the series.
00:08:22 It's just like, really long, boring, silent shots of people staring off into the distance and and by the way, that's also not unique to this series.
00:08:33 There's a lot of stuff these days that gets produced, and they have to fill in.
00:08:37 The time slot so they just fill it full of that garbage.
00:08:55 There's surprisingly little that actually happens per episode, but that's also part of the strategy.
00:09:03 You know, my mom used to watch soap operas in the 80s and 90s, and even as a kid, I noticed something about these shows that seemed to either allude or not bother.
00:09:15 The millions of boring women tuning in every day to watch soap operas are shot 5 days.
00:09:24 And aired five days a week, so they're making an episode.
00:09:29 Every single day it's it's just this constant churning out of content that can get repetitive or boring fast.
00:09:37 So they developed a system that would keep women hooked.
00:09:41 Monday through Thursday.
00:09:44 Every episode was building to some dramatic event that was supposed to take place anymore.
00:09:52 And then when Friday rolled around.
00:09:55 The riders would would make it seem as if you'd finally get that payoff.
00:10:00 You know they've been edging you all week, and now it was time for the big climax.
00:10:05 And at the very end of of the episode that would air on Friday, they would set.
00:10:11 Up the the big.
00:10:12 Reveal and and just as you thought.
00:10:15 You'd find out who killed the handsome millionaire. That was cheating on his wife, or if the blonde with amnesia would remember her fiancee's name.
00:10:24 They would throw A twist.
00:10:26 The millionaire wasn't murdered at all.
00:10:28 It was all just a trick to trap Dun Dun Dun's TuneIn Monday to find out.
00:10:36 And the blonde with amnesia? She does remember her fiancee's name, but now he's in love with Dun. Dun Dun. Today. Monday to find out.
00:10:47 And that's the game.
00:10:49 There's there's more effort put into the psychological mind games meant to trick you into watching just one more episode.
00:10:59 Then there is put into the actual content itself an entire year.
00:11:04 Of the soap operas that would air again 5.
00:11:07 Days a week.
00:11:08 Some of them an hour a day.
00:11:10 The entire year of these shows could be compressed.
00:11:14 Into like a two hour movie.
00:11:16 But then they wouldn't be able to sell you dish soap every.
00:11:18 5 minutes.
00:11:20 See comes in a pretty new plastic.
00:11:22 Bottle. Geez, thanks.
00:11:24 These are just the modern day soap operas The Handmaid's Tale, The Walking Dead, Game of Thrones.
00:11:32 They all used this exact same system.
00:11:36 You just have to sit through all the the slow motion shots.
00:11:40 Of people crying long enough.
00:11:43 And we promise something will happen eventually.
00:11:48 This will keep you watching just just one more.
00:11:50 Episode and then I'll go to bed.
00:11:54 Just just one.
00:11:55 More episode and then I'll go to work.
00:11:58 It becomes like this drug.
00:12:01 And if the film makers are trying to imprint something on your soft little mind.
00:12:07 This is the perfect way to do it.
00:12:09 Deliver the subversive message in tandem.
00:12:14 With your dopamine payoff.
00:12:17 And once your mind builds this association.
00:12:22 That **** is in your head forever.
00:12:25 Especially if you're one of these weak minded fans of the show that that treat the characters like real people.
00:12:32 So after The Handmaid's Tale opens with the violent abduction scene.
00:12:38 We launch into what we assume is the future.
00:12:42 A terrifying and and completely implausible future.
00:12:47 That can only come, quite frankly, from the fevered female mind of a paranoid feminist or an indelicate fear monger, or or both.
00:12:57 In this fictional world, there's been some sort of war in the United States and and now the the lovely offered.
00:13:05 And other women have been forced to work in the homes of the elite, who in Offered's case, is the much better looking. Not that that's hard to do. Yvonne Strahovski, who's?
00:13:18 So beautiful.
00:13:20 She's beautiful enough to intimidate and threaten.
00:13:24 The female target audience and even the low status males that have been forced into watching the show with them.
00:13:32 We also meet the man of the House briefly and get the idea that offered is their servant of some sort, and this is her new.
00:13:40 Job, we meet another servant who seems to be a maid that prepares meals and cleans the house she sends, offered to the store to get food and we gather we aren't in America anymore.
00:13:55 At least the America we know when offered is given these strange stamps to purchase food.
00:14:01 Outside we we need another servant.
00:14:03 This is actually a male.
