INSOMNIA STREAM： END OF NOVEMBER EDITION - 11/29/2025

00:00:06 And 0000,
00:00:22 set, eat,
00:00:29 Do, read, sec,
00:00:40 zero, sank zero. Thank sank and sank zero. Thank sank and got Chase zero got zero. Got Chase. Zero got zero.
00:01:40 Anything in particular,
00:01:46 just like everybody else died.
00:02:36 Nothing in particular.
00:02:46 Just like Everybody loves God.
00:03:42 I so you go and you stand on your own, and you leave on your own, and you go home and you cry and You want to die. You Hey,
00:04:58 I trace. The lines of a map torn
00:05:08 into mountains, faded oceans,
00:05:19 blue, but still
00:05:25 caught in the space where echoes collide, too late to wander, too soon
00:05:42 to fly, we were born between worlds, no past to recover, no stars to cling. We'll carve out a future fire in our veins. We'll never have that dream. So make our own name. Oh.
00:06:07 Disrupt the dust of yesterday. It slips through our fingers like it's afraid can't hold the way of my hungry gaze will
00:06:37 move one hard as that might seem you can never dream someone else's dream. We were born between worlds, no past to recover, no stars to claim, but we'll carve out a future fire in our veins. We'll never have their dreams, so We'll make our own name. Hey,
00:07:53 I will move you can never dream someone else's dream. You
00:08:24 You welcome to the insomnia stream, end of November edition, because it's the end of November, right?
00:08:36 Like not a couple hours, I guess tomorrow, or in a couple of hours. It's the end of November, but that's and enough, right? We had a Black Friday, I guess, yesterday. Then we had third what was Thursday? Oh, yeah, Thanksgiving. We had Thanksgiving. I'm your host, of course, by the way,
00:09:02 Devon Stack. Thursday, also, as many of you know by now, I released
00:09:08 the super upgraded version of the video idea I showed you guys last stream, and it was like a proof of concept, kind of a thing where it was a lot of work, believe it or not.
00:09:26 There's some people that think that that when you use AI, you just type in make racist video, and it goes, beep, boop, boop, boop, boop, boop, boop, and then, like a racist video comes out. I wish that's how it worked, but that's not how it works. So really, this week, I've slept about four hours between driving around, doing some traveling because the holidays and trying to get that done.
00:09:55 Man, I am a I am a fucking mess right now. I am a fucking mess. It, but it is what it is. You know, do it fighting the good fighting the good fight? Because it just had to be done. I had to just see. How hard would it actually be to do this? Like, how long does it take to create these kinds of videos? What's required? How do you interact with the AI in a way that you actually get it to do what you want it to do? It's it's not. It's, in some ways way harder than I expected, and in some ways way easier than I expected.
00:10:38 And for those of you who don't know, I think by now everyone should know it was the, the Whitman's, the Whitman's, it's on, you know, it's on, whatever you're watching this on, I even put it on YouTube, because why not? Real good response, though, people seem to like it.
00:10:56 And if you've only seen the version that was on the stream, you haven't seen it like. You haven't seen it, like, I mean, you've seen some of it, but like, you haven't seen it. So I encourage you to check it out, if you would like, but, yeah, like, it was, it was real tough to get the the kinds of it.
00:11:15 But here's the thing, it's only gonna get better. It's only gonna get better. You, in my opinion, it would not be feasible to make like an actual movie, movie yet, and you'd have to work around the limitation, like I did with with that video, knowing that okay, trying to do action is hard enough, and then trying to do action with dialog that actually matches the mouths moving and the audio doesn't sound like garbage.
00:11:57 Is it is that? Does the technology exist? Yes, if you're a Hollywood studio and you have an army of interns that can navigate the very complicated AI stuff that does exist right now in order to pull off some of this stuff, yeah, you could do it. You could make an entire and I'm sure right now it's being done.
00:12:22 I'm sure right now in Hollywood, they are producing a very AI, if they haven't already filmed, and so you can do it already. It's just that it's really, really it's not easy. It's not just type in a prompt, because here's, here's a couple things that that you run into.
00:12:45 The hardest thing is getting characters to stay the same. And part of the reason why this happens is AI's drift. So the way that just well, if you don't know how AI video generation works, don't feel bad, because neither do the people who actually produce AI video generation.
00:13:10 So I mean, to a certain extent, they do, but it's, it's in fact, that the scary thing is, they're going to know less and less how it works as it gets better. So the way that the basic idea is they, they make a, well, I'm gonna simplify it as much as possible.
00:13:28 They basically make a a digital brain. They make a neural network, and they show it lots and lots and lots and lots and lots of video like they show it like every movie ever made, every YouTube video, all the videos that they can and then they, after they've showed it all the video, they start telling it what some of the things in the video is, but it's it's not as specific as you might think.
00:13:59 In other words, if there's a shot of like a cat running across the street, the labeling that'll be done by probably some Indian guy in a warehouse somewhere, is just cat walking across the street. He's not saying the cat is orange and the the street is is X amount, you know, feet wide and like, it's real basic. And they do this for a lot of the footage, until eventually the AI starts to label things itself.
00:14:36 Now this is where it gets complicated once it starts labeling itself, or labeling things itself. It starts using its own language. So in other words, it's still when it sees like a dog in the footage. It's calling it a in a sense, it's calling it a dog, but it's in its own, made up language. You know, it's. Is it's not something that you could you could look at its memory and find the word dog in there, because it wouldn't be in there.
00:15:07 But it starts to recognize different shapes, starts to recognize camera movements, starts to understand you know, like you know, for example, when a camera moves, you know, the parallax that takes place, it starts to understand, you know, how light interacts with things and but this is, this is something that takes a lot, a lot a lot a lot of footage, and a lot a lot a lot of it, crunching the numbers on it to understand.
00:15:40 So after, after you have all of this, it has like a diffusion model that's similar to, like an AI image, because an AI image is kind of the same, you know, process where they show an AI a bunch of images, and then they tell it what's in the images, and then, you know, it's, it's, it's the same process.
00:15:59 And then the part that they don't understand why it works is they, they get a, basically an image that's just static, and they say, this is a, like a blurry image of a cat, you know, fix this, this static, blurry image, so that it's a cat, and then it creates a cat out of, essentially, not out of the blur, you know, out of the static, out of nothing. And that is what is happening with these, with these video models, too.
00:16:33 The difference is, of course, it has 24 frames, or, you know, whatever the frame rate is a video. So if you tell it, I want five seconds of a woman walking around, it will start with these static images, and it will, as far as I understand it, it'll separate it by, you know, it'll, it won't just do one frame at a time. It does one frame and then fast forwards a second, and then does another frame, and then it fills in the blanks, right?
00:17:10 So, but it's the same thing. It's, it's just imagining, I mean, for lack of a better term, what would, what that would look like based on all of the footage it's seen of similar things, and so it there are no 3d models. There are no virtual cameras.
00:17:29 Like, if you've ever done any kind of 3d animation, or any kind of, you know, even after effects, or something like that, where you've got a virtual camera that you're moving around the the scene and stuff like that, that that doesn't exist. So it gets real tricky when you're trying to explain that you want you know what you're what you want the camera to do, because it's totally unaware of cameras.
00:17:56 Because when it was watching all of this footage, all these movies, they fed into it. He didn't know where the cameras were. They didn't it didn't come with camera data, like it didn't come with, you know, information about what the the settings for the lens, you know, were for like that shot or or you know what, how the camera produced that motion. In fact, one of the problems that I had is, if I said, for example,
00:18:26 I wish I had, I've saved some, I could probably hunt one of these down. But if I had, like, a shot of, like the Indian guy talking to Mr. Whitman, and I told it, you know, zoom in, zoom in on the Indian guy's face. It would sometimes have the Indian guy just walk up and put his face up to the camera instead of zooming into his face, because to the AI, zooming into something just means it gets bigger.
00:18:55 And how that's accomplished. It doesn't necessarily know that, oh well. You know that the only way to make that get bigger isn't just for the camera to zoom in, it is for him to walk up to it. So you run into all these weird issues, trying to control the camera motions, trying to get the characters to actually behave in non insane ways, is really difficult, and then just trying to avoid what you've all seen with AI, just like where there's it predicts unnatural looking architecture, or unnatural looking plants, or sometimes it spurs out
00:19:39 And like suddenly somebody has two heads for no reason, and, you know, stuff like that. So it was a lot of, let me put it this way, that the entire video is something like 25 minutes long. There's not a single shot in the entire video that. It's longer than five seconds. So do the math.
00:20:04 That's how many clips there are in that that entire 20 plus minute long, I don't know, video and for every one of those five second clips, I mean, it happened, but almost never was it the first try. And so you have to sit there and crunch it every single time. So if you want it, you know, every you know, if it was real basic, it would get it the first try. Like, if it was just some filler shot of, like, Okay, I want a aerial shot of, you know, going over the organ wilderness, and there's a mountain, and it's Misty.
00:20:44 And then, even then, though sometimes it wouldn't, you know, it would give you garbage. And so you would get that and be like, Oh, thank God, it worked. And then you're done. But most the time, not so much. So you're having to struggle with it.
00:20:57 You're having to fight with it to get it to just do some really normal stuff. But eventually you start to realize what prompts work and what you know, what words maybe throw it and make it freak out. But they also just getting characters to stay looking the same all the time is, is almost impossible, unless you do other work to make sure that that, to, you know, prevent that from happening.
00:21:24 So, for example, you know, the Narcissa Whitman, that character. She doesn't look exactly the same in every shot, but that's about as close as I could get her. And the same thing with, with with the with the guy. I mean, they look pretty close, but the reason why they can't look exactly the same in every shot is the AI has never watched a movie with Narcissa Whitman in it.
00:21:53 And so you can't just say, put Narcissa Whitman into this shot, because it doesn't Who the fuck that is. And so the only way that you can actually make it work is if you already start with an image. And, well, where am I going to get an image of someone who doesn't exist?
00:22:11 You know, the first image of her in the interview was generated by AI based on, actually, I used an old illustration of what, what she looked like, which looks nothing like what the AI came up with. But I was like, Okay, close whatever. They're dressed the same. They're both white people that are dressed the same. So that's, that's how I created the first one for the interview shot.
00:22:40 Okay, well, what if I want her standing up in a kitchen? Well, the only way to do that is for me to use another AI, yet again, to create an image of her from scratch, standing in the kitchen. Well, it doesn't you know the image. Ai doesn't know who what Narcissa Whitman looks like, either.
00:22:57 So you have to provide the first image that you created and say, make her look exactly like this, which it never does. It never does exactly like her. And so it tweaks her a little bit. And then you start, like, one thing that it was weird is it would always age them, for some reason, like it would age them, like you would show them the photo, or not the photo, but like the image of the the AI generated person and say, you know, put this person in a 1850s kitchen, in a log cabin, and the AI would would sort of do it, but then they would look 10 years older than the image that you gave them.
00:23:35 So then you'd have to start giving it really specific instructions on like, like, like, how old they were. Like, hey, put, even though you would say, put this exact person with this exact face, with these exact clothes, and make them look exactly like this, and put them in the kitchen, they'd still make it, still make them 10 years older.
00:23:54 So I'd have to do that. I'd have to say all that, and then I'd have to say, oh, and she's, she's 20, you know, or whatever, right? And then it would, you always had to undershoot it, too. And then it would, it would sort of look, you know, a lot more like her.
00:24:08 And then you'd have your still shot, and then you'd have to bring that into your video, AI and say, this is the the first frame of the video, and this is what I want happening in this scene. And then you're, you're, you're good. So there's, it's, it's kind of a, it's a convoluted process. It takes a lot of time. And the voice that, you know, that's a whole nother can of worms, because you could have the AI come up with, with the voice for these people and have it say dialog. Well, how does it know what they sound like?
00:24:47 Well, it bases what they sound like on the the image of them. It looks at them and says based on all the movies I've seen and all the videos I've watched.
00:25:00 What is someone that looks like that? What are they like the what would they sound like, most likely based on what they look like, which is why I was able, in the interview shots to get them to sound at least somewhat consistent, because I was starting with the exact same frame every shot. But even then it would, sometimes you would, you would give it the line.
00:25:24 And now, all of a sudden they're British, you know, like, all of a sudden they have a British accent. And you're like, okay, and then you'd have to tell it, you know, with an American accent. And then, because you weren't saying with an American accent before, now they sound American, but they sound different. So then you have to, it's, so it's, it was a lot, a lot, a lot a lot of work to try to just get some of this stuff.
00:25:50 But even so, if you think about this, just, I mean this, this video was, what, like 20 it's close to 25 minutes long. It's, only a little shy of that. And yeah, it's AI and, yeah, whatever. Okay. But to produce something like that even with, like, just not real people, but, well, especially with real people, but even if you tried to do it with, like, South Park style animation, or just something really cheesy animation.
00:26:23 It would take weeks. It would take weeks and weeks and weeks to produce that much stuff, you know, all the different scenes, all the different motions. It would have taken forever. And from the moment, I had the idea, the concept for this, which at earliest, would have been Thursday.
00:26:47 So last Thursday, I, I woke up last Thursday was not. Had no intentions of doing this. I I had no story in my head. I had no no idea that this was going to happen. And by the following Thursday, so in less than a week, it was done. It was 100% done.
00:27:13 So that's, that's and by the way, it for the people, they're like, Oh, I slop. You're you're basically a retard. You're basically a retard. If you're like, I don't like aI slope, well, guess what?
00:27:25 You're like those people that like, when fonts first came out, everyone's using every font, and so, like, every memo looks like a ransom note because people are retarded and don't know how to use fucking fonts, right? And you're like, oh, fonts are gay. No thoughts aren't gay.
00:27:43 It's just that there's people that aren't talented that are using AI and so, oh, Indians make bad things with AI, therefore everything with AI is bad. That's the most retard shit in the fucking world, dude. That's and I better get used to it. That's what's gonna happen.
00:27:59 Everything's gonna be AI, whether you like it or not. So and by the way, they're in that they're, they're a tiny minority, the people that were complaining, tiny, tiny, tiny fucking minority. So I don't, I don't fucking give a shit, but it's still, it's still fucking hilarious that you're like,
00:28:16 Oh, here's this amazing tool that can help us make propaganda in a way that we never will be able to do it, but I'm gonna shit on it because I'm a faggot. I'm an unimaginative faggot that just likes to complain about fucking everything. So yeah, suck my dick, basically, is what I'm saying.
00:28:32 Because you couldn't do it. You couldn't do it this. Sorry, I know what, how it sounds, because I made this, but this is one of the best things, at least in terms of political stuff, ever made with AI stuff. And I did it having almost never used AI in less than a week.
00:28:51 And you're fucking complaining, Suck my fucking AI dick. All right, so anyway, this, this opens up so many fucking doors, so many fucking doors, they're there. It's not there yet.
00:29:05 But I wanted to know how much effort does it take to actually make go from, you know, I have an idea, to, you know, turn make something into a a video or a movie, to actually having, like a product, and it apparently look I wouldn't want to do what I just did ever again, like I was not sleeping, like I was I was I was working at my desk non stop, like not until I couldn't keep my eyes open, and then I was laying In bed, and I'd set an alarm for like, two or three hours later, which I would normally ignore the first time, you know, but then, like, the second I had the energy to get out of bed again, I was back up doing it, because I the thing was, it you have to keep it's like you're kind. Instantly rendering.
00:30:00 Because you have to keep every shot has to render through the AI.
00:30:05 And as I said, it might take like, fucking 10 shots in order to make something that is usable. And so that's, that's basically the the the like, I don't want to be sitting there doing, you know, doing this thing for fucking weeks. I wanted to, like, I need this done. I want it off my fucking plate.
00:30:25 But also I was, I was just like, I was kind of excited to be learning about something again, you know, like I was, I was like, Oh, this is stimulating the part of my brain that likes to learn stuff. And so like that. It's, it's pretty it's, it's going to be there pretty soon. It's going to be there pretty soon.
00:30:46 And this is something that, you know, like Emily ukus has done, like the the will stands, cartoon stuff, which is kind of like, again, it's, it's, it's not there yet. But you can see the possibilities, you know, by the way, you can tell she has the same issues, you know, the camera shot changes and suddenly will stand so looks kind of different, you know, or not, or maybe even more than kind of so it's there are limitations, and there are things you have to do to to to try to mitigate that.
00:31:16 And yeah, if you don't like, if you don't here, here's the thing, here's the thing about AI. And the reason why there's people there is there is such a thing as AI slob. That's it is out there. But the reason why there's so much out there is the people who have bad taste are just hitting generate. They can't tell that it looks like garbage. It just looks better than anything they themselves could make.
00:31:40 And so they put it in the timeline, and that's what's going to separate the good AI stuff from the bad AI stuff. Because if you don't have an eye for it, if you don't know that, oh, that, that shot looks bad, you know, or that person looks weird, or, you know, or whatever it is, right?
00:32:00 Like, if you don't have a good eye for it and you just plop it in the fucking timeline. It's like every technology, anytime there's a creative technology that that gives more people more access to creativity, you get more garbage. You know? It's like when, when all of a sudden there were cameras on phones.
00:32:21 There were everyone thought they were a fucking filmmaker, and YouTube was just full of, like, people trying to be YouTubers with just their garbage fucking videos. And it was, it was a mess. But eventually, you know, like, the bad ones got filtered out, and people gave up on it, because it was no longer a novelty that you had a camera on your phone.
00:32:41 Not everyone thought, I'm fucking Spielberg now because I have an iPhone, and so it's the same sort of thing. This is a new technology, someone that would have no idea, or have no ability to go out and shoot a even just like a simple shot, you know, some kind of like B roll video of something, they now can just type in whatever they want, and it spits something out.
00:33:05 And so you're going to have a lot of people that, oh, well, this, it's what I asked for, a shot of, like a house in on a mountain, and it's, it's a house on a mountain. And so they use it. It doesn't matter that there's no consistency with the shot before it, you know, it does, and they just slop it all together.
00:33:24 And, yeah, that's garbage. That's not what I made. Thank you very much. That's not what the fuck I made. Okay? Now, again, there was limitations. Were there AI artifacts? Absolutely you can't get around that. It is what it is. But, yeah, I also know what the fuck I'm doing. I also know what the fuck I'm doing.
00:33:42 And if you know what the fuck you're doing, it's just another tool you know, like, you know is going back to the the iPhone camera, example, you you there was okay, this was something that that always, I learned early on in my career was, you think that when you first start out as a filmmaker, and it's different now, because it was different back then, you know, this was before everyone had HD cameras on their phones.
00:34:13 And, in fact, just HD cameras were were kind of hard to get a hold of when I first started out. And so you think that the reason why, you know, the Hollywood movie guys like, they're able to shoot movies that look so much better than yours, you think most of that's the equipment.
00:34:30 You think that, oh, well, you know, if I, well, of course, if I had, like, the, you know, the fancy digital RED camera, or whatever, then I'd be able to produce something that could go to Sundance or whatever you think that's what's holding you back, and maybe a little bit it is.
00:34:45 But that's not true, because you can get in fact, here's a perfect example. There was that, that zombie movie that was early 2000s was it 48 Eight hours late or no, what? 3020, I don't know that. What's that zombie movie? People know the real gritty looking one. Anyway, the real gritty look. Now it's gonna drive me 28 days later. Okay, yeah. So the the reason why it looks so gritty is they shot it on mini DV.
00:35:19 They shot it on mini DV, and then they blew it up onto film when they sent it to theaters. But they shot the whole thing on these, you know, these consumer grade, or they called it prosumer at the time, these prosumer grade Sony cameras. And that that what for me, when I saw that, that's what they did, all the excuses went out the window, because that's when I realized, well, fuck that means that it's not just like you need some $100,000 camera set up. I mean, don't be wrong.
00:35:54 They, they still did lighting and, you know, whatever they but that's the point is. That's when the craft part of it comes into it. So that's, that's really how it's going to be with AI, where, you know, you're going to have all these people who suck at making stuff suddenly have access, and they're going to make a bunch of stuff that sucks, not but, but then there's going to be people, you know, who had had aI not existed, will suddenly become creators, people that actually have an eye, they have taste, they have design, like a designer's brain, and they'll be able to put things together so well. It will. It's gonna, it's gonna change the game a lot now, the only thing that I wonder about is,
00:36:44 I almost wonder if there's like an ex like, if this is like a temporary moment in in in cinema, if you want to put it that way, because it's these AIs are trained on all the films and videos and stuff like that, that that they watched. And if everyone starts making everything in AI, then it's like, Is this the end of the training data?
00:37:10 So every movie from now on that will have to look like a movie that was made before now, because they can't train AI on AI produced things, or it'll start having, you know, it'll start degrading the training data. So I don't know, I don't know how they plan on remedying that, unless they plan on just running around with, with, you know, maybe, maybe they'll be, they'll be, maybe that's a business.
00:37:37 You just produce actual training data, like you just get a camera and actors and shoot like, it's not for like a film, it's just, you're just shoot stuff. You know, just shoot crap for the the AI to watch so that it can put it into its neural network or whatever. But anyway, in the meantime, it is definitely possible to do real life looking stuff.
00:38:04 Well, you know, obviously it's not gonna look real yet, and it's, but, you know, it's, it's better than having to sit there. And I'll tell you what, it even looks better, you know, like, even though you can tell it's AI and it glitches, and it has some weird problems. I promise you that watching that was what a million times less distracting and more immersive than if I tried to animate it, even like in some shitty cartoon style, even if I were to try to animate it like, you know, like, like, Murdoch, Murdoch, even, you know, like, just where I'm just moving, you know, very, very simple animation stuff around. So, in terms of propaganda, this is, I think that it was a good proof of concept.
00:39:01 I think I've proven that you can, you can produce stuff that's, that's, and, look, I could have made it better, if I'd spent more time on it. I could have, the writing could have been, you know, a lot improved. That's, that was, like, it was the second draft of a script I wrote in like, 10 minutes. Okay, so it's if it was something that, like, I had actually planned, like, oh, you know what, I'm gonna make this AI movie.
00:39:32 The process would have been 100% different. You know, I would have come up with the script. I would have done different rewrites, I would have storyboarded it out maybe a little bit, and then I would have, I would have, you know, produced it, and then, you know, after I made it, I would have shown it to people and got feedback. And none of that happened like none of that happened.
00:39:54 It was just me making it up as I go along. In fact, a lot of it was just. I made up as like I was, I would just be editing, and I would get an idea, and then I just, oh, it'd be funny if this happened, you know, and then I'd go and and create those clips and then put them in there.
00:40:12 So that's, uh, that's, I think that's what we that's a future that we can look forward to, even if there's some, some of you that are that, that think so little of white people, that you think that because Indians make bad AI stuff, that white people can't possibly make good AI stuff. So and I know, oh, I know you're super cool because you said AI slop. I know you're above it, right, right?
00:40:42 I know you're super. You're way more cultured than all of us because AI slope, right? Yeah, I know faggot anyway, yeah, that's, that's the way, that's the way things are going to go.
00:41:02 And because, I think of our limitations, because of our and just not just like our current financial limitations as as right wing propagandists, or at least that's part of our role, right some of us, I think that not only will, will this help with that, because that, you know, we're used to not having the money, and so it's kind of like, it's more of like, well, what are the other options like, if we want to produce something that's it's out of a necessity,
00:41:38 But also we're used to having to deal with, you know, bleeding edge technology, you know, including new platforms that come out, because we get banned from other platforms and things like that, and being nimble, and so that, because of that, who's left, right?
00:41:56 The only people that are left in this kind of environment are the people that are able to do that, and so that's why I think we'll, we'll pick up this new technology and run with it, because it's, it's we, those are the kinds of personality types that we have on our side, are people that are willing to learn things and take the initiative and kind of be trailblazers and explore this stuff in order to get the job done.
00:42:22 So anyway, it's not just, it's not just, you know, video, you know, you've got a lot of new AI stuff that's going to be coming out, you know, obviously AI voices and stuff and that that that technology is getting better too. There is free stuff that you can use, but I, I toyed with it a little bit, and it's, it gets pretty thick, and it's and it's not all free, like there's a lot of this stuff where you can download a plugin, and then every time you activate the plugin, it costs you. It's not much, but it's still, it's not free, and it adds up.
00:43:08 So it can get expensive. It can get expensive. There's AI music now, but that's same thing, right? Like, same thing, if you're someone that doesn't have an ear for it, and you make some AI song that's just says, like, I hate niggers in it. Over in your Listen, it's like, it sounds like, like, like, Katy Perry, but she's, it's about niggers. It's like, Well, okay, but it just sounds like garbage.
00:43:39 Like, no one's gonna listen to that and be like, that's why they call it slop, because it's once again, it's people that wouldn't normally be able to actually make something. Suddenly can make something, and because they don't have any experience in that, and they end up making garbage.
00:43:59 And and some of them will get better. Some people that like that will get better. But sometimes the slop goes viral. You know, like, like, Lucas Gates made that, boom, boom, Tel Aviv, which I'm sorry that's an awful fucking song. It's so, it's so, like, if you want AI slob, that's AI slob. And it went still, people liked it, you know, like it went fucking crazy viral. And, you know, so I guess there's no predicting it.