00:14:05 He's the chauffeur, and so he's not oppressed with the the Puritan.
00:14:12 Garb that the women are forced to wear on the way to the store, we discover more about this strange world offered is required to walk with a partner.
00:14:22 She is paranoid that our counterpart is spying on her. The streets are lined with the evil white guys with fashion haircuts and high-powered rifles.
00:14:33 They cautiously exchange small talk, but they also talk about, or at least reference a war that's going on, and it becomes obvious.
00:14:42 This is geographically at least America, and this is during some kind of civil war.
00:14:48 The evil white guys have taken control and have.
00:14:53 Subsequently enslaved the women.
00:14:57 Placing them in positions like these two.
00:15:00 And the cook back at the house.
00:15:02 This much is clear.
00:15:04 There seems to be also a religious aspect to it all, because the greetings people use and the way they speak has a religious tone to it.
00:15:16 It's funny because the makers of this series are clearly.
00:15:21 Implying that this oppressive religious movement.
00:15:26 Is rooted in Christianity.
00:15:28 When it was Islam and and the treatment of women in Arab countries that actually inspired the author originally to write the book that this series is based on, not Christianity.
00:15:40 That, regrettably.
00:15:42 Has lost control of its women.
00:15:45 And committed the society ending sin.
00:15:48 Of giving the women political power.
00:15:51 But Nope, that's the great thing about leftist memes about fiction.
00:15:55 You can change reality however you want.
00:15:57 Islam has nothing to do with with the oppression of women in this fictional world.
00:16:05 But instead, it's these Christians.
00:16:07 Everything sounds very biblical, and the character is often, quote mangled passages of the Bible.
00:16:15 Alright, so so far the target audience has been presented the following themes.
00:16:21 Number one is the basic Hollywood, you know, black men are protectors and good fathers.
00:16:27 And good people to have children with #2 is again the the Hollywood cliche. White men are scary.
00:16:35 And and want to oppress you and #3 Christianity is the dangerous.
00:16:43 Vehicle behind all of this.
00:16:46 So in terms of the typical Hollywood messaging, we're off to a good start considering this is only the 1st episode.
00:16:55 When offered and her companion walk home from the store, the two handmaids walked past, several men hanging from nooses.
00:17:03 I'm not going to lie.
00:17:05 I'm starting to like these guys.
00:17:10 We find out that they were hung.
00:17:12 Because one was a priest.
00:17:14 One was an abortion Dr.
00:17:16 and one was gay.
00:17:18 Well, you know, two out of three ain't so bad.
00:17:23 I'm joking, of course.
00:17:25 But The funny thing is about this show is the main character becomes so intolerable and unlikable.
00:17:32 It really honest, it really wasn't long before I was angry, watching this show for no other reason that I knew that no matter what.
00:17:42 It would never be her hanging from the wall.
00:17:44 I mean, there'd be no show, right if if they hung her.
00:17:47 But it seemed like they were.
00:17:49 They were constantly hanging everyone around her for almost nothing.
00:17:53 Compared to the trouble that she causes all the time, which I was thinking about it, that actually really plays well.
00:18:02 Into this female, there's oblivious female self.
00:18:06 Importance of the audience.
00:18:09 And I'll get more into that later.
00:18:10 So now that we've extracted to the target audiences the messaging that they're going to be, that's going to.
00:18:16 Be delivered to.
00:18:16 Them the behavior of the characters is also pretty easy to predict, simply because.
00:18:23 You know their actions come from the minds of writers who think this scenario is probable.
00:18:29 OK, that Christians would rise up, take over America, enslave women, hang the heretics.
00:18:40 Actually I I kind of hope this is possible.
00:18:43 It's something I pray for every day, but the circumstances and the details.
00:18:52 Are what make this ridiculous.
00:18:54 They they always tell writers only.
00:18:56 Write what you know.
00:18:58 And it's easy to tell.
00:18:59 Just like with most content from Hollywood that these people don't know the 1st.
00:19:04 Thing about the right.
00:19:06 Not the way they think.
00:19:08 What they value, like literally nothing.
00:19:10 Absolutely nothing.
00:19:12 So what we get is this perverse mutation that's even further removed from reality.
00:19:20 So that the writers can make it seem even scarier and and more traumatic than how they perceive the right in their own contorted view.
00:19:30 In other words, if your view of the right is already like this weird cartoonish demon view of them, and then your goal is to demonize them.