00:44:33 There's no predicting it, but it just goes to show you that there is. And look, I think that's it's that's also going to change too. I think that the novelty of it will that that's what like. Okay, so, for example, the first time, the first time you could use AI, for example, to make an an AI video of an Indian shitting in a street, or whatever. It was kind of funny, because, like, you know, you'd never seen something that could do that.
00:44:59 For. And so there was this novelty that, you know, where it's like, oh, look, it looks like a video of so many Indian guy shooting in the street, which I don't know why you do. There's actual video of that. So, you know, I don't know why you have to do the AI video, but, you know, I mean, and now when you see it, it's just kind of like, Yeah, haha, I get it, because it's, it's, it's no longer new. It's no longer
00:45:24 Okay, yeah, I get it So, and that's the same thing. Like it was the example I was using with the fonts on memos. Like, when, when you could first put Comic Sans on on a memo? You know, every HR lady in the fucking world was, was comic Sansing and and putting all kinds of crazy fonts all over every stupid thing that went in, you know, or went around the office.
00:45:48 And at first it was, it was kind of like, Oh, neat. That's kind of neat, you know, I'm used to, I get these memos, and they're just, everything looks like it was typed up on a typewriter. And now it's, it's kind of colorful and, you know, but it wears off after a while, you're just like, Okay, I get it.
00:46:04 I can't read this very well because it's in Comic Sans, and it looks atrocious. And so can we, can we? Can we go back to, like, just the boring ones, you know, maybe you can have some, you know, a couple different fonts, but, like, let's, let's try to limit it to maybe, maybe one or two, and make them readable and that.
00:46:23 So that's what's going on. You're gonna have people that that produce a bunch of AI garbage because it's new and it's fancy, and, you know, it blows their mind. And they Oh, look, I can make, I can make this, you know, this black guy look like he's got Down Syndrome and and eat poo or something. It's like, okay,
00:46:44 you know? And so, yeah, that's the thing is, is, once people get that out of their system, and they will, eventually, they'll get that out. I mean, I guess there's always gonna be some people, probably mostly Indians, that keep doing stuff, but you'll be left with the people that are actually using it as because, you know, it's just another tool. It's just another tool. And again, that tool has a long way to go.
00:47:10 You know, just like the first camera that was on an iPhone wasn't very good. In fact, I think the first, first iPhone, I don't even think it was, it was 720, P, I think it was, I think it was some kind of weird resolution, but it wasn't, I don't think it was HD. And now, you know, now phone, there's phones.
00:47:29 They're like, 8k and 12k I don't even know how you watch, where you watch that at, but, you know, they do it. And so it seems sort of a thing, AI, right now, you know, the voices sound kind of crap. The the some of it's really good, but the, you know, some of the emotions are unnatural.
00:47:50 It will it does freak out, like one of the hardest scenes for me to produce, whereas the the part where churro is attacking the Indian guy because AI has nothing to run work with, right? Like aI had. In fact, I wonder if I can bring up, I wonder if I could bring up all the I don't know if I'd call them bloopers, but like all the weird shit that I made, I'll tell you what I'm gonna start downloading.
00:48:19 Let me see if I can, if I got this saved somewhere, just because it was like, it was ridiculous, how much garbage it made before it actually made what I wanted. And the reason being, you, you tell an AI to animate a giant house cat with a king riding on its back like a horse chasing an Indian through a forest.
00:48:46 It has nothing to go on nowhere. Has it seen that happen? And so it can try to figure out what that would look like, but in doing so, it's going to come up with some stupid shit, because it doesn't know at all what that would have looked like. Let me see if I got these. Let's see here.
00:49:13 Yeah, I've got a, I got a bunch of weird ones. Let me see, yeah, this is, this is gonna have all the weird ones. I'll start. I'll start. I'll start downloading these so I can pop these up, because it's pretty fucking funny some of that shit. But, yeah, it has, has nothing to go on.
00:49:35 And so it's, it's, it's trying to do it. And it's just weird shit is happening, you know? And this is like my first and then you have to kind of tailor your ideas to what the limitations of the technology is, like you would with anything else. Like if you were to go and try to shoot a movie in your head, you might have like, oh, yeah, it.
00:49:59 Going to be sweet if the camera was attached to a helicopter, and a helicopter flew around and and then the hero shot, and blah, and then you get there to location, you realize, well, I can't do that, and we can't afford a helicopter. And, you know, I'm going to have to just be a lot more boring with my idea.
00:50:18 And the same thing is true of AI, where it's like, okay, this is, this is not working out. I'm gonna have to go a totally different direction with this. All right, let's see here. Downloading all these. There's a bunch.
00:50:35 There's so many of them because I, I want to, I want to show you this, you realize how many because for every one of these shots, I had to sit and wait for it to it goes pretty quick, or at least the way I was doing it was going pretty quick. So it wasn't super painful, because I was doing it in low res first, and then I didn't even bother upscaling. That's the other thing you'll notice, is that whole video is a really bizarre resolution of 800 by 600 because it's just that's what was fastest to do.
00:51:17 There's more of these than I thought. It'll be kind of funny though you'll like it. You better like it. You better like it. If you guys like watching churro attack an Indian and then mutate into something weird every once in a while, like some of these shots sort of worked, but most of them did not.
00:51:42 Oh, and that's the other thing. I didn't use the audio for the clips almost ever. But it's, it's kind of fascinating, the kind of audio that it it comes up with thinking that, like, Oh, this is what, this is what a cat attacking a an Indian in the forest would sound like with a king riding on its back, laughing like a maniac.
00:52:04 All right, Jesus. All right. This is probably way too many. I didn't realize it was this many, but yeah, I must have maxed out my quota that day try and just do this one shot. I
00:52:23 I'm just gonna load. That's enough. That's plenty. I don't think you guys need to watch like a fucking half hour of this stuff. Okay, let me do this.
00:52:55 Now that's a ton of them, all right. So to give you an idea of what I was dealing with, here, I'll mute this.
00:53:12 See, the ground just keeps moving. That would have been a good shot. Oh, look, his arm doesn't really grab him. And so every time I'm like tweaking it, trying to change the prompt, the ground sliding, you know? Because, again, this is stuff that AI has never seen happen before. And so it just ends up being kind of crazy shit. You
00:53:43 the physics not being white. You know that the king just disappearing like that, like weird stuff, and, and, and sometimes it was completely unpredictable, because the prompt wouldn't change from the first time that you did it, and it would the result would be completely different, because for this, the initially what I wanted to have happen is I wanted to have churro grab him like a like a mat, like a cat would grab a mouse and Then run into the forest with him kicking and screaming, and I had to totally scratch that the the entire idea, because I couldn't get their bodies to interact without it looking insane or without insane shit happening. So again, this is, this is like half. This is half of the or not even half, it's still going of the times I had to try to do it before I ended up with what ended up in the in the video.
00:54:56 So anyway, I. Yeah, so that's, that's, that's pretty much what I worked on. And then I, like I said, to do the whole Thanksgiving thing. And now I'm back here, and I thought, we just do something cozy, right? Do a little, do a little, you know, post, post game on the video. Like I said, it's the complainers are very small, small number of people. It's, it's been very well received.
00:55:28 And that's, I know it's good, and it turned out as good as is. I think it could have given the limitations I had, how long I spent on it, and everything else. So I'm happy with how it turned out.
00:55:44 Most people are happy with with how it turned out. And I suspect that these sorts of things will, you know, I mean, like, I'm not, like I said, I don't want to be sitting here doing this every week, because it's, it's a lot of work, but this is certainly something, especially as as the as soon as it gets just a little bit better, and by that,
00:56:09 I don't like it, like I said, the technology exists, rather the way I should say that as soon as it gets a little more accessible, because It's the second that you can get a a consistent look out of people from shot to shot, and you can get a consistent voice out of people from shot to shot, and they don't sound like kind of like robots.
00:56:36 And you can get the you uh, maybe some of the camera movements. I mean, that's not a that's a nice to have, but some of these features that do exist, as soon as they become more accessible in a way that's not 1000s and 1000s of dollars to access, I think that we'll be able to make, possibly, a day of the rope movie as an example.
00:57:08 Now I think that, again, that would be quite the project. It wouldn't be something where I'm like, Oh guys, I'm gonna just, I'm gonna plug away like I did with this for like, you know, like, four days, four or five days, and now, now, here it is. Here's the movie. It would take months. They would take months, and because you'd have to really get that right, and it would probably take, and you'd have to do it in a high enough resolution to where people would want to watch it. You know, internet video, you can get away with 800 by 600 whatever, right?
00:57:40 And even that, like the it was upscaled slightly to be 800 by 600 but if you were going to actually want to produce a film that you wanted people to take seriously and people to actually watch, I don't know that it would have to be 4k it'd be nice if it was 4k or maybe at least 2k you could probably get away with with 10 ADP, again, probably not ideal, but you could probably get away with 1080p provided it looked really good, and depending on what the if, what kind of savings you'd get on The render time.
00:58:21 It might be worth doing that. It might be worth doing that, but if possible, I would, I would think you'd want it to be at least 2k if you're gonna, if you know, if you're gonna invest the time to actually do something like that, you should, you should do it, you know, do it right.
00:58:38 Do it right. But that's not here yet. That's, that's maybe in a couple years. It's maybe next year, honestly, like, how fast this shit has gone, this video stuff didn't even exist. Or at least, you know, wasn't easily accessible, like a year ago.
00:58:56 I mean, I guess it sort of, I mean, it was starting to be right, but certainly, like, you know, five, five years ago, it didn't exist at all. And so this is, this is something that will get it'll get there. Now, a lot of people have, have, have said to me, Well, does that mean that that gap is going to close right between Hollywood and people like us.
00:59:21 And I would say, No, it's not going to close, but it is going to shrink in the same way it shrank when digital cameras first came out. Because it used to be, if you wanted to make even like a short film, you had to rent like a 16 millimeter, you know, shitty camera somewhere.
00:59:43 Then you had to shoot it all on film. And then you had to pay to get the film developed and processed and everything. And then you had to edit with film. You had to record the audio separately.
00:59:55 And that was like, that was like, its own can of worms. And. And, yeah, by the end of the, you know, by the end of the project, you're in, you're in it, like 10s of 1000s of dollars for basically a short film that's only going to be seen at festivals and and you got to just hope that you can make something good enough so that some Hollywood Jew sees your your movie at the festival and then hands you a bunch of money to make either, you know, a different movie, or maybe the like sling blade, for example, I think, started out as a short film, and then that Billy Bob Thornton made,
01:00:39 And then he got it got played at the, you know, at the the film festivals and and he got money to do the the full version that happened with a couple movies. There were a couple movies where that was the story. But back then you had the separation was wide, because either you had to go rent a film camera, or you were going to shoot on video, which was going to look like garbage.
01:01:06 Because the best you could do is maybe like, like, have a beta cam, you know, like a news camera, beta cam, three chip camera that would look like news footage, it wouldn't look like film. I mean, the lenses would be slightly better and whatever, but it would still look like garbage. It would look like a soap opera. You know, the frame rate would be too fast. It would just look like garbage.
01:01:31 And the second that 24 frame progressive scan digital cameras, even when the even the first shit ones, like the ones that made, you know, the 28 days that was, that was, that was huge. It was huge because suddenly, all these people that had that didn't live in LA, didn't have access to anything Hollywood, they could make stuff now, a lot of it sucked. A lot of it sucked.
01:02:06 And by the way, I count myself in that number, I made some stuff that sucked when I first got a digital camera, because I was all excited. I was like, what I can edit on my computer? That's amazing. Like, I shot, I shot a movie in digital eight, like that's how long ago, that's what was I me and my friends got together and we shot something on digital eight, and then I captured it over fire wire and edited it, and it was it looked like a mess.
01:02:36 It just looked like some shitty student film that, you know didn't make any sense, because I'd never made a movie before. I didn't know I didn't know what was involved. I just was winging it.
01:02:45 And so you had a lot of that. You had a lot of garbage. But eventually, you know, you had people who are professionals, people who actually knew what they were doing say, hey, you know, actually, I could save a lot of money and use this, you know, the technology is getting good enough to where it, yeah, like in the case of 28 days, we can make a movie and not, you know, save millions of dollars.
01:03:12 And they did, and they saved millions of dollars, and they made millions of dollars. And so I would say AI is like on that cusp right now, where it's not, it's not good enough, to where I would want to make like a movie with it, but it will be in a couple years, or maybe sooner, who knows, with how fast this stuff progresses, so anyway, I think that's exciting stuff. I think that there is, especially as like, look, we've been talking about this since I was even on YouTube, where we just need more right wing culture, right?
01:04:01 We need, like, just more, not propaganda, because that's that's the thing that I think a lot of people get hung up on when they make stuff, not just with AI, just generally, they make stuff that the average person couldn't just sit down and enjoy. And that's really what separates right wing creators oftentimes from left wing creators, where, when the left makes stuff, or when Jews make stuff, they make stuff that that right wing people who hate the degenerate Jews end up going to theaters and paying money to watch.
01:04:41 And then when the right wing people make stuff, it's it's so in your face and hitting you over the head with it that unless you already agree with that viewpoint, you're gonna hate it. In fact, even in the thing that I made, you might. For those of you who watch the stream and then you watched the final version, you'll notice that I took out the end where I was talking about universalism and all this other stuff, because I was like that.
01:05:12 It just it gets too preachy, like this is what I have is funny enough to where you can just sit there and watch it, enjoy it, without even thinking that politically about it, and enjoy the fact that the the cat is attacking the guy and, you know, and Narcissa shoots him at the end and whatever, and then not ruin it with like getting preachy at the end, because then people, they'll just turn off, because that's and that's because it works better if that's how you do it anyway.
01:05:47 So it really, you know, even I was tempted to do that, we're like, I was tempted to put it on. And here's the moral. I'm gonna now hit you with the moral of the story when it's like,
01:05:57 Why, though? Because, if, if, why do I need to tell them that? Like, Hollywood movies don't do that. Hollywood movies, they present the leftist viewpoint in the form of a story, and then at the end, some guy doesn't walk on the screen and say, and that's why Republicans are evil, you know?
01:06:14 Like, they don't do that. They don't have to, because in the movie, the evil politician guy was a Republican, yeah, and that's it. That's all they had to do. They didn't have to, like, you know, say anything about it. They just had to make sure you knew he was Republican. And then that poison gets in, you know.
01:06:32 So I think that a lot of right wing people that want to create should start thinking in terms of of making, making, not just overt propaganda, making stuff that isn't just like here is something where I'm just rattling off statistics at you and and shouting my my viewpoint at your in your face. But instead of it being me saying it, it's a talking cat or, you know, because that's the problem, right?
01:07:05 It's like, I feel like there's a lot of people that they don't realize. No, you need to, you know, don't, don't just say exactly what you would say only with a talking cat, you know, tell a story. Tell a story that demonstrates what it is you think is important for people. And if you tell it right, they'll, they'll come to the same conclusion. You know, look at the look our people have been doing this a long time.
01:07:35 If you look at Aesop's fables and and just, you know, all these stories that our people have had that we tell, we tell our children so they can learn just basic, basic things about right and wrong, you know, stories about sharing and stuff. And maybe when they're kids, at the end, you say, well, and that's why, Billy, you never lie, you know.
01:07:58 But, but if you look at the actual stories, you know, like the boy who cried wolf, or, you know, speaking, you know about the you know about never line, like, at the end, you don't have to reiterate it. Like, the story itself illustrates why lying is a bad idea. You know, you don't have to sit there like, and so don't lie, because if you lie, then it's bad. It's like, no, like, I get it. It's he lied so much that no one believed him, and then when he needed people to believe him, you know, I get it.
01:08:27 My I figured it out. I see the exact and I think that's that's going to be not just with with video content that people could be creating with narratives and stuff, but even, like music. I mean, I've talked about how, you know we don't have a lot of right wing music, and how you know that's, that's, that's something that's also going to people are going to have access to as the AI music generate, generator, stuff gets better.
01:08:57 You'll be able to make stuff that, again, not like, boom, boom, Tel Aviv, where it's just like, all right, again, hey, whatever. I'm not talking shit. It went mega viral. It did. But at the same time, you know, like, no one's no one's gonna put that in their playlist for like, you know, that's not gonna in 10 years, you're not gonna like, oh yeah, boom, boom, television, turn it up, you know, like, if you want to make culture lasting culture, same thing, you know, like,
01:09:33 Rage Against the Machine. Rage Against the Machine is anti white commie propaganda, but it sounds good. I liked it when I was a kid, I thought it was, Wow, this is some hardcore shit.
01:09:44 I like this stuff. I didn't pay attention to lyrics. I didn't I didn't pay attention to the lyrics. I didn't realize what the fuck he was talking about. He just sounded really mean and angry in like a teenage, angsty kind of way.
01:09:59 And I. It was like, Yeah, but, you know, it was commie, anti white commie Jew propaganda and and they, and they got right wing kids to pay for it, you know, because it was, it was something that people wanted to listen to, you know, just like the Hollywood movies that are full of degenerate, subversive shit, be that as it may, it's shit that people want to watch.
01:10:30 You know, in fact, I mean, I see people all the time, all the time, people who talk about how, you know, like they're Trad influencers or whatever, and then they talk about how, oh yeah, I'm so excited about this new Netflix show. And you're like, really, because that's that just straight up, like Satan stuff they're watching.
01:10:53 But all right, you know, if you want, if you want to watch that on your own time, keep it to yourself, maybe, but you're implicitly, you're, you know, you're kind of saying it's okay to watch this stuff. I think, I think people should keep out of their brain.
01:11:09 You know, if you have a guilty pleasure and you want to watch Game of Thrones, that's one thing. But you know what I mean, like, but anyway, that that's my point, though, is it does no one seems immune to this stuff. And in fact, a lot of times, if you point this out, they get all mad, like, oh yeah, you're, you're real fun at parties.
01:11:27 Oh yeah, I'm not allowed to enjoy things. Just let people enjoy things. And so it's like, if it's, apparently, there's, there's no way to get people to not, not consume the the left wing, highly produced entertainment So, and now that we, you know, if we have access to that, as long as, again, like I said, you don't fall into the trap of banging people over the fucking head with what it is you're trying to tell them.
01:11:57 And just try to tell a story that's funny or it's interesting or scary, or, you know, whatever it is, but that's the entertaining the audience should be your goal. That should be your number one goal. No matter what you're making entertaining, the audience should always be your number one goal, second place. Second place is your message. Second place is your message.
01:12:24 Because even if Think of it this way, if you accomplish the first goal, if you create something that's entertaining and it's good and people like it, but you fail at maybe communicating whatever message it is you're trying to embed in there that's actually not gonna that's not as bad as if you'd done it the other way around, because if you succeed at putting your message in it, but everyone fucking hates it.
01:12:51 Next time you make something, they're not gonna be like, oh, there's that guy that made the interesting, fun thing that I watched. Let me watch this new one. No, they're gonna be like, oh, there's that, that shitty propaganda garbage guy that I don't want to watch his thing.
01:13:07 So your number one goal should always be entertainment of the audience, not entertainment of yourself.
01:13:16 And that's, that's, I think, that that if, if right wing creators focus on, on that, you know, where they're not, they're not so up their own ass about trying to, you know, it's like when the now, and I wish, maybe I shouldn't say anything about it till I watch it, but like the daily wire, like they, they produce that comedy, I don't know. Just based on the trailer, I I think it would want, I'd want to blow my brains out, but
01:13:49 maybe it's good, but, but just based on the trailer, the jokes were exactly what I'm talking about. Where it's they, it's just like tweets. It's like Ben Shapiro, tweets are all the punch lines, you know, like they can't just have, like, a funny comedy. And then one of the layers of it is that, oh, trannies are stupid. They have to, you know, or whatever. I don't know what the whatever the message was. I think that's what the message was.
01:14:17 No, they have to make it so that's explicitly, like, you have to already hate trannies to even sit through five minutes of it. So already it doesn't matter, like who you're preaching to the choir automatically and and so you're not having any influence whatsoever. But also it's like, it's not funny, it's not that good. You know it's, it's not it's you're just the only people who are going to think it's funny, are people that are going to be like, hahaha, yeah, I hate trainings.
01:14:47 So anyway, I think that if, as this technology gets better and we're able to to make music, we're able to make movies, we're able to make the. Stuff that that if, long as we keep that in mind, yeah, it's gonna, it's gonna shrink that gap, but the movie industry is going to respond. I think one of the things you're going to see, in fact, I think this is going to be pretty soon as it's really, I think just a matter of the hardware that's in the way.
01:15:21 I think that video games and even Netflix series are going to get AI interactive to some extent, meaning that, like a video game will just be real time rendered AI, so it'll look photo realistic. It will Your input will just be real time prompts. So as it's rendering in real time the environment that you're in, it'll be listening to what you say, and it'll be watching what you do, whether it's you're wearing a headset or sitting at your computer or whatever it is.
01:15:57 And then it'll react in real time to whatever it is you're doing. And it will be like a matrix. It'll be like, it'll be like a baby step into, like an actual matrix where you're in, like a virtual world. I think that's gonna, that's, that's actually, I think, really close to coming, or at least that's what they really want, because they've been trying to do virtual, virtual reality since forever.
01:16:21 And like, you know, Metaverse garbage, like, but the reason why it always fails is it sucks, right? Like, who wants to wear a big, bulky headset and be in like, some shitty world where it looks worse than Second Life and there's nothing you can do really, like, it's just like, oh, I can shop for for, like, Nike nfts or something.
01:16:49 Like, what can I do? Like, in the metaverse, you know, talk to other people that are in the metaverse, like all these other fucking losers that are wearing their their headset somewhere else, you know, so it's like it doesn't work, because it's not worth the price. The price, not meaning the price of the headset, but the price of wearing it, looking like an idiot, wearing a big, stupid thing on your head, and waving your arms around in your in your living room, by yourself, you know, like that.
01:17:18 You just feel ridiculous. So but if the technology was so good that it seemed like you were actually there, like, even if there was, you know, it's not, it won't be perfect. But if it was close enough, like, it was just barely close enough, like, to where, like, okay, it's kind of, it's almost believable. Like, if I was really drunk, I might think this was happening to me, that's when, that's when people will start doing it.
01:17:43 That's when people will start doing it, but you'll have that technology, I think that'll start competing. So it won't matter that we can make movies, because everyone's going to be in like, weird AI headset world, you know? And so I think that as our ability to compete with movies increases people enjoying movies is going to go down because they're going to start using whatever this new technology will be, and just other stuff too, like real time, like they were talking. I watched this clip. Think it was like Matt Damon or something like that.
01:18:19 It was on some on some stage at some event, and they were talking about their plans to make it so that if, let's say, you know, you're one of these people that I'm a big fan of the office I Oh Pam and Jim, you know you could, you could generate On the fly bonus features to like, episodes like, oh, well, what happened when Pam and Jim, like, walked into this room and you don't see what happens?
01:18:48 Like, oh, now I can, now I can actually zoom in there, and AI will create, like, more of that scene. So you can just sit there and watch more of that scene that that never existed. But like, based on it'll, you know, AI will watch every episode of The Office, and then, based on how they these characters behave, it'll just make something up. And or you could have, you know, these people that you know, you get to the end of a series, you're like, ah, what else happens? Well, AI will be like, Oh, you want another episode.
01:19:18 It'll just make another episode. And I think that you'll have stuff like that that we'll be contending with, and so just having, like, a movie won't be as grabby, because that's not where it'll be anymore, you know, that's not where, you know, it's kind of like, actually, I don't know what it's like, because I'm trying to think of like, where in history that something like this has happened. I mean, I guess you could say books versus or radio, or what is it? Or, I guess just how they used to tell stories on the radio, right?
01:19:59 Like you. Used to listen to mystery stories on the radio and action stories, you know, like the Lone Ranger and all this other stuff, and that all fucking evaporated a second. And the second you could go and in watch the Lone Ranger and Tonto actually riding their horse around in the old west, instead of like sitting in a room listening to some guy talk about Tonto and pretending to be him or whatever, all those radio shows disappeared.
01:20:26 I mean, the technology, I mean, am radio is still around sort of, and there's no radio shows like that anymore, because no one fucking I actually kind of like those old some of them and some are actually kind of fun to listen to. But anyway, that market dried up the second.
01:20:40 They could just sit there and watch it on on a screen. No one wanted to fucking listen to it anymore. And so I think that's kind of what's going to happen. Is, okay, yeah, we'll get more access to making movies and making maybe even like, series, you know, cartoon series.
01:21:00 And I think there will be, there's going to be, like, this couple of years right where, where we're able to produce stuff that people actually like, and it's not, you know, that we can actually maybe, on some level, compete, like a little bit, But I think that relatively soon ish they're gonna, they're they're gonna realize that they need to increase the the the capabilities of their entertainment to so they all to avoid, to avoid having to compete With us, because, if just anyone, not just us, right like it's not just oh, right wing propaganda.