00:19:43 You're going to go over the top with it because you all your your, your perception of reality is over the top.
00:19:50 So if you're trying to augment something that's already in crazy town.
00:19:54 To be slightly what is it artistically enhanced?
00:20:02 It just gets real unbelievable fast, but again, their target audience isn't going to know.
00:20:07 Because the the target audience has the exact same perception of the right.
00:20:13 So it just fits right in with their their CNN.
00:20:17 View of reality.
00:20:21 Offered has a flashback to her time back at what seems like.
00:20:26 A right wing reeducation camp, if only in this camp we find out that the driving force behind the conflict in this fictional world, apparently fertility rates are dropping.
00:20:42 Something that.
00:20:43 Isn't exactly fictional, OK?
00:20:47 This large, angry woman addressing the camp tells the women that even with the dropping fertility rates.
00:20:55 They and she doesn't specify who they are.
00:20:58 They made it worse.
00:21:02 By coming up with birth control pills and abortion.
00:21:07 Which again isn't.
00:21:08 That's not wrong.
00:21:11 You know, time and time again watching this, I keep finding myself on the side of the the so-called bad guys.
00:21:20 But I also know that the scary music.
00:21:23 And and the frowning of the women.
00:21:26 Are are literally the only.
00:21:27 That's all the social cues.
00:21:29 The weak minded target audience needs to know.
00:21:32 Oh, this is for.
00:21:33 This is poisonous bad.
00:21:35 Who cares that the birth rates are falling and abortion abortions awesome need to preserve that.
00:21:42 Can't let the evil white man take that away from us.
00:21:46 Look at how dangerous these these right wing people are.
00:21:49 They want.
00:21:50 They want to take our abortions and and birth control pills away and and and put us in camps.
00:21:57 And blame us.
00:21:58 For the low birth rate, the gall.
00:22:02 And now we get to the real.
00:22:06 Really insidious aspect of this.
00:22:08 The Handmaid's tale.
00:22:11 Now we're about to learn.
00:22:13 In a few moments here, The Handmaid's Tale, the, the, the basic plot line behind it is these handmaids are part of a breeding program to help the low birth rates.
00:22:23 But what the?
00:22:24 Audience is is too stupid to understand and in most cases.
00:22:30 Is that?
00:22:31 This show.
00:22:33 This heavy-handed messaging.
00:22:38 Is part of a breeding program.
00:22:42 The target audience is women.
00:22:45 Who have a huge influence.
00:22:49 On the breeding and reproduction in the West.
00:22:55 If you want to control reproduction.
00:22:58 Without kicking down doors or doing something that's going to set off a war.
00:23:03 You have to influence the women with the fertile wombs.
00:23:08 You influenced the women with the wombs.
00:23:11 You influence the breeding.
00:23:13 You influence the demographics.
00:23:15 You influence power.
00:23:19 Think about it, this is this isn't hard.
00:23:21 This isn't.
00:23:21 This isn't hard to understand.
00:23:24 Humans selectively bred wolves.
00:23:28 Generation after generation.
00:23:31 Until they got dogs.
00:23:33 They did the same thing to horses and to cows.
00:23:37 They they wildly.
00:23:41 Significant characteristics.
00:23:45 So these animals would become more useful.
00:23:50 And if you think the ruling class.
00:23:53 Doesn't want to implement some of these.
00:23:55 These same selective strategy practices on the working class.
00:24:02 You know, quite frankly, you might.
00:24:04 It might be too late for you.
00:24:05 You might be a product.
00:24:07 Of this system.
00:24:09 This is easy to understand.
00:24:11 We're talking about people.
00:24:12 I mean they they want very much.
00:24:15 To breed out competition.
00:24:18 And to breed in traits that are going to make people more docile, more, more obedient, more domesticated.
00:24:26 I mean, let's face it, they don't want a population.
00:24:30 That has a very long history.
00:24:34 Of overthrowing tyranny with force.
00:24:38 They want timid people.
00:24:40 You show up for work.
00:24:42 Gather around the water cooler and and discuss what happened in the latest episode of the The virtual world they live in.
00:24:50 Push the buttons, pull the levers, go home.
00:24:54 And do it again the next day, like good little debt slaves and wage slaves.
00:24:59 These people are the farmers and we're talking about their cattle here.
00:25:02 Of course they're going to try to influence the breeding.
00:25:06 They're going to try to influence the breeding in a way that results in the kinds of traits.