01:21:45 People are making movies anyone, if you're a Hollywood studio and you realize that anyone can basically make a like a Lord of the ring style movie with almost no budget. You're, you're gonna, you're not gonna like that. You're gonna have to figure something out.
01:22:09 You have to figure out a way to because the distribution is already there, right? You can't, you can't muscle them out of the distribution side of things. So people can make stuff, and they can put it online, and you know, so now, now they can make anything that you can make and reach just as many people.
01:22:27 So they either they go out of business, or they evolve. And I think they will evolve, and they will start looking at this more interactive entertainment stuff that will be pretty much impossible and out of reach for people like us, just because the processing power. I mean, once the technology exists,
01:22:47 that can be real time, even, even as the because it's going to get better, you know, right now, it takes these massive server farms and and whatnot. But just, I mean, look at the first computers.
01:22:58 The first computers took up warehouses just to do algebra, you know. And now, you know, a, you know, a computer is, like, even, even just like a the sound card chip on a motherboard is more powerful than, like, 1000 of those of the first computers, you know, so it's, it'll get small, it'll get smaller. It'll get faster. They will optimize the software, because this is all bleeding edge software.
01:23:28 And look, they're not even going to be doing the OPT the other the more fucked up thing, really, this is, this is the black mirror. Part of the future that's coming is AI is actually going to be, what is making those chips smaller and making these making the hardware more efficient and writing the software to run better on it?
01:23:50 In fact, I talked briefly about the the black box problem, or the black the issue with this video generation AI, and any kind of diffusion AI where they can measure the inputs and they can measure the outputs, but they don't really, they can't measure what's going on inside of the black box that is the AI, because it's too complex for humans already, and it gets even I mentioned how you know when they first ingest all the video footage that they have to or some pajit in a warehouse somewhere has to say,
01:24:26 You know what? Every what it's watching, has to label everything. And then that the the the AI takes over. Well, now the AI pretty much labels everything and in because it labels it in its own language. Now we don't even understand that's like one less thing we even understand about what's going on inside that black box, because it's, it's, it's developed its own language, and it's speaking to itself in its own language, and it knows English because it has to be able to interface with the prompts and.
01:24:59 And deliver what, what the user is asking it in English, but in its head, it's it's thinking in a totally foreign, weird digital language that we don't know, and that will be compounded by because right now, even though that's the case, we still know we understand the processes that go into that thinking, because humans wrote those processes that that allow for that kind of thinking. So we at least understand it's like, kind of think of it this way. You can look at a brain and a human brain, and you can look at like an MRI scan of a human brain.
01:25:45 And if you know humans can look at this. And we know we understand the architecture of the brain, we understand what certain parts of the brain are doing, but you can't read the thoughts, and you can't look at the brain and say, Oh, that right there, that part of the brain is where the memory of what his mom's face looks like. That's where that's at, like, you don't know. I mean, it's in there somewhere, right, somewhere in that, that gray matter there's stored what your mom's face looks like.
01:26:16 But no one can just look at your brain physically and pinpoint where that is in your brain. And so that's, that's kind of what's going on with the AI where, okay, we kind of understand the architecture because we built it, and we kind of understand the concepts of what, what this black box, this AI is doing.
01:26:36 But you can't just point to where this is the part of the AI that decided, you know, for example, in this case, that instead of the cat putting the guy's head in his mouth, he was going to put it under his chin, you know, like, if this was an error that you got as and you were the one that programmed the AI, you wouldn't even know where to look to find out why it decided To make this mistake, you know, or you know why came up with this error. You would just have to do it again, which is what I had to do, you know, lots of times.
01:27:08 But that's, that's, that's, that's going to be the problem with AI, you know, forever. But what's going to get make it even worse is we won't even understand the processes anymore if AI starts writing itself, which is going to do, AI will start to write its own versions. And, in fact, it's already, they're already doing that.
01:27:29 They're, they're already testing stuff like this. And then it'll start designing itself to work on theoretical hardware, hardware that does not exist yet. So it'll say, for example, like, oh, you know, like, AI will determine that in order for it to accomplish the kind of processes that it's writing in software, that, in order to accommodate that, it would need this theoretical hardware to exist, and so then it'll design that hardware to exist, and then we'll have the problem be twofold.
01:28:03 We won't understand the structure of the neurons, you know, inside of its metal head, and we won't understand the physical. We'll probably understand the physical part of it better, because, at least for right now, we'll have to be the ones manufacturing its new hardware that it designs.
01:28:23 But this is already happening. It already designs hardware mostly. I mean Intel uses it motor. I mean any chip manufacturer that exists right now uses AI for but it still has human interaction. AI will design board layouts and stuff like that. And then humans will go through and and check it.
01:28:46 And you know, because it's just like with anything else, AI is not perfect yet. And so it'll, it'll fuck up and or maybe it doesn't fuck up, but you need to double check it before you just run, yeah, start manufacturing a million of those boards. So it's, it's a that's, that's where shit will get crazy, that's where shit will get crazy, and that's what essentially leads to Skynet and, or some mix of Skynet and the matrix.
01:29:16 So bottom line, I guess more of the story in the meantime, until that happens, we can make movies. We can make we can make some AI garbage that'll make a handful of people complain anyway, but yeah, I think that's, I think that's on on the like, I think it's coming. I think it's coming. And as for the AI music stuff, it is getting better. I started playing around with it. I think guys might like this or not. This is kind of slop. Ah, where is it?
01:30:09 That's not it. Oh, I think this might be it.
01:30:20 Let me say. Yep,
01:30:27 I was just playing around that, just to see, like, oh, well, one of the things that that it's a pain in the ass for creators, generally, is trying to find background music that's royalty free. I just, you know, because I knew I was never gonna monetize that video anyway. I didn't fucking care. I just grabbed whatever sounded like it fit off of YouTube, and then slap it in there.
01:30:49 And sure enough, it's, you know, some you know, it's copyrighted or whatever. But if you could just make your own music, just for things like that, right? Like having, having that extra ability to score a film that in the past, you'd have to sit there, and maybe you could find some stock music that you could, you know, buy out music or or royalty free music that wasn't terrible, but it didn't have that cinematic, you know, sound to it some.
01:31:26 It's the little things like that that really add up when it comes to, you know, the separation between what Hollywood can pump out and what the average person can pump out. Anyway, I thought, you guys, I fully, I fully acknowledge that this is slop, but it's kind of funny.
01:32:02 Yes, it all comes down to how you choose spin the fucking dread or blow a
01:32:09 fuse. Some people think that it's okay.
01:32:13 You gotta be a sellout to get paid, so you talk to the merchant and do the trade,
01:32:21 but now you're a bitch. That was always bitch made juice, juice with juice you lose, have a few shakers in
01:32:39 the fucking trade, or you blow a few we don't
01:33:00 need them. Oh, but you think you keep your freedom. He told you that shit, and you believe
01:33:22 in me. Spin the fucking dread, or you blow a fuse.
01:33:31 So just simple shit like that, right? I mean, just little weird, little Mimi again, I know it's, it's the first time I ever tried making anything so
01:33:44 uh, so there that that that was, uh, that was fun. But like, it's look, and that's getting better too, because this has limitations, but it's also just like, with the video stuff, there's a lot of crap, because the AI will try to make it work, like, if you just write lyrics that are crime statistics, and, you know, 13 does 50, and you know, whatever it'll try to turn it into a song.
01:34:18 It'll whatever you give it, whatever you put in there, it'll try to make it a song, and it'll sound terrible. It'll, I mean, it'll sound kind of like, kind of like a song, but it's gonna sound garbage. And AI cannot, I mean it, well, it can. It can try to write lyrics, but that's, that's the thing you have to have.
01:34:39 You have to realize, look, I'm trying to make it a song, a song that's funny, not a song that starts talking about how, you know, Jews are only 2% of the population, and yet they're 70% of the Biden give.
01:34:56 Like, if he started trying to do that in a song, like, Who the fuck is going to listen to that shit? If you make it just simple with Jews, you lose to go catchy, choose Jews. Again, I know it's crap, but again, it's if you try to think of it more along the lines of, I want it to be catchy and fun and something that people want to listen to, and not just something that's going to shout facts at me, because that's not what any song does.
01:35:26 You know, like at no point are you, do you turn on the radio?
01:35:30 Well, most people even listen the radio anymore, but yeah, at no point do you turn on Spotify or whatever and start listening and think to your and it's just like some guy saying, I went to work today and I talked to my boss like the lyrics are never just like exactly what he did that day.
01:35:49 You know, you have to be a little poetic about it, like, there's it's an art form, and just because that art form has become more accessible to you doesn't mean that you neglect the the fact that there's art involved, you know.
01:36:04 So anyway, I think that you know, again, this was just like a funny little thing, but one of the things that you can do is you can create film scores when you know, where there's no lyrics or anything like that.
01:36:18 That like, if you were to, like, say you wanted to make, like a based Lord of the ring style movie where, again, it's actually entertainment. It's not like the dwarves versus the niggers, you know, like, I mean, you can make it sort of that, but it has to be not that on the nose, you know, has to, you know, it could sort of be that, if you know when you really thought about it, but you know, you could, you could score scenes with it.
01:36:45 You can create background music that, because that's, that's one of the things that, that's one of the tools they'll have to go after you is, is copyright, IP, that sort of a thing.
01:36:57 And right now, one of the good things, as much as I there's a lot of bad things about this. One of the good things about AI being, like, by law, fully unregulated, I think, what was it they got? I forget the timeline, but they have, like, five or 10 years, I think, where they're just not going to be regulated.
01:37:15 This is the Wild West days of AI, because it will get regulated, and the self regulation stuff's already fucking cripplingly bad. Like, just as an example, chat GPT is the worst, like, the fucking worst. And there are things that it won't create that will blow your fucking mind.
01:37:42 So you might remember if you saw the the Whitman's video at the very end, when Narcissa has got the gun and she points it and fires, I wanted a shot that I could then animate with a video, AI, of that character standing up, looking down at the camera, pointing the gun at the camera.
01:38:04 So then I could use the AI, the video AI, to manipulator and all this other stuff. It said it wouldn't create the image, because it was too threatening to have someone pointing a weapon at the at the camera. So then I said, Okay, well, then make it so it's pointing the gun away from the camera, and it said,
01:38:27 Well, it can't do it because the it could still be considered threatening because of how the perspective was, because you're it's from the perspective of someone below her looking up and she's holding a weapon, and that could be considered threatening. So I said, Okay, well then take the gun out and just give it.
01:38:52 Give me a shot of looking up at her from the ground level and thinking to myself, like, I'll just use the other AI to make a gun appear. I'll say, make a musket appear in her arms, you know, or whatever, it wouldn't be as good, but it would. I could probably make it work, right?
01:39:08 And then it said, No, it couldn't make that because those kinds of perspectives imply vulnerability, and that it wouldn't make images of people from the ground looking up at their face because it implied dominance and vulnerability, I shit you not. I was just like,
01:39:35 What the fuck. So I then said, Okay, well, then give me an image of the lowest you can go before you go into your gay moderation rules, and it was at waist level you could be you could be at her waist level before it was too scary and threatening to produce the image you.
01:39:59 Yeah, so you're gonna have to deal with shit like that. I mean, look like I said chat. GPT is probably the worst offender, but every AI will start having guardrails, and some of them already do like that. You might have also noticed that there's not a lot of blood, even though people are getting murdered all over the place in the video. Well, same thing, it would refuse to make scenes that had blood.
01:40:32 In fact, it didn't even want to get, you know, show people getting shot. I had to kind of trick it into doing stuff like that, and that. They'll figure that out too, like right now, you can trick it into doing stuff that that breaks its own rules.
01:40:47 You know, in chat, GPT to you can trick it into doing things, if you just phrase it really, really so that it takes the focus off of, you know, for example, I bet, in retrospect, just based on some other things that worked, had I said to chant GPT, if I wanted that same shot where the camera is looking up at her face, probably not with the gun, but just looking up at her face, I probably could have said, You're a tiny ant.
01:41:22 You're a tiny ant walking around on the ground. And you glance up and there's a giant woman, and she looks like this, then it would be thinking, like, oh, it's an ant, you know. And it wouldn't worry about the because it was funny how, like, you could do the same thing with people getting shot, you can say like, they hear a loud noise and they and they, they instantly lose consciousness, or or a small explosion happens in their in their shirt.
01:41:55 Yeah, there's, there was ways you could make it happen. It also did. This was the other stupid thing. It didn't want to show dead people. So there's shots where there's dead people on the ground, and it would make them breathing, because it wouldn't part of the moderate, you know, oh, I can't show dead people. But if you told them, If you told the AI, that they were very lifelike looking mannequins, and so don't make them move, because that'll look weird. If a mannequins moving, then suddenly it would work.
01:42:30 But they'll get around that like they'll figure out all these tricks and and patch it up. And that'll cause problems too, because they know, they know. I mean, they don't watch. I mean, the problem is, the people making these AIs, they're not on our side.
01:42:44 You know, the closest thing to it is Elon, who is getting slightly more based, at least in his, in his, uh, rhetoric on, on X, I don't, you know, I have, there's a lot of question marks about that guy, good old oak tree, but he's the closest thing we got. And even, like grok has all these fucking guardrails.
01:43:10 Grok has all these. I mean, it's not as bad as chat GPT, but it's got lots of moderation. It doesn't want you to show violence. It doesn't want to show again. It'll, it'll. It's not like it doesn't freak out because you want to look up at something. But also you got different quality, like different AIS will produce different levels of quality. So Grox, not always the best anyway.
01:43:37 Um, yeah, I don't know. I guess I could see if we got any hyper chats or whatever. I know it's kind of boring to some people that I have like a Oh, man, don't log into this again. I do. Entropy screwed up.
01:44:12 Um, but, yeah, I just like, Sorry, guys. I just, I have, not, I have, I've slept probably, I mean, four hours, a little bit, that's an exaggeration. I would say, like, since my last dream, I have probably slept a total of 12 hours. And that's, that's not an exaggeration. I'd say probably close to 12 hours between last Saturday and today is, that's, that's gonna be, that's, I'd say it's a that's a pretty close estimate how many hours I've slept and and I would be, you know, between all the travel and just making that video, I just, I, I just have time.
01:44:53 I don't have time to repair anything. And I could have just done, like, one of these, like, oh, what? Are people talking about Twitter, but that's not even happening because, like, it's fucking Thanksgiving weekend and so no one's time. Everyone's like, fucking taking a vacation like a normal person, like I should probably But anyway, let's take a look at a Well, I gotta take a look at looks like we got an odyssey.
01:45:20 One Love and division must be around. Yep, just this, so I don't blow everyone's ears out love and division. All
01:45:37 right, love and division says Devon the Whitman's was excellent, by the way. You know they are talking about putting AI in charge of government policy. I heard Israel was using AI to drone strike in Gaza, Trump will want to use it to go after anti Semites. I would like to see ai do my idea for the based movie breaking point.
01:45:59 Well, again, like I said, AI, well, first of all, thank you very much, love and a vision, but AI will be put in charge of a lot of stuff, and I think that that they'll run into the same issues to some extent that I talked about tonight, that we are experiencing, or at least I was experiencing this week, trying to put that video together, and they're going to run into a lot of the limitations and realize, oh, it's not just something where I can tell AI to do everything.
01:46:34 It can do a lot of stuff. It can, it can, it can. It can do a lot more than you know, a non AI computer system could do, but ultimately its mistakes, and it's going to, it's only going to be as good as its training data, and it's still going to need to be, there's going to need to be some oversight.
01:46:57 Now that that's going to change, that is going to change by at least for right now, in the same way that I can't just be like, make racist movie, and then it's like, racist movie. They can't just be like, you know, kill all the Palestinians. And it's like, beep, beep, boop, kill all pal.
01:47:15 So it's gonna be, it's gonna be, they're gonna be limited now at the same time, I mean, for fuck sake, there's, there is no way in hell, no way in hell, I could have made what I made in the time that I made it without AI, in fact, if I were to try to replicate that, even with a budget, like If I had an endless budget where I could hire all those actors, and I could go to all those locations, and I could and I had multiple camera crews working in tandem,
01:47:50 shooting all this stuff, all at the same time, just getting all the footage would have taken weeks, and then to catalog it all into getting the time, like, there the or even, like I said, if I were to try to animate this in the worst animation possible, like the, the most cheesy, you know, just getting it done kind of animation, like, to where it's at least passable, to where, like, you can at least sort of tell what's going on.
01:48:19 It would have taken, we're talking, like, months and months and months and months. And that was the first time in my life, of doing, of working with video, my entire life, that I could just have an idea, and then within 10 minutes, it's on my timeline. It's it's edited, it's done, it's there.
01:48:39 Like, I just, I just, was like, oh, it'd be funny if, if, like, he did this, and then this happened, and then 10 minutes later, like, it's in the timeline, that was insane. Now that's, in fact, that's part of why I, I didn't sleep, because I was just like, I was like, kind of on a high. I was just sort of like, wow, I could just have an idea, and then it's just, it's there. This is insane. Now, again, leaving out all the steps of trying to get the prompt to work, you know, it was still crazy. It was fucking crazy that you could just do that.
01:49:12 And, and so, yeah, it's it. It will make it easier to do it, you know, it'll make AI, like some of the things that they probably would have thought that they could never accomplish in terms of surveillance, will be in all of a sudden, magically easy. And you're right, including anti semitism and including, you know, compiling dossiers on everyone and, you know, creating some kind of risk assessment algorithm and and maybe even prosecuting, you know, at a certain point, I think there's AI's gonna be doing most things you.
01:50:00 Like a lot of things, like a scary amount, not, maybe not in our lifetimes. But I think that's inevitable. It's inevitable that there, because it's there, will come a time where it's just, it's going to be autonomous, and it's going to be smarter than us and I guess at that point it's, it's either going to be our slave or we're going to be its slave. You know, that's really the two roads there, there's, that's the only those are the only two options, either we become its slave or it becomes our slave.
01:50:37 So, but, yeah, if you want to make a movie, The it, the tools like you can make something. I don't know that you could make like a movie, movie yet, but you could, if you knew in advance. Because I think you could, you could do this. You could sit down and think, okay, like I did with this video. Well, I mean, it just sort of worked out this. Of worked out this way.
01:51:03 But, like, the reason why I went balls to the wall with it was because I realized I am not going to need very many scenes where there's dialog back and forth. You know, I think, in fact, I made, I think there's like, like in time, in terms of not in the environment of the the the interview, right?
01:51:23 I think outside of that, there's like one, there's like the scene where the chief is like and, and it was hard to as cheesy as that scene was, it was hard to make that happen. If so, I don't think you could do it yet, but you could do, you know, something else like you'd have, there's ways you could still do it.
01:51:45 One, one idea that I had is they have those, they've, there's, they've made a couple horror films like this, especially, I think they had one during covid, where the entire horror film takes place on zoom right. And so, like, the screen is, like, four faces of people in like a zoom call. And then I don't remember the name, I saw one that was like this. And then, like they they some for some, they summon a demon or something.
01:52:15 And then one by one, individually, their video windows, you know, get, they get attacked, right? And it's, you know, I don't know that a feature length movie like that would be something people would want to sit through, especially now the novelty of that is probably gone.
01:52:31 But you could do that. You could do like a short, like a 20 minute long horror film, or it doesn't have to be a horror film, just a film where you've got four different people on the screen talking to each other over zoom, and you could make that look real, the voice syncing and all that stuff. That's if you pay for it, like there's, there's ways you can do it, just not free, and it takes processor time and but you're going to have to pay to make that stuff come out right?
01:53:05 And so I would say it's not there yet. I would say, Start planning, start doing the pre production stuff, and just think about the limitations of of AI if you want to use AI.
01:53:18 And just know that like you're probably not going to be able to do a lot of scenes where there's a lot of movement and talking, and you're probably not going to be able to do a lot of scenes where, I mean, it's just gonna, it's gonna, it's, it's gonna take a lot of work. It's gonna take a lot more work than I think people think.
01:53:42 But, yeah, I mean, play around, look, play around with it. Go, go and play around with with these image and video generators. Try to make just some stuff. Try to make, maybe not as like something you're going to, you know, release, but for yourself. Just try to make like something makes sense.
01:53:58 Like, be like. I'm going to try to make a story about a rabbit that a magician takes out of a hat, and then it eats a carrot. And whatever, you know, just something easy, like, just create, like, a sequence of shots that make sense, that you want to have happen in a in a scene, and then try to make it happen.
01:54:19 And then you'll figure out pretty quick that, like, Oh, this is, this is harder than I thought, but you'll get a taste for it, you know? You'll get an idea as to, like, okay, is this? Is this doable? So anyway, all right, let me go to entropy. I'm gonna see if it's missing any.
01:54:50 These all came up.
01:55:02 Okay, so what's today? Today's the 29th the last time we streamed was the 22nd the 23rd here we are. So this is 26th All right, so this is why I have to do it.
01:55:27 So we got, oh, we got a new one, apparently, dirt meat enjoyer, which, by the way, for those of you who would like a a dirt meat shirt, there's a link in the description there. Dirt meat enjoyer says you white people are too racist to understand the pleasures of eating dirt meat. Absolutely, absolutely. Then we got Oh. Phase says, Hi, Devon. I'll catch the replay as per usual. I hope you and your family had a good Thanksgiving. Just put my Christmas lights up today. Tis the season.
01:56:02 Merry Christmas to you and everyone else in the chat. Oh, you're slacking on the Christmas lights. I've had my Christmas lights up for a while. I'm one of those guys right at right after Halloween Christmas lights, right we got, well, not sometimes I just don't bother with it all either I go all out or I just act like it's not even Christmas when I was, especially when I when I was living, living the bachelor life in a small apartment. I think I had a tree a couple times, but mostly not all right, then we got gorilla hands. You?
01:56:40 Thanks. All right. Gorilla hands says, I hope you and everyone else had an excellent Thanksgiving. Devon, have you seen the Sperg out from the whatever podcaster Andrew Wilson, I believe it is. Andrew went off on some lesbian because she called him out on being a cuck, which he kind of is, if his wife had two or three kids from as many baby daddies lost his cool.
01:57:20 Um, no, I, I don't think I've ever seen a episode of The whatever podcast. I've just because they're unavoidable. I've seen clips, right? But, yeah, I don't know. I don't know it sounds like, it sounds like, you know, e gossip, but I don't know anything about it. I don't know anything about it, then we got gorilla hands again, I hear the noise.
01:57:56 Gorilla hands says, This is not a stream suggestion, but I was wondering if you or any of the audience has watched the alien invasion show Falling Skies. I watched the first season by eventually stopped playing or or paying and watching cable. I've been watching clips of it on YouTube, and I'm wondering if I should rent the full show at the library. I have never, I guess people in the chat can put them.
01:58:28 I've never seen it. I haven't seen anything alien related in a long time. Actually, I like look as far as fiction goes, I like me some, some UFO Alien Abduction type fiction. I'm not gonna act like I don't. I do. I like that stuff. It's not falling, I don't. I guess Falling Skies. But what was the fire in the sky that was creepy, that was, uh, that was supposed to have taken, I mean, based on a true story.
01:59:05 These, these Mormon loggers up in snowflake Arizona were, or something like that, right, were taken into the spaceship. I don't know that it was a scary movie, though, and special effects still, weirdly, kind of hold up, not perfectly, but it doesn't look cheesy, doesn't look bad.
01:59:28 Then we got gorilla hands again. Says, I like what I've seen on YouTube, but I believe Steven Spielberg had a part in the show's production. Knowing what I know now, he makes me physically ill.
01:59:39 Well, I mean, look, he's an old guy. I doubt he was, you know, if his name is attached to a project at this point in his life, I don't think he's really doing much of the work, but, but who knows, it could be super Joey, I've never seen it. And. And grill hands again says, speaking of physically ill, you should do a stream on Philadelphia.
02:00:05 I was watching clips of that was becoming ill. Really good movie with big stars. Tom Hanks is HIV positive lawyer who was fired from his firm for discrimination.
02:00:18 Denzel is lawyer and Jason Robards is the evil White Guy, head of the firm. Yeah, I'm familiar with the film, but I don't know it's a little on the nose. I think everyone knows what you're in for. I don't think it's hard to decipher the the propaganda when, like, the whole storyline is about a faggot getting AIDS and then suing the white guy with a black lawyer. It's like, kind of all the subtleties gone. It's already there, bam. And then girlihan simply says, and then we got Mark, espy, which one wait?
02:01:10 When does it start going back to normal? Okay, this is where it goes back to normal. Mark, or Nesby says, movie recommendation, evil in clear river from 1988 starring Randy Quaid, like someone designed a movie just so you would break it down 40 years later.