00:25:12 They'd like to see in their cattle just like.
00:25:14 Any farmer would do.
00:25:18 That's why they're promoting lifestyles and and mental disorders.
00:25:23 That result in in fewer or no offspring.
00:25:26 From the groups they see as threats.
00:25:31 Understand that.
00:25:33 It's no coincidence that simultaneously.
00:25:38 They're creating conditions that will promote.
00:25:41 The breeding and increase.
00:25:44 The offspring of the people that.
00:25:47 That produce cattle with the attributes that are most beneficial to them.
00:25:53 And this show The Handmaid's Tale is literally a part of that program.
00:26:00 The sad reality is, though, that the irrational audience will never piece that together.
00:26:07 Instead, they'll watch the show and absorb the takeaways, like dried up sponges.
00:26:15 That black men are the protectors and good fathers to have children with white men are scary and want to oppress you.
00:26:23 Christianity is the dangerous engine behind it all.
00:26:26 Birth rates plummeting is all just fiction, abortion and birth control is a secret right that must be protected from the evil white men.
00:26:35 Childbirth itself.
00:26:38 Is evil, forced and oppressive.
00:26:42 Offered's best friend who she spots in the camp isn't just black, but also lesbian double inclusion points.
00:26:51 The two listeners they're they're told about the breeding program.
00:26:56 They are to serve as surrogates for the nation's elite.
00:27:00 They will conceive and carry their children in an effort to combat the failing birth rate.
00:27:07 Once again, I want to interject something here.
00:27:10 If the nations birth rate is plummeting as far as they say it is in this fictional world.
00:27:16 What would be wrong?
00:27:18 With some kind of program that that proactively promoted children.
00:27:24 The Mormons did exactly this when they settled Utah.
00:27:27 They began to practice polygamy.
00:27:30 And with many men having like 5 or or six wives, and each wife having five or six children.
00:27:37 They were able to populate an otherwise desolate state.
00:27:42 Pretty quickly.
00:27:44 When the Mormons did this, the the church leaders would usually assign the wives to men based on their ability to to provide more children.
00:27:55 The only reason they even stopped the practice was because the federal government got involved, they told the Mormons that they couldn't grant Utah statehood.
00:28:05 Unless they they cease the practice of polygamy the the same way, by the way, that that Trump pretends.
00:28:12 He's going to cut.
00:28:13 Off funding sanctuary States and cities.
00:28:17 Only to to to not.
00:28:20 Cut off funding.
00:28:22 But to instead give them even more illegals.
00:28:29 Who will forever change the demographics and the balance of political power in the country?
00:28:35 The whole time conservative ****, wits tweeting, lol, Maga, Trump owns the libs again.
00:28:42 Well, while we we just get decimated in this country demographically, but.
00:28:50 I digress.
00:28:51 One of the girls in the camp mouths off and is hit with a cattle prod.
00:28:58 I like their style and then it's dragged off somewhere.
00:29:02 Here's where I'm going to mention another aspect of the show that you know the irony will be completely.
00:29:07 Lost on the irrational audience, this dystopian future?
00:29:13 Where evil men are or or or, they're oppressing women.
00:29:17 In a lot of ways, it's.
00:29:19 Completely run by women.
00:29:21 That's right, this militant lady.
00:29:24 Who trains the handmaids to be good little baby making slaves is one of the most powerful figures in the whole fictional world.
00:29:33 The men standing around everywhere with guns, they don't even have names.
00:29:37 Most of the time they don't even talk.
00:29:39 They're they're basically like faceless stormtroopers.
00:29:42 And in Star wars.
00:29:45 Even the commander, Offered's boss, who we met in the beginning of the episode, he depends on his wife to help him run things, and we figure out later was she was largely responsible for the political movement that led to the revolution to begin with. But no, it's the men, the men.
00:30:03 Are the problem.
00:30:05 They're not just.
00:30:05 The problem they all want to rape you too.
00:30:09 And there's a whole lot of rape in this show.
00:30:12 The first one takes place when we see the ceremony designed to impregnate, offered as she plays her part in the role of Handmaid to the commander.
00:30:23 Once again, the Bible makes an appearance and the the ceremony consists of of reading passages from the Bible.
00:30:30 And then ****** the handmaid while your wife holds her down.
00:30:34 And again, it's still part of this paradox.
00:30:37 Somehow women are nothing but slaves.