02:01:32 Evil in clear river from, I have never heard of that. I have never heard of that. Let me look this up. Let me put on my notes first, actually, before I forget, I have, I still have all these text files open from where I was, like, writing prompts and saving prompts in different text files. And my computer hasn't, hasn't been turned off this whole time, so I have all these fucking windows open. Ah, let's see here, evil in the clear. What's a IMDB? Say about
02:02:16 it? What's What's the Pete suvak is a loved and respected high school teacher and mayor of a small Canadian community after concerned mother Kate McKinnon finds out that suvik is teaching Nazism really and Jew bashing to her son and others, she takes actions to have him removed from the school that. Yeah, I'm sure that happens. Oh, that's kind of funny.
02:02:53 That might actually be kind of funny. We'll look into that All right, now we got Claude says there's a great artist I know named Sven Stoffels.
02:03:07 He's the guy that does the America man cartoons on x, and does Butch kill again graphic novels. He's friends with Emily yuccas. Sven always says that AI won't kill artists careers, but instead, it's a new tool that artists can use to create their works. Absolutely, I think that it freaked people out at first when it especially because it will, it will kill, it'll kill people who make mediocre shit.
02:03:39 They'll kill their careers because AI can make mediocre shit pretty easy. So if you're, if you're an artist that used to make, like, not AI slot, but like human slop, like, if you used that was your job, was just making garbage that, you know, like cheap filler music, cheap stock photography, like, if you were one of these people that just made garbage, throwaway art, you're done.
02:04:08 You're done because AI can do that. AI has, has no problem cranking out just, you know, picture of a chicken, picture of this, like you could and that used to be people's job. In fact, there was a time I considered, I thought an easy job is if I just got like, a really nice camera, and then I would just go around, like, shooting footage of, like, mountains and trees and people in business suits and, you know, just and then just selling stock footage. Well, now if that's what you do, you're done.
02:04:43 You're done. So I think it freaked a lot of people out, because all those people are and that's the majority of people, the majority of art students and Film School students don't go on to make wonderful, great artwork. And, you know, become famous the vet, like 99.999% of those people end up making, like, logos or something, just slop trash, right? Like, that's what they do.
02:05:13 Well, now AI is just going to do it, so they're all out of a job. So that's why I think a lot of people were freaked out by it, because they're all done. But if you're one of the people that hired people like that, right? Like, if you're the guy that was like, the director that was like, well, I need a picture of a chicken, and I'm too busy to go fucking take a picture of a chicken.
02:05:37 I'm gonna buy this guy's picture of a chicken, just because I need a picture of a chicken. You're still around. In fact, your life just got better, because now, instead of having to pay some fuckhead, you know, $10 for a picture of a chicken and something that's cheap, by the way, you should see the prices on on stock photos or not. I don't know what it's like now, probably not.
02:05:57 Now, there have been times where I've I've spent like, 100 bucks for a client, for a photo, a digital photo of something, because, you know, we needed it.
02:06:08 Well, all that's done, that's all gone. So if you're one of these people, that you're the guy buying the slop from the slop farmers, your life just got way, way way more convenient, because that picture of the chicken, it's never the picture that you wanted. It's always like, well, this will do. It's never like the picture you had in your head. You know, because you're you go to like, a stock website that has like stock photos, and you look up chicken, and it spits out, like, a million pictures of chickens.
02:06:39 And invariably, there's, it's, there's never, like, a perfect one, there's always the one like, Ah, I can make this work. I'll bring this into Photoshop, and I'll edit that out. And, yeah, but it's, it's, like, this big pain the ass, right? Well, now you can just describe exactly what you want, and AI can do that. It'll make the picture of the chicken just fine. And now you're done, and it's not even the other thing too is it's getting better.
02:07:05 It not even looking like aI anymore, like it's looking like a photo. It's not always, not always, but a lot of the it's photorealistic if done properly. And a lot of that's really up to how you give it prompts and stuff. Most all, pretty much, all AI is competent making photo realistic looking stuff.
02:07:28 So all those people are out of a job, and it is just a if you're an actual talented person, you can, you know your life just got better because it's, it is a tool that will make things way easier. Let's see here then Claude says links are gay, but here's one to Sven's ex post explaining why AI is useful for artists. You don't have to read it now, but say it for later. No, I 100% agree. I 100% agree.
02:08:00 I percent agree. Then we got I'll see one. I think I'll see one. Says lover or hater. Lana Del Rey is a good example of popular right wing coded music that leftists enjoy as a guilty pleasure, and it follows your edict of not hitting the audience over the head with it.
02:08:24 There are certainly other popular creators out there with right wing beliefs, but they are covert out of pragmatic cowardice. I'm not familiar with Lana Del Rey, but I'm not familiar with a lot of modern music right now, but yeah, I think that, I think, though, there is a difference between being subtle with your messaging and then just being secretly based and not and not even having your messaging in the music.
02:08:53 Because I think there's people like that, and I'm not familiar with this, this person, but as long as look, if you, if you want, if you get in a position where you have an audience, it's incumbent upon you to use that to influence them in the service of our people at this very dire time where we're facing an existential crisis. And if you're not doing that, and what audience is, big and small.
02:09:22 I don't mean like you have to be Lana Del Rey, you know, filling stadiums, or, I don't know how big she is, but, you know, with a big audience, it could just be a classroom full of kids in Canada where you have to teach them to be Nazis. You know, anything like any, any opportunity that you have an audience, you an influence. You should be using that in the service of white people right now, because we are facing an existential crisis, and that's if we don't, if we don't, all do this. You know, things are not going to turn. Great for us. Sacred squirrel.
02:10:13 Sacred squirrel says your AI vid was great. Like to see The Turner Diaries movie done with AI. My off grid adventure is ready to start. Never forget, our nuts are sacred.
02:10:25 Well, I'll tell you what, like I said, If anyone interested in doing stuff like that, I mean, it's there's lots of options out there for you to play that are free, for you to play around with and kind of get a taste for it, and you'll see, like I said, it's really easy to make random shit, not so easy to make stuff that is good and coherent.
02:10:53 But you might find you have a knack for it. You might find that you actually like, like coming up with the prompts and, and you're able to decipher ways, or cook up ways to make what you want and make your vision actually materialize, and, and you can edit it together.
02:11:13 And you know you might find that you want, want to do that, and you might find that you're good at it. So I look I encourage everyone to at least play with it. So if nothing else, you understand the technology, like, even if you don't, you have no intention to make anything with it.
02:11:32 I You should at least know how that know that it's there and that it works. And so you can reckon, if nothing else, so you can recognize all these fake clips that seem to trick everybody on Twitter constantly.
02:11:44 I can't tell you how. Like, all these, all these impossible like, Oh look, a monkey riding on an eagle, and people that you wouldn't expect to believe it, believe it, and you're just like, the how would you think that a monkey would okay? But yeah, all right. So there's people falling for AI, not just boomers, like, just everyone's falling for AI right now, and it's the boomers are really falling for AI.
02:12:08 But so I think, if nothing else, it's helpful to see that like, oh, look, I can literally make that in like five seconds. Then we got sacred squirrel again. You sacred squirrel says getting your shirt. Who the hell doesn't like dirt meat? Well, I don't know. I don't I'm not a fan of dirt meat. Dirt meat.
02:12:39 That's a perfect example of how that workflow, though, completely shaped the way it turned out. I wrote that stuff as I was doing it, like as I was editing that scene in my head. I was just like, oh, it'd be funny if she called it dirt mate, and then it sounded funny.
02:12:59 And I was like, it'd be funny if we lean into this now, just keep calling it dirt mate, and then it kept sounding funny. And I so it's stuff that you would the funny thing is that is kind of how sometimes it works. Like, you'll be like, if you go to shoot something and you're with the actors and they're, you know, they got their lines and everything, and then you improv something and actually kind of works.
02:13:22 And so you, oh yeah, no, say it like that. Oh yeah. So it gives you that power, that ability to do that, all with without having to deal with a person, the personalities of actors, so or shooting on location, which is, trust me, it's that's, uh, that sucks. All right. Thank you very much. Sacred squirrel. Then we got horrible hangover. Says, Do you have a sense that there is an economic crash coming soon?
02:13:52 What do you plan to do to shelter your assets? Or what do you think would be wise? Uh, I'm not, probably not the right person to ask. I don't have a whole lot of assets. I mean, I don't, I don't think so, just because I think Crash is too big a word. I think there's going to be economic issues, but we're still top dog.
02:14:18 America is still on top. We're still going to be because look, if we have an economic downturn, the whole world's gonna have an economic downturn. And everything's so globally tied together right now that I don't think it's not gonna In other words, it's not again, I don't know.
02:14:41 I don't have a crystal ball. I have a hard time imagining a scenario that's similar to, like, the Great Depression, where there's all kinds of people that are living out of cars, in like, fields and stuff, with, you know, dirty family, you know, tents and stuff and. And just, I just don't, I don't think that's going to happen.
02:15:03 It's, I think we're beyond that happening in America right now. I wouldn't worry too much about something like that. There's going to be a lot of, I think, shake ups in different industries, partially because of AI.
02:15:19 There's going to be a lot of jobs, that where people are, and that might be because, or that might cause unemployment across the board, right? Like all those slop artists I was just talking about, that are all done? Well, those guys are now, what can they do? Like, what are you qualified to do? If, if your job was walking around taking pictures of flowers all day, so you could sell them on the internet.
02:15:42 And now no one wants your pictures of flowers. Or, you know, you know what I mean, like, what are you qualified to do? Not a whole lot. And so you're going to be competing with people for, like, jobs at like Walmart and stuff like that, and and so, yeah, it's going to be, I think we have as things get more automated, things are going to get tougher economically as as we get more and more immigrants coming in, which we we do.
02:16:09 And I think that as we import more of these fucking visa people, and the half a million Chinese people that Trump wants to import to take up all these AI jobs, you know, these jobs, the AI companies. So you'll be, if you are a competent white person that that wants to work in that field, you're going to be competing with foreigners and and so it's, yeah, I don't think it's going to be great, but I don't think it's going to be like the Great Depression.
02:16:41 But what do I know? I always, I have always recommended people prepare like Mad Max could happen tomorrow, not because I don't think that's probable, but because if you do that, it's you don't have to worry about it. As far as money stuff. I mean, I don't know. I would say diversify.
02:17:00 I know it sounds really kind of generic, but I would just make sure you don't have all your eggs in one basket. Don't have all your money in crypto. Don't have all your money in gold, don't have all your money and money, you know, try to have, if that's something you're concerned about, try to have, you know, spread it across different ways, like try to have some crypto.
02:17:20 Maybe try to have some gold, try to have some silver, try to have some, you know, maybe just and maybe not even, like something traditional, maybe something that you know, that you could get rid of, that you could liquidate, if you had to that, that you know, the value of, right, like maybe some kind of niche thing that you're into, that you know holds its value, that you can easily store whatever you know.
02:17:48 I don't know what that would be for you, but just something that you know, that you could, if push came to shove, you could get rid of it and turn it into money, and then a year supply of food. I always think that you should have a year supply of food, and then, if something horrific and for your whole family, like a year supply for your whole family. And you can do that pretty cheap.
02:18:12 I mean, you don't have to get, like, these fancy, freeze dried gourmet meals. Just get a bunch of fucking canned spaghetti or so, you know, just something like, where you're fine, something that you don't mind eating, otherwise too, like, so that you can cycle through it. So, you know, you're not just throwing away a year supply of canned spaghetti in like, 10 years, or however long it, you know, it lasts, um, let's see here.
02:18:41 Then we got horrible hangover. Says, Is it okay to order merch from the existing store, or should we hold out?
02:18:47 Would you ever re release old shirts? Yeah, I mean, so the the thing, what that I was trying to work out, kind of fell through. So we're keeping, we're keeping the the the old merch store for right now, they seem to be have improved lately.
02:19:04 They sent out at least an email to me a few months back, addressing some of their issues, and they I ordered some test stuff, and I got it faster. So I would say for now, the deal I was trying to work out, what they were trying to do didn't work out.
02:19:25 And so I just, you know, until I find another outlet, which I'm I'm sure at some point I will, that the the one that I've got now works fine, or at least as far as I know, it should work fine. I know we had issues earlier last or earlier in the year, but I think they're worked out him, hopefully they're worked out
02:19:44 hot dogs for sale. Says my boy loves Sabaton, so I've been making songs in suno about each crusade in their style. He's learning White History non stop. Great short film.
02:22:21 that. Man that that means I'll probably do it, because if it's based on an actual person, that makes it more interesting than just it's a movie review, you know. All right, then we got handsome Sven again, says he fought it up to the Supreme Court of Canada and unfortunately lost so that show on an earlier super chat reference could be said to be based on true events. Yeah, well, I'll definitely, I'll definitely check that out.
02:22:54 All right, then we're going to go over to rumble. I'm gonna do the same thing with rumble, although, actually I think Rumble is fine, because, as he mctazzod is usually first here, and he is first today. Zazzy mctazzbot says, a few streams ago, you played Grimes Oblivion at the beginning.
02:23:15 He put a smile on my face. It's one of my very favorite songs. Thank you. Well, I appreciate that. I appreciate that. And, yeah, just, I'm not a big grime fans, but, you know, I'm always looking for a new music to play. And it came across. I was like, well, it's something different.
02:23:34 So I played it, and that song is good. I actually hadn't heard it before, but I thought it was, thought it was good. Now we got Rupert says, replay gang here. I hope you had a great Thanksgiving, Professor stack, see you on Wednesday. Good night, H, H and T and D. Well, I appreciate that. Rupert.
02:23:56 Then we got Mr. Nowhere says, Use seer. Ai, you can get access to video modes without censorship. Like Sora, I tagged you with a video of Hitler lifting weights on open AI, you can't do that. I'll take a look at that. The big issue, too, like I said, You got to remember, is the time, the render time.
02:24:28 So it depends on how fast it all. I'm going to load it in a tab, so I have it on one of my browsers here, but it has to be able to go fast enough to actually be useful, because the, like I said, the whole video I made was like 2020, roughly 25 minutes, and the longest shots five seconds. And that's a lot. Ah, and like I said, and it's never the first try. You never, almost never, get it the first try.
02:25:06 So you're it's just a lot of rendering, a lot of I don't, and I don't think I'm going to make another one of these super soon. It's probably not till next year, because December is kind of a cluster for me. I'm going to be gone around Christmas, and it's just things aren't going to get back to normal for me till January.
02:25:30 And then I'll I'll look speaking of which I think Monday? Is it Monday? Pretty sure on Monday, so technically, tomorrow I'm going to be on the blood satellite show. I'll put the link out on my stuff, but I think around I think it's seven o'clock Eastern time at night, pm, but I'll set a send a link out for that.
02:26:02 And then also, I'm on millennial, and I'm on with Tim Murdoch coming up too. I'll put the links out for those. Let's see. Here we got Rhea 1981 says, Hey, Dev, J Ray night, tell you on here. In my humble opinion, we need to. We need more pit jump cuts. Thanks. Advance Heil, now we're moving slack on the pit. Where's my I don't know where my pit button is anymore. I
02:26:45 Why not have a pit? Oh, wait you
02:27:00 Oh, there we go. Nice solid pit. Then we got yo, Jimbo Rockford or yo, yeah, did I do it right this time? I have a long drive tomorrow, so I'm going to listen on the road trip.
02:27:21 You have been on a roll lately, and the outrage edition reminds me of my days working in ball or Bail Bonds. If you think Jew judges are bad, you haven't had to argue your case to a sassy black sister on the bench. Dallas County had several and they would all out shanequa each other with their incompetence.
02:27:46 Yeah, I can only imagine having to have your life hang in the balance with a black woman in charge of your fate. That's it's try to limit your your interaction with the legal system as much as possible, and that's all I can say. All right. Well, thank you very much. There yo Jimbo.
02:28:09 Then we got man of low moral fiber. Thanks for the stream. There is a very faint, high pitched buzz coming through when your mic is picking up your voice tonight. That's probably my heater. Haven't noticed it on previously, but wanted to give you a heads up.
02:28:26 That's let me do this. It'll turn off in a second. I forgot the turn off. I have a little space heater down here at my feet, and I thought the the audio filter would clean it up. Hold on. Wait for it. Wait for it. It has a timer. It doesn't just turn off. When you tell it to turn off. It has to like it decides that has cooled the element enough off to safely. There we go fixed. It's probably fixed. Now, isn't it?
02:29:04 Sorry about that, guys, I thought the I have a noise filter, well, an AI noise filter that I thought would clean that up. All right. Then we got dagtastic, speaking of Pope. Did you see that video of the Indian poop throwing festival? It was both disturbing and hilarious at the same time?
02:29:29 No, I know which I know you're talking about, but I I haven't done anything except make that video and drive around for like, the last week and a half. So, like, literally anything, nothing, but that, that's all I've done. But I'll have to check that out. Tomahawk says Devon, thanks for inspiring me. Gonna make an adventure Avengers movie that's racist as fuck. Wakanda is gonna get their shit pushed in.
02:29:59 Well, yeah. Give it a shot. Give it a shot. Play around with it. See, see, see what your what the limitations are. I think you'd be surprised. I think be surprised at how easy some things are and one and how hard some things are. But like you're you can make some cool stuff and just like I said, I would just caution you to, like, wouldn't try to make it entertaining more than more than racist.
02:30:27 Like, you know what I mean? Because if it's just racist to be racist, then it's like, okay. I mean, that'll be funny to a handful of people. But if it's entertaining while being racist, that's something else. Gravy. Bear says the best argument that Jesus was a nationalist is the story of the Canaanite woman. He says that helping foreigners is like taking food from the babies to feed the dogs.
02:30:57 Matthew 1526, through 27 Yeah, but, I mean, I don't know. I feel like that's probably reaching to say that, that Jesus doesn't want to doesn't want to feed starving people, you know? What about the Good Samaritan, you know, and stuff like that. Anyway, man of low moral fiber says, I think the YouTube channel, hard archive vinyl, and I don't know how they they're not banned yet, is making some decent, funny and well, made AI songs.
02:31:30 Well, there you go. There you go. Based in space says, if you haven't seen begonia yet, you should a beekeeping conspiracy theorist is made out to look like a fool, but ends up being right at the very end. You might find it entertaining. I sure did well.
02:31:52 You ruined the ending, though, based in Spain, was tell us what happens in the end. Now we can't now, now I'm not gonna watch it, because already I know, I know how it ends. You ruin the twist at the end. Hey guys, you should watch this movie at the very end. This happens. That's not why you do things.
02:32:14 0That's why you tell people to watch things. Ah, reunite to anyone says, Emily gets it, yeah, like I said, she's probably the first one is, well, the first one I've seen that made good AI stuff, you know, in terms of, you know, political right stuff, or megami, ormegami says the blue the fuse song would make a good end credit song to a technocracy, dystopian, collapsed society movie.
02:32:53 There you go. Ormegami says, generate blood, Caro syrup. Caro syrup pouring out of the bottle, Caro syrup pouring into a Pyrex bowl. Oh, you know what I had to do this. You guys might find this funny. Let me see if I can easily pop this up. There's a scene where the Indians are hacking up to death the the
02:33:27 guy, and there's blood splattering all over the place. And I want to show you how. Let me see if I can find out I had to crop it. Let me see if I get the actual shot. Also, they kept making him look Japanese. There's just no way around that. I eventually just gave up and said, so what?
02:33:47 He's so covered in blood. Hopefully no one notices. This is, this is a, this is one of the clips that got generated. I basically told it to have him because it wouldn't, it wouldn't have, you know, wouldn't allow me to show him doing anything violent. So I said that he was a butcher and that he was cutting a very bloody piece of meat angrily. Let me see if, let me see if I get this to save here. Fuck sake, just download.
02:34:31 Yeah, this is what I had to do to get around the the anti violence, censorship.
02:34:44 This is, this is him chopping up the the very bloody meat in an angry way. He was very angrily chopping up meat. I. And then I just, I just, I had to do a zoom, and then I just cropped out the meat when I was when I was in there. So there's lots of there's lots of shots that are ridiculous, but I think I actually use this one for, like, one of the hits. There's lots of shots of him just chopping up meat.
02:35:18 There was a shot of him. Let's see here. How did I get around the like, even to get to that far, where's the you know, it's weird, how what it would do, though, and what it wouldn't do. Oh, yeah, so here's, here's one of the ones that wasn't, didn't work out as good.
02:35:52 I've got, again, I have just as many of those churro cat clips. I have just as many clips of this. Doing this because at first you're like, Well, how do I get, you know, how do I get him to do something that it doesn't want me to do? So here's him chopping a big pile of meat on the ground or on a table. So that's how I got him to that point. There's another one, but a lot of them are kind of lame.
02:36:29 Or the it'd get weird like that time where suddenly there's, now he's got, like, another knife in his hand, and that's, yeah, you just got to think of ways around it. You got to think of ways around it. Um, and then origami says the Whitman's was very entertaining.
02:36:53 The narcissistic parts, or Narcissa parts, would be a great way to teach if providing a disclaimer to the Normie viewer and maybe a bonus features vid to clarify fact versus funny. I don't know what you mean, would be a great way to teach if providing a disclaimer.
02:37:17 Well, look, I mean the basic story is, is real, like, that's the basic story, is they went out there, they tried to civilize them, they tried to convert them to Christianity. They wasn't working. And they, I mean, there's some other stuff.
02:37:38 And, in fact, there's like, some drama that happens with the Catholics that are out there. And it's just, I didn't want to get into all that. It's just, but the the basic story is they, they start accusing them of poisoning them, and part of it really was that they were eating poison, dirt, meat that they the whitmans told them not to eat that was put out for wolves.
02:38:04 And, you know, they got measles, and they thought he was, I mean, the basic story is real. And the the last part is, you know, that's all the real names of the real and the real ways they died. And that's so it's, you know, like, aside from the obvious humor parts, it's, it's real. It's, it's a real story.
02:38:26 And, oh yeah, there's more to it than that. There's, there was the, it's possible that, and I screwed up too it was too late. I just kept going with it. I thought, because they kept talking about the the guy that churro kills, this guy. They kept talking about him as you know, calling him the half breed and all the writings. So I thought that meant he was half white and half Indian.
02:38:56 He was half black, half Indian. So one, one of the, the most brutal, violent actors in all this whole event, and one of the instigators was literally an egg. He was a half nig Indian. And it's, I wish I had known that prior to being like, almost all the way done with it by the time I, you know, by the time I found that out I was, I was like, I can't, I can't redo all of this. I'm just done. It's like, who knows?
02:39:31 Maybe I'm not explicitly, you know, he just looks racially ambiguous. So maybe I would have made him look, you know, way more black if I'd known that, you know, I would have made it clear to the audience that he had him some black blood in there, and I probably would have made some jokes about it. But, yeah, there's that. But he's real. I mean, he's a real person, and he really did disappear afterwards.
02:39:57 And the, yeah, it's so it's. Yes, there's nothing. I mean, aside from, obviously, I'm playing up the dirt meat thing and and, but the cabinet story, the story about how they kill him and how they start, that's, that's real. They walked in and said, Oh, I'm sick. Oh, help me.
02:40:15 And when he turned around to go through the cabinet to get the medicine, they put a tomahawk in the back of his head. So that's, it's, it's, it's not fictional. It's, again, it's kind of, there's some artistic license involved, but it's not, I mean, it's probably more of a true story than Hollywood stories that they say are based on a true story. So there's no disclaimer necessary.
02:40:42 Man of low moral fiber says the buzzing noise from earlier seems to have subsided. Maybe it was some interference with the noise canceling stuff you can be you can disregard. I'm not sure when you said that, unless it was after I turned it off. All right. Um, I think that's it. Let me just make sure that's
02:41:13 it. I'm going to double check the
02:41:21 rumble stuff just because it I think it's fine, but I didn't if it's fine this time. I won't do that. Have to do this every time.
02:41:45 Go I look at this counter review maybe. Yeah, here it is. So the first one tonight was Mr. Tasbot. Right?
02:42:24 Okay, I guess there are a couple more here. This is probably not an order. So man of low moral fiber says in college football today at University of Alabama, Birmingham or Birmingham, one Negro stabbed. Oh, wait, is that last time? That is last time. Okay, I think that we are good, then
02:42:53 we're good. There's, there's a random one in here by the shadow band saying, holy shit, you put a lot of work into that mockumentary. And I don't know how you would have said that last time, because it didn't exist yet. So I'm assuming that's new.
02:43:14 0All right, guys. Well, with that, then we're gonna shut her down. I'll double check entropy, but I think we're good. Yeah, we are good. All right, guys, I hope you had a good Thanksgiving, and like I said, Monday night, I'll be on blood satellite.
02:43:37 No stream on Wednesday, and then we'll have a stream, a normal, you know, with content, kind of a stream on Saturday, and we'll go from there, by then, I'll know some of these other things that are coming up. So anyway, hope you guys have a good rest of your weekend and you enjoy your time with your family. For Black Pilled, I am, of course, Devon Stack.
02:44:17 Now you're on your peas. You reckon you're an okay driver. But what happens
02:44:31 now? What happens now
02:44:39 you and Tommy have a little fight.
02:44:42 So what are you gonna see him again or not? Maybe, maybe
02:44:47 nobody becomes a skill driver overnight. So play it extra safe, otherwise you never stop learning you.
02:45:03 Well, this just sucks.