00:30:39 But but there there seems to be a whole lot of participation from from.
00:30:42 Women and.
00:30:44 And I'm sorry, I gotta say this simply from a productivity standpoint, having women slaves.
00:30:51 Is really kind of useless.
00:30:53 Women aren't construction workers for a variety of reasons.
00:30:57 But once again.
00:30:59 These are all things that slip right past the irrational audience who really shouldn't be.
00:31:04 Allowed to vote.
00:31:08 If you like this show you you should not be allowed to vote.
00:31:12 So time passes and we find out that the woman who got shocked with the cattle prod has now got her eye gouged out.
00:31:20 And subsequently learned to behave.
00:31:24 And this is one of those inconsistencies that's that's also frustrating.
00:31:28 They gouge out her eye simply because she she mouthed off.
00:31:33 And offered here goes way above and beyond that kind of disobedience earning what would probably be several death sentences, one right after the other, if there was any kind of consistency.
00:31:48 Nothing ever happens to her.
00:31:51 But it kind of makes sense.
00:31:54 If you if you think about the target audience, once again, think about who's watching this.
00:31:59 A group with.
00:32:01 No sense of personal responsibility that thinks that that they.
00:32:06 Can just go through life being awful.
00:32:09 And nothing will ever.
00:32:10 Happen to them.
00:32:12 And why shouldn't?
00:32:12 They believe this in the real gynocentric dystopia that we live in today.
00:32:19 Nothing ever does, so it's impossible for them.
00:32:23 It would be totally impossible for them to relate to offered.
00:32:27 If she was getting punished.
00:32:30 For what she does.
00:32:32 I'm not going to go through the entire series.
00:32:34 It's obviously way too long, but I am going to point out a few things.
00:32:38 I remember that bothered me the most.
00:32:44 We find out that offered not only is promoting the cliche Hollywood multiracial family thing, we find out that her black husband was married to a black woman when they met.
00:32:57 So she broke up their marriage.
00:33:00 And she knew he was married, so she knew he was married, destroyed his marriage.
00:33:06 And again, this is obviously this is promoting even more behavior.
00:33:10 That's not a winning breeding strategy for white women.
00:33:15 #2, when they find out that one of the women is a lesbian, they they circumcise her.
00:33:22 That's right.
00:33:22 The evil Christians do that.
00:33:26 And the only time.
00:33:30 Not Islam.
00:33:32 The only time.
00:33:34 That Islam has ever mentioned ever in the show.
00:33:39 Is when offered runs away, one of the many times she runs away.
00:33:44 And gets chased and is saved by an Islamic family who, surprise surprise.
00:33:52 Is also interracial in the exact same way her family is.
00:33:57 What are the odds of that?
00:34:00 So #3.
00:34:02 Offroad also starts screwing the servant Guy.
00:34:06 And this is.
00:34:07 After she finds out her husband is still alive.
00:34:10 So it's kind of funny because.
00:34:12 Early on in the movie.
00:34:14 They make this lame attempt to show the culture shifting to this like toxic masculinity.
00:34:21 You know, some something right wing offered in her and her black lesbian friend get called *****.
00:34:28 ******* *****.
00:34:29 Get the **** outta here.
00:34:30 By some random white male, of course barista, and they act.
00:34:35 You know, super offended, but then you find.
00:34:38 Out they're they're both basically ***** like the the the black lesbian girl hooks up with random women she meets at the club while her her girlfriend is at home.
00:34:50 She hooks up with with women she doesn't know the names of, and then after the revolution ends.
00:34:56 She winds up choosing to be a prostitute.
00:34:59 Offered, on the other hand, I.
00:35:01 Mean she ***** her way into another woman's marriage?
00:35:05 Starts banging the servant guy and it doesn't stop even after finding out for sure that her husband is alive.
00:35:14 Whose previous marriage she ruined.
00:35:16 You know that guy?
00:35:17 It's still alive.
00:35:19 So they're they're they're both basically *****.
00:35:22 This guy is totally based and red pilled.
00:35:25 ******* *****.
00:35:25 Get the **** out of here.
00:35:27 #4 they they can't stop ******** on white people like ever. Even in the in the tiniest subtle ways, like when we find out this girl who, surprise surprise, is also a lesbian and a a strong, powerful biology professor. She's teaching a class before the revolution.
00:35:47 Comes and some evil white guy tries to mansplain only to get totally owned by the the Genius Black Girl.
00:35:57 I mean, it's death by 1000 cuts. It's just constant. It never ends. If you, in fact, if you see a black guy in the movie before they even say anything, you can just assume, oh, he's going to, like, save the day somehow.
00:36:10 He's good, like it's it's automatic without fail.
00:36:16 And it works.
00:36:17 You get the emotional thinking cattle, addicted to your, your victimization ****.
00:36:23 You stir up all the their worst fears with images of rape and scary music.
00:36:30 And then you tell them over and over and over again.
00:36:32 It's this.
00:36:33 It's this evil white guy.
00:36:35 It's him.
00:36:36 He's the fault and all this, but not the black guy.
00:36:39 He's he's going to save the day.
00:36:42 In some ways it feels a little repetitive.
00:36:44 You know, saying this.
00:36:45 Over and over again, but.
00:36:47 I I don't.
00:36:47 I don't think a lot of people realize just how, how pervasive it is.
00:36:52 #5 another amusing aspect is how they show the early days.
00:36:58 Of the revolution.
00:37:01 Kind of taking the women by surprise.
00:37:04 So for example, the the based in red pill revolutionaries, they ban women from working, which is kind of awesome.
00:37:11 And so one day, they're all just sent home from work unexpectedly.
00:37:16 And they're they're totally confused.
00:37:18 They're just totally baffled that this this could even happen.
00:37:22 My take away from this was a in a hilarious way.
00:37:28 It it kind of shows these women don't pay attention to politics.
00:37:32 But probably still vote.
00:37:35 And fancy themselves activists.
00:37:39 The the move to ban women from the workplace.
00:37:42 And I hope I live to see that day.
00:37:46 It wouldn't just happen one day with with zero warning in fact.
00:37:51 It probably couldn't happen at all.
00:37:55 Without a lot of violence.
00:37:58 So to see these characters completely puzzled that this this could just sneak up.
00:38:03 On them and.
00:38:04 To me it just made them look politically incompetent.
00:38:08 Like they they shouldn't be allowed to vote if they're that out of touch with what's going on, and they don't even see this coming.
00:38:13 They shouldn't be part of the process.
00:38:16 And then the second part to that is.
00:38:19 It does also kind of illustrate something.
00:38:22 Something else.
00:38:24 About normies that that many of us on the right have been saying for a while now and that that is things will have to get.
00:38:31 Way worse.
00:38:33 Before they get better.
00:38:36 Like the the it'll seem like whatever bad thing happens in this case.
00:38:40 You know the women are kicked out.
00:38:41 Well, I mean, to some people that's bad or kicked out of the workplace.
00:38:47 Just it's going to have to be something substantial like that, something extreme like that.
00:38:52 The average normally, especially women, they're they're like the women in the show.
00:38:57 Completely, utterly clueless about the world around them, and quite frankly.
00:39:03 They they won't be motivated to act.
00:39:07 They won't be.
00:39:08 Motivated to actually do anything that might disrupt their steady stream of of pointless cubicle work, happy hours, tender dates, and garbage TV like the show.
00:39:20 Unless something drastic happen.
00:39:22 Something that might.
00:39:24 Necessarily have to threaten.
00:39:27 Those pillars of their existence.
00:39:29 It wasn't really the intent of the creators to make this point, but it also wasn't the intent of the creators.
00:39:36 For someone like me to watch this and and and be tricked by any of.
00:39:40 It I'm not the target audience.
00:39:43 And because I'm not the target audience, I could go on and on and on and on and point out stuff over and over.
00:39:49 Over again.
00:39:50 But it's it's so predictable.
00:39:52 I think at this point you get the idea.
00:39:54 The Handmaid's Tale is just this subversive to the core victimization ****.
00:40:00 Quite frankly, if you have loved.
00:40:01 Ones that that.
00:40:03 Are watching this electric brain cancer.
00:40:06 They shouldn't be tolerated.
00:40:08 You should just.
00:40:08 Tell them no.
00:40:10 It's time to be a man and start putting your foot down.
00:40:14 And being at least half as effective.
00:40:17 As the boogeyman.
00:40:19 That their propaganda makes us out to be.
00:40:23 For black pill, I'm Devin stack.
00:40:26 If you like my videos, make sure you like and subscribe. Make sure you share if you want to help support my videos, you can grab a copy of my book link in the description, or you can send crypto to the addresses below or become a patron at patreon.com forward.
00:40:39 Slash black build